Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very puzzled by their openness. Written by

Plot Synopsis:
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Righty-Sock (robertfrangie@hotmail.com) from Mexico
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Like "Emmanuelle, "Joys of a woman" wallows in pseudo-philosophy while displaying a lot of aroused women seeking satisfaction… The setting is Hong Kong, where Emmanuelle is taken through the high-life of the aristocrat…

In Jack Jaeckin's first film, Emmanuelle was sexually reserved, and came out as she discovered her hidden sexuality… In the sequel, she explores further into the erotic domain—especially other women—in trying to find the perfect lover…

The characters are not real, but ethereal, dream-like creatures floating through life… This quality actually works quite well as Sylvia Kristel encounters other women… The eroticism is soft and sensual… When she confronts a man, however, there is a feeling only of performance… It's much more sharply refreshing and keen… The male lovers never seem to be as compassionate or as feeling as the women, nor are their characters as developed…

The photography is quite rich and luxuriant, and has captured a postcard view of modern Hong Kong…

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Falconeer from Deutschland
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As a soft core feature, Emmanuelle 2 stands out as one of the very best of it's kind. Artfully rendered, beautifully photographed love/sex scenes, that really pushed the limits on just how far a film could go. This is a sequel to one of the most successful erotic movies of all time. I can report, in all honesty that is is a rare instance where a sequel is better than the original. While the first "Emmanuelle", filmed by Just Jaeckin, is somehow dark, and murky, Emmanuelle 2 is bright, and filled with life, and with genuine eroticism. Obviously this feature had a much larger budget than it's predecessor, and it shows. The viewer was introduced to the infamous "Emmanuelle" character in 1974. She was a shy, quiet girl of 19, married to an older man, who had very different views of sex. In that film we witnessed the beginning of her sexual awakening. In this sequel we see Emmanuelle developed into an incredibly strong, liberated woman, who goes about her sexual conquests like a drunken sailor! Sylvia Kristel sets the screen on fire with her unique brand of sexuality, which i can't quite describe. The many erotic scenes feature the most sumptuously filmed situations imaginable, and always set in the most exotic of locales. And as explicit as it is, it never crosses the line between good taste and sleaze for a second. What constantly surprised me about Emmanuelle 2 is just how well made it is. Every second of it looks like a very polished, big budget film. It was not expected, because the first Emmanuelle simply did not possess this level of quality. Best of all, while Emmanuelle 1 seems horribly dated today, thanks mostly to the 1970's philosophizing of the Mario character, along with the tacky theme song, the second one has dated beautifully, thanks to the truly elegant and timeless fashion choices for Kristel and the rest of the cast, and also to the gorgeous soundtrack by celebrated composer Francis Lai. If you have an interest in erotic films, i recommend you hunt this one down. I have the DVD from the Netherlands, which I believe is the most uncut version available. I also recommend seeing the original first; it is not as good as this one, however it is still a very good, and important film, as that is the one that started it all. Plus it is nice to see a character of erotic films actually develop, and change throughout a series. I cannot however recommend most of the others in the series, (with the exception of the very rare "Yellow Emanuelle" and a couple Laura Gemser films) as they range from bad to ridiculous. This stuff is worlds better than much of the ugly, corporate crap that comes out of Hollywood these days.

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markgordonpalmer from London
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If you want to watch a decent erotic movie that your girlfriend will not slap you in the face for making her watch half way through, buy this.

It's a far better movie than the first, which was pretty dull in places. This one wallows in wild abandon, and carries a feminist message - whatever the men can do, Emmanuelle can do better, and far ruder. In one scene after a long build-up in which you think she is going to plead with a handsome bloke for sex, she waits for him to do the asking. Then tells him where to get off.

One of Alex Cox's favourite movies - Emmanuelle 2 has strong sex for a soft core happening, is genuinely erotic, has good acting and some surreal moments (the animated movie, the guy wandering around with bits of a plane, the man in the locker room with all the tattoos) ..yep - you name it and you'll probably find it here. Even the addictive, romantic piano-led music is better this time around.

Sylvia Kristel gives a great performance - she is the star, easily and by a long way. Come on - this film is good, not smut. Though it has some smut if you want. Just watch with subtitles, not dubbed. PLEASE!

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(fandangonoir) from USA
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I fell in love and lust with Sylvia Kristel after seeing this and the other 'Emmanuelle' films. She isn't typically beautiful, she isn't even the prettiest actress in most of her erotic films! But she has an innocence about her and a sexual hunger that has driven a lot men wild over the course of her career.

But! This is an enjoyable erotic little piece of fluff but at times you wish it was a bit of a harder version of soft core porn. They don't spend nearly enough time on the love scenes and frequently cut away when things are just getting interesting. But I did like the mysterious Orient setting, the acupuncture scene and the bit of animation that Sylvia watches on one of those old fashioned movie machines. You will too. This is probably best viewed at home in bed with a young lady friend if you catch my drift and I think you do...

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dougbrode from United States
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This may be the best softcore erotic movie ever made, and its a shame that more people didn't see it in America when initially released in 1975 at the height of the Sexual Revolution, before AIDS came along and took all the fun out of swinging. One reason why the film wasn't so popular is that just a few years earlier, the first Emmannuelle film, based on a supposedly true book by Ammanuelle Arson, was released with much hoopla - and seen by many people, most of whom did not particularly like it, myself included. There was a glossy look but a nasty edge to it all - the sex seemed joyless, owing to the awful approach of Just Jaecken. So people stayed away from the sequel, which is all about the joy of sex! And is absolutely sweet and seductive, lush and lovely - everything that the first Emmanuelle movie was supposed to be but wasn't. If this had been released first, everyone would have been delighted. This remains the most perfect film by which you can revisit (on screen) the truly joyous feel of sexual liberation in the mid-seventies, though steer away from its predecessor. Best sequence: Kristel's lovemaking, in an Asian brothel, with Laura Gemser, shortly to start a series of her own as . . . Black Emmanuelle!

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eht5y from United States
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I was first introduced to this and other 'Emmanuelle' films in the early days of Cinemax (or 'Skin-emax', as we used to call it) and other pay-cable channels that started featuring soft-core porn after midnight on the weekends. In the early 80s--when the government was cracking down on pornography and the market for direct-to-video softcore porn had yet to be plumbed--cable outlets like Cinemax had few options for 'dirty movies' that didn't cross the hardcore threshold other than the small brace of adult films passing themselves off as 'European art-house' cinema to American audiences during the mid-to-late 70s. Other examples include Lady Chatterley's Lover (also starring Kristel, in an adaptation that would surely have humiliated poor D. H. Lawrence), Felicity, and Melody in Love, but the Emmannuelle franchise opened the proverbial floodgates (the title character in 'Felicity'--another story about a young woman on an adventure of sexual self-discovery in the far east--is seen reading the novel on which 'Emmannuelle' is based while traveling by plane to Bangcok).

As has been amply examined, the 'Emmannuelle' films are burdened with ponderous, annoying pretentiousness, and the audience must sit through way too much boring down-time between sex scenes that tend to tease more than satisfy. In this sense, 'Emmanuelle 2' and its ilk aren't bad for 'getting in the mood,' but compared to even the soft-core porn of today, these films are quaint. But they are fascinating as period pieces, and they are very sensual and erotic when compared to the rather mechanical and listless banging together of surgically enhanced bodies that dominates the adult film market today. Sylvia Kristel is no actress (apparently, she was so bad that her dialogue was overdubbed by another actress in the first 'Emmannuelle' film), and she is not the most beautiful woman ever to get naked in front of a camera, but this is part of her appeal: she has the face and body of a real woman, and she seems genuinely turned on (in that vaguely-detached, dreamy European way) by what she's doing.

But what a nostalgia trip! Sylvia Kristel introduced so many horny young boys with pay cable to the joys of sex in foreign locales and strange places. The concept of two women making love to each other was completely unknown to me before I met Emmanuelle! I can't help but laugh thinking back to how much of my sexual education I owe to the Emmanuelle films and the other naughty Euro-trash skin-flicks Cinemax kept in heavy rotation throughout the 80s. Mom and Dad were way too uptight and repressed to fill me in--thank goodness cable television was there to explain everything.

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BlackJack_B
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The sequel for the groundbreaking Emmanuelle welcomes back the gorgeous Sylvia Kristel (complete with a Kimberly Ryan hairstyle) in her second sexer. This time Emmanuelle and her husband (played by Umberto Orsini, a man I wish that I could look like) visit more of the Orient and Indonesia. Again, Emmanuelle (who's more confident about herself and her sexuality) has the time to have "philisophical discussions" wherever she goes, whether it would be in the bathtub, watching a microfilm movie short, in a locker room, a brothel, or getting acupuncture! Once again, we'll get to see the rituals and customs of the countries of the Far East, the same song being played during the "philisophical discussions", and a PYT thing who wants to learn from her (instead of the PYT teaching her). Once again I've seen the French and dubbed versions, and this time Kristel is dubbed by a more confident sounding woman, the voice of Emmanuelle from the first one seems to have been given to PYT Anna-Maria (Catherin Rivet).

All in all, almost as good as the first. BTW, one of the masseuses in the parlour Emmanuelle, Jean, and Anna-Maria visits is played by the gorgeous Laura Gemser, an Indonesian actress who would later play Emmanuelle in the series after Kristel decided to try her luck in more mainstream films in America.

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gridoon
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"Emmanuelle 2" is an interesting relic of its era. That's not to say it's not explicit enough (it is, for a soft-core porn film), just that it has that decidedly pre-AIDS attitude about casual sexual encounters with multiple partners. The sex scenes deliver the goods, but the lack of a discernible plot may prove tiresome for some. This is a movie best enjoyed by using your fast-forward button to get to the scenes for which you rented the film in the first place (but you probably could have figured that out by yourself). (**1/2)

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Dries Vermeulen (Nodriesrespect) from Brugge, Belgium
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While Just Jaeckin's "original" EMMANUELLE continued its ludicrously lucrative run uninterrupted at one Paris theater on the swanky Champs Elysées for an entire decade, its inevitable sequel proved problematic right from the outset. The liberal attitude of Democratic President Georges Pompidou (who passed away suddenly in 1974) which had enabled the French porn industry to tentatively take shape made way for the crushing clamp-down of his right wing successor Valéry Giscard d'Estaing who, along with his then Prime Minister (and subsequent Father of the Nation from 1995 to 2007) Jacques Chirac, decided to set an example with this particular high profile dose of "filth", demanding a more demure re-titling (the initial ANTI-VIRGIN tag had to go !) as well as substantial cuts which kept the film tied up in limbo in its country of origin for nearly three years ! When it finally did hit Paris screens in January of 1978, on a more discreet location than its predecessor (the city's most famous avenue now well and truly off limits for this type of material) and mere months before François Leterrier's bland third installment GOODBYE, EMMANUELLE - which was already playing stateside - opened, what was supposed to have been an erotic blockbuster passed almost unnoticed. Although it had already done respectable business in other countries by then, its snubbing from polite society on native ground sabotaged both series and any subsequent attempts at big budget up-scale eroticism from French filmmakers.

Taken purely on its own merits, EMMANUELLE 2 is actually a considerable improvement over its preachy predecessor, thankfully discarding much of the dispiriting diatribes excusing extra-marital excursions it had lifted ad verbatim from Emmanuelle Arsan's once scandalous 1959 novel. As a regular photographer for various glossy men's publications, most notably Lui magazine, director Francis Giacobetti shared a similar background with Jaeckin if not the urge to rise above his station which, ironically perhaps, helps to make this second installment a far more palatable because much less pretentious affair. Respected DoP Robert Fraisse, the Continental go to guy for pretty pictures of naked people as his much lauded work on Jean-Jacques Annaud's 1992 THE LOVER (in spite of its lofty literary aspirations not all that different from the flick at hand) eloquently attests, makes the most of exotic travelogue locations and the lovely ladies cavorting around in them. Composer Francis Lai, whose soundtrack for David Hamilton's soft focus sex fantasy BILITIS sold through the roof worldwide, contributes his customary assortment of dreamy theme tunes. Mmmm... Hong Kong setting, Sylvia Kristel Au Natural, center spread posturing, elevator muzak. Seventies skin flicks don't come any more quintessential than this.

Story doesn't require too much concentration but the frequent flurries of fine female flesh should effortlessly hold viewer attention. Trying to get back to her French ambassador husband Jean (Umberto Orsini), Emmanuelle has to share an all female cabin on the boat over. Italian rip-off artists like the late Joe D'Amato could have made a meal out of a set-up like this but Giacobetti limits the action to a tender same sex exploration between the stunning Sylvia (who has never looked prettier) and blond amazon Caroline Laurence, who made quite an impression playing the stern head mistress in Jean-Claude Roy's extraordinary EDUCATION ANGLAISE and would also pop up in Francis Leroi's seldom seen EMMANUELLE 7. Jean and Emmanuelle have established a comfortable agreement between them that allows either spouse to basically jump anyone they might fancy. While there's no shortage of suitors, Emmanuelle has her heart set on her husband's friend and pilot Christopher (Frédéric Lagache), largely because he doesn't seem particularly keen on her. Ah, so there's truth in the old adage that you want what you can't have.

Still, our girl's not exactly going to waste, photogenically fooling around with a bevy of magnificent massage girls led by statuesque Laura Gemser, who of course was to become BLACK EMANUELLE (with just one "m" to avoid copyright infringement !) in an apparently endless string of Spaghetti skin flicks, or flinging herself at half time towards a heavily tattooed jockey incarnated by Italo exploitation mainstay Venantino Venantini. The bit that really got the movie into legal hot water with the French Prez, who was admittedly just looking for any old excuse to put his foot down, is a crudely drawn but effectively hardcore cartoon featuring a corseted young maiden simultaneously taken advantage of at both ends which our heroine in heat views on a nickelodeon machine while she's being felt up by the hunky black dance teacher of Anna-Maria (Catherine Rivet), the shy diplomat's daughter left in her charge, soon to be initiated in the wicked ways of the world by the swinging couple. Latter event represents what little dramatic arc this flick possesses, building up the tease that finds release in a genuinely erotic climax. Captivating Kristel cements star quality by completely consuming every frame with sophisticated sensuality, compensating for what meager demands are made of thespian qualities better served elsewhere.

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sinnerofcinema from United States
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A wonderful sensual film with a most outstanding soundtrack. Sylvia Kristel brings to life another episode of the insatiable Emmanuel. Ms. Kristel not only brings decorum to the role, but also class and a beautiful sensuality that only this beautiful woman can exude. The artistry, cinematography and detail for art direction makes this film a beautiful cinematic crescent of colors to watch. The erotic scenes were so beautifully stages, shot and endured, that you cannot help but to want to be with the actors playing the scenes out with them as well. I recommend this film cause it will not only transport you back to a time where erotic films had a definite story structure and cinematic beauty, but they were also artful and decadent. The nostalgia is palpitable. I cannot comment enough on the soundtrack of this film. The orchestration are guttwrenching and emotional and adds light to every scenes where it is placed. France should be most proud to have had in existence, back then, such a beautiful, talent, classing and sexually charged actress as Sylvia Kristel.

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AKAs Titles:


Certifications:
Argentina:18 / Australia:R18+ / Brazil:18 / Canada:R (Manitoba/Nova Scotia/Ontario) / Canada:18+ (Quebec) (original rating) / Canada:16+ (Quebec) (re-rating) (2003) / Finland:K-18 / Finland:(Banned) (1976) / France:16 (TV rating) / France:12 (re-rating) / France:16 (re-rating) (1978) / France:X (original rating) (1975) / Germany:16 (re-rating) / Hong Kong:III / Ireland:18 / Italy:VM18 / Netherlands:18 / Norway:18 (2002) (DVD rating) / Portugal:M/18 / Singapore:(Banned) / South Korea:18 / Spain:18 / Sweden:15 / UK:18 / USA:NC-17 (certificate #31454) / USA:X (original rating) / West Germany:18 (nf)