In 1964, while on a short trip to Paris, the American writer and art-lover James Lord (Armie Hammer) is asked by his friend, the world-renowned artist Alberto Giacometti (Geoffrey Rush), to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of an offbeat friendship, but, seen through the eyes of Lord, an insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. FINAL PORTRAIT is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity. It is a film which shines a light on the artistic process itself, by turns exhilarating, exasperating and bewildering, questioning whether the gift of a great artist is a blessing or a curse.

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sculptor|painter|brother brother relationship|painting a portrait|sculpture|paris france|pimp|prostitute|husband wife conflict|husband wife relationship|american abroad|american in paris|sitting for a portait|1960s|topless female nudity|

Canada (French title): Le portrait final
Spain: El arte de la amistad
France: Alberto Giacometti, the Final Portrait
Greece: �— �„ελε�…�„αία �€ινελιά
Italy: Final Portrait - L'arte di essere amici
Portugal: O �šltimo Retrato
Serbia: Poslednji portret
Russia: �Ÿо�ледний по�€�‚�€е�‚
Turkey (Turkish title): Son Portre