Catwoman is the story of shy, sensitive artist Patience Philips, a woman who can't seem to stop apologizing for her own existence. She works as a graphic designer for Hedare Beauty, a mammoth cosmetics company on the verge of releasing a revolutionary anti-aging product. When Patience inadvertently happens upon a dark secret her employer is hiding, she finds herself in the middle of a corporate conspiracy. What happens next changes Patience forever. In a mystical twist of fate, she is transformed into a woman with the strength, speed, agility and ultra-keen senses of a cat. With her newfound prowess and feline intuition, Patience becomes Catwoman, a sleek and stealthy creature balancing on the thin line between good and bad. Like any wildcat, she's dangerous, elusive and untamed. Her adventures are complicated by a burgeoning relationship with Tom Lone, a cop who has fallen for Patience but cannot shake his fascination with the mysterious Catwoman, who appears to be responsible for a ... Written by

Plot Synopsis:
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The figure of a limp woman with long curly hair is seen drifting underwater, and a voiceover questions the end of a life that never truly existed. This life ended in murder, the victim herself unsure of who her killer was and why she was killed. Her death was only metaphorical, for in her place a new life begins.

The story starts with Patience Phillips (Halle Berry), a timid woman who can't stand up for herself. She lets people walk all over her, and has wasted her artistic talent working for a cosmetic company as a graphic designer. George Hedare (Lambert Wilson) runs the company with his supermodel wife, Laurel (Sharon Stone). Laurel knows that Patience is capable, but seems mostly indifferent, only using her in own power struggles with her husband. George, an abusive boss in general, finds plenty of opportunity to mock Laurel.

The company is about to launch BeauLine, a new anti-aging product that Laurel had secretly been using for years. The advertisement is designed by Patience but George, unsatisfied, demands that she redesigns it. Upset and frustrated, Patience returns home and sees a cat looking up at her. Shaking her head, she goes to sleep, but her loud neighbours keeps her up and she is unable to rest. Next morning, the cat is on her window ledge. When she approaches, she realizes the cat has climbed up to a higher ledge and was potentially stuck. To try and reach the cat, Patience climbs out her window ledge, and a passing detective mistakens her intentions as suicidal. He ends up rushing into her apartment and pulling her back in. Patience would have thanked him but realizes she is late for work, in her hurry to leave she drops her wallet. The detective, Tom Lone (Benjamin Bratt), tracks her down to her workplace and returns it to her, and both agree to a coffee date.

Later that night, Patience goes to the production factory to deliver her artwork, and she accidentally hears that the BeauLine has unsafe health problems. Stunned, she backs into several tools, revealling her presence. Two men chase her into a large waste water pipe, where she is trapped, and they flush her into the river, where she drowns. The cat that has been appearing in front of Patience appears by her body and gathers several other cats around her.

Patience eventually drags herself unsteadily up and returns home. Her movements are off and uncontrollable, and she ends up breaking the glass through her own window. When her neighbours start their usual loud party again, she yells at them to quiet but they again ignore her. The old Patience would have backed down, but now she strodes down, knocks on their door, and promptly beats up the host and destroys the music equipment in front of many shocked guests. When she wakes up the next morning, she almost dismisses everything as a dream until she sees the broken glass. Unfortunately, her memories of what happened before that are blank, and so she cluelessly returns back to work.

At work, George loudly yells at Patience in front of all her coworkers for not handling in her project. She tunes him out, which angers him further, and when she apologizes he only continues. Patience than apologizes for wasting her time in the company, and is fired, but as soon as George leaves her colleagues swarm around her in congratulations. Patience packs up her things and while she and her friends are walking home, two dogs instantly begin barking at her and she instinctively hisses at them. When questioned, she explains her behaviour as allergies. When they pass by a jewelry store, Patience's attention is caught by a beautiful collar-like necklace, but is reminded of her new unemployed status and leaves longingly. Once home, she sees the same cat again, and finally close enough she was able to find the address on the cat's owner.

The cat belonged to an older woman named Ophelia, a former professor who lived alone in a house full of cats.She explains that the cat constantly appearing in front of Patience is named Midnight, a rare Egyptian Mau who likely has been watching Patience for several days, knowing that she was about to die. The cat has special powers that are given only to a few deserving women after they die. Hence after Patience died, she is reborn with new catlike powers. History will tell of women with the senses and agility of a cat, and Patience has now joined their ranks. Patience and Catwoman are two completely different people, yet they are one.

Now on the prowl, Patience digs up a leather outfit she once received as a gift but never wore, and donned on the cat mask Ophelia gives her. Catwoman finds the man who had tried to shoot before drowning Patience, but after a fight she learns he had no idea who the girl he killed even was or exactly why he had been suddenly called in to eliminate her. He only knows it was something to do with the company, perhaps some sort of corporate scandal, and that she should probably check with the people at the top. Catwoman agrees and goes to corporate headquarters, only to find another man she had seen on the night of her death lying dead on the floor. A passing janitor walks into the scene and mistakens Catwoman as the man's murderer, she is forced to flee when the police are summoned.

Now a wanted criminal to the public, Catwoman sneaks into George's private residence, where she briefly gets into a fight with Laurel. Catwoman demands to know where George is, telling Laurel about the terrible effects of BeauLine. Laurel gives Catwoman a hotel address as well as a cell phone so the two of them could keep in contact. Catwoman finds George with Drina, another upcoming model, in a private balcony watching a dance. Unfortunately, a security officer had already spotted Catwoman and called the police. When Drina briefly leaves and Catwoman tries to interrogate an uncooperative and still abusive George, she is cut short by the police suddenly appearing. Left with no choice, she jumps off the balcony and onto the stage before briefly dropping down below. The audience mistakens her brief appearance as part of the show and loudly applaud while below, Catwoman finds Tom with a gun. The two of them fight while she flirts and even kisses him before reinforcements arrive and Catwoman is again forced to flee.

On their date, Tom tells Patience about his encounter with Catwoman. She doesn't seem jealous, and the two continue having a great time until Tom finds a diamond-studded claw in Patience's home, something he instantly recognizes as part of Catwoman. He takes a cup Patience had drank from to the police lab, where analysis prove Patience and Catwoman as the same person. Meanwhile, Patience wakes up alone in the bed, and receives a call from Laurel who says she found evidence of her husband's crimes. Catwoman goes to the Hedare residence only to fall for a trap - George had been clawed at and fatally shot, and Laurel tosses the gun into Catwoman's hands so that the police would identify her as the killer.

Her agility and Laurel's exercise outfit helps Patience escape the police and allows her to return home, but Tom is waiting for her. He knows if she wanted to she could quickly disarm him, but she doesn't and lets him arrest her and bring her into interrogation. Patience pleads her case and tries to explain, but as Tom pointed out all the evidence pointed to Catwoman as the killer. Patience realizes that Tom probably still saw her as the girl from his first impression - a crazy woman with suicidal or even hallucinatory tendencies. In tears, she allows him to lock her in the detention cell, but it only takes the appearance of Midnight for her to successfully escape. She ends up going to BeauLine's production warehouse and disabling all the trucks so that the merchandise could not be delievered.

Tom goes to the BeauLine press conference where Laurel is heavily promoting the producting and giving out free samples. He privately takes her aside and indicates that he had evidence about her crimes, and when she unintentionally confesses he is unprepared for her murderous reaction. Luckily Catwoman arrives in time, but Tom is already injured and unable to run quickly out the building. Instead they are forced to stay behind to fight Laurel and her lackeys. Despite his injured state Tom is able to take care of himself, and Catwoman fights her way to Laurel for a final confrontation. To her dismay, it turns out that Laurel is unable to feel pain, largely due to the continuous use of BeauLine. Nevertheless, Catwoman manages to damage skin and eventually causes Laurel to plunge out the window. For the first time, Catwoman realizes she may have killed someone.

Catwoman's exploits end up on the news, and the Hedra company is shut down, but partially because of the ambigous nature of Catwoman and partially out of guilt Patience is unable to relax. She breaks up with Tom and prepares to live her own life, free and untamed, the Catwoman of her generation.

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timetwister77 from United States
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remember this flick; recall every poorly crafted detail; recite every stale line repeatedly. Why? Because one day, my friend, this train-wreck will be playing at your local buck and a quarter cinema @ midnight 30 with a line of freaks rolling along the walls. Each will be holding a ball of catnip in one hand and a jar of face cream in the other; and you'll be the #1 popularoso if you can recite along with this mutt. All I can say is WOW. That is the worst villain of all time: Marbleface.. my face has become marble from too much toxic face cream? No, this wasn't directed by a Frenchman. I mean it..This movies is A+ cheese. CGI catwoman to real Berry is stunning. Goes from sleek to klutzy instantly. If you like this movie like i do, your rolling on the floor. Every second is purely genius. If you liked it for real, your bus just pulled up, get away from the comp.

Highlights: 1) This is not Catwoman. Catwoman is Selina Kyle; this is patience something or other. This movie was too embarrassing to be connected with such an awesome character 2) My fav part of the lame costume: the shoes with the toes sticking out. 3) Oooooh the most sinister thing we can think of: the fiend knows the face cream is ruining the beautiful girls faces, but wants to profit anyhow. This kind of villainy puts Lex Luthor to shame! 4) Catwoman's freak out with the catnip! This is when the Rocky Horror crowd crowd will toss the catnip balls at the screen 5) You cannot argue with the music too loud scene. period. A keg's nozzle will NOT squirt that far Patience. How did you achieve such a feat. You really are a super hero.

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BHorrorWriter from Ohio, USA
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...how movies like this get rushed into theaters.

I honestly believe that when the idea of a Catwoman movie came across someone's desk several years back, it was a good idea. Unfortunately what turned up in theaters in 2004 was this mess! Having never picked up a Catwoman comic book, I cannot judge the film on that background. Knowing only of the old Batman TV show from the 60's, the 90's Cartoon and the brilliant portrayal by Michelle Pfeiffer in Tim Burton's exceptional Batman Returns in 1992. That's all I really have to go on.

However, this 2004 update on the character is flawed. Halle Berry is awkwardly cast as the lead. Her screen presence was boring and lacked any real motivation.

With 3 writers, it is no wonder the story goes in all directions, never sticking to one line for too long. It is disjointed and incomplete. It almost seems the script was written just to have CGI fight sequences and Berry in that silly (though hot) costume! Pitof, as director strings together a film that has no real entertainment value. Though many scenes are shot beautifully, I do not see where he treated the character of Catwoman as the focal point. It just seems like he was making a movie - nothing more nothing less.

All in all the film is bland. Trite. Scripted weakly. Sloppily acted. Well, you get the idea.

Long live the days when Michelle Pfeiffer wore the Catwoman costume. She truly demonstrated the characteristics of a true Feline Femme Fatale. She holds ranks with the women that have portrayed Catwoman - Berry, though I love her, does not! 2 out of 10

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udeaasykle (udeaasykle@hotmail.com) from Sandnes, Norway
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Oh my, where do I begin? Well I could tell you that this is a well made action movie, but obviously I would be lying my head off. So instead, I want to tell you the truth. Are you ready? Here it comes… "DON'T SEE THIS MOVIE" Let me tell you why. If you see this movie and are over the age of 16, you will end up hating yourself for letting yourself rot for 104 minutes without getting anything back, except an increased feeling of wanting to get revenge on Hollywood. They say that it is very hard to get your script into a movie. Well, after seeing this movie, I think a one legged monkey could write a better script, without either pen or paper. The fact that Halle Berry even uses a male stunt double, makes me loose all respect for both her and this movie. Besides the stunt double thing, the movie still sucks. The dialog sucks, the acting is not even present and the action looks sloppy and poorly thought through. This movie actually made me like The Core better, which is pretty much impossible. I rate this movie 1/10

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taken_335 from Palm Springs, CA
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Directing 0/10, Writing 0/10, Cinematography 0.5/10, Editing 1/10, Acting 0.5/10, Overall Satisfaction 0/10

Final- 0.5/10

One word is brought to mind when thinking back to my viewing of, Catwoman- Crap. It might be inspired by my estimation of the film's display of only 12 minutes of living, breathing actors (which I will get into more below). Or it could possibly be inspired by the many errors that there wasn't even an attempt to cover, i.e.- Patience becomes Catwoman after wandering into a restricted area. How did she get into this restricted area, you ask? By walking through the door marked 'RESTRICTED AREA,' in bold, red text, which was simply unlocked and didn't even have a significant locking device on it. You know, I might've also hated the movie (not worthy of the word 'film') because of the pointless-undeveloped story line. And, really, it's not possible to look beyond the disgustingly audacious 'style' of one-named director, Pitof, which can only be described as the style of a headless chicken running through a maze of landmines. Oh, yes, said headless chicken is also being chased by angry natives wielding machetes.

I mentioned above that I estimated that only 12 minutes of living, breathing actors were shown during the entire 140 minutes of film. Almost every sequence of the movie featuring an actor seemed to be butchered by the insertion of CGI's. I'm dead serious. I'm not just talking high-flying, sucky action sequences- I'm talking scenes of Catwoman walking to a motorcycle and calmly getting on it, and the other one that immediately comes to mind is a sequence where a man (a baddie) is simply walking. Yeah, walking. It seems agents and managers are really watching over their clients these days.

Now, two questions I'm asking-

1) What is the point of Catwoman? What the [expletive] does she do?

It's explained in the film that Midnight, the 'magical' cat, chose Patience to become Catwoman, but something is wrong here- CATWOMAN HAS NO PURPOSE!! Every other superhero out there has a purpose- They save people! It seems Catwoman's only purpose is to kill the people who attempted to kill her and chase a cricket or two. There's nothing else to her!

2) Where is the REAL back story?

It sure as [expletive] wasn't in the film! Why wasn't she shocked and attempting to reason and deal with the emotional ass-kicking that would come with the revelation? She's told she's Catwoman by the cliche cat lady, she buys a mask and nails and the result is the 'superhero.' It's adds up, but not into anything of any value whatsoever. Shame on you terrible writers!

Halle Berry is a good actress. I'm not doubting or denying that. She fully deserved her Academy Award nomination and win for 2001's Monster's Ball, but something bad happened here. Her acting started awful and ended awful. I'm hoping the talents and reputation of Berry won't be harmed by her inadequate performance.

Now, My request to Halle Berry- Ms. Berry, I want my money back. I never thought I could see such a terrible performance from an Oscar winning actress. Maybe you were just doing your best with the material? But, you know, that really is not a valid excuse. After reading the screenplay, you should've thrown it in the face of the agent who dared display it to you. How could you not notice how awful it was? Make some better choices and hopefully your career won't plummet as so many others have.

I recall an interview with Ashley Judd, the original casting choice for Catwoman, who said something along the lines of, 'Turning down the role of Catwoman is one the things I regret the most.' Ashley, never say that again. You have only been saved by not appearing in this hilariously terrible film.

Listen people, don't waste your money on this glorified..er…um..crap. It's not worth the $6-$15 bucks!

So now you ask, why not just give it a zero? Why the zero-point five? Well, The editing was sufficiently bad; the acting of Alex Borstein could've possibly taken some effort, appropriately placed CGI's were okay, and I like cats.

Directing 0/10, Writing 0/10, Cinematography 0.5/10, Editing 1/10, Acting 0.5/10, Overall Satisfaction 0/10

Final- 0.5/10

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Nigel from United Kingdom
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I'm tempted to write a long piece explaining why this film was so bad, but I can all too easily summarise by saying "Everything".

It was poorly acted, predictable, unenthralling, cliched nonsense. And that was just the first half hour, at which point, for the sake of my brain and stopping it melting with the sheer tedium, I walked out of the cinema.

If you're genuinely sad enough to believe that paying good money to see Halle Berry in a PVC suit is good enough reason to spend time gawking at this trash, then fine. Who am I to try to persuade you to try and do something more valuable with your time, like base-jumping without a parachute?

Utterly abysmal

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jjalan from louisville, USA
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Oh, where to start...imagine all the intellectual depth of Showgirls, plus all the excessive and ridiculous special effects of Charlie's Angels, and then throw in some dialog crafted by whomever wrote for Governor Schwarzenegger's Mr. Freeze in the fourth Batman movie, and only then are you even close to a movie as awful as this.

I suppose one should not expect much from a director who actually refers to himself as Pitof. But let's come back to that. Let's move on to Halle Berry. Note to Halle Berry: Letting Billy Bob Thornton ream you endlessly on camera is certainly degrading, but it was also a good career move--and you won an Oscar; feverishly eating catnip and licking people's faces on camera, however, is not a good career move--and you'll probably win a Razzie this time. They make you return Oscars for movies like this. Oh yeah, as for the supernatural explanation for Patience Phillips/Catwoman's superhero status--she gets CPR from an immortal Egyptian cat--I am not kidding.

And then there is Benjamin Bratt, who happens to be a pretty solid actor, but could have very likely damaged a good career. If his participation in this movie isn't enough to stigmatize him, then I'm sure he had to pass up a lot of good roles because of all the time he spent having his foot surgically removed from his former agent's rectum. There is a scene in this movie--probably the worst, and that's no small achievement--that is reminiscent of that ridiculous scene in Daredevil where Jennifer Garner/Elektra and Ben Affleck/blind superhero have a Kung Fu fight at a playground in broad daylight; in this movie it's Halle Berry and Ben Bratt playing one-on-one hoops and her doing Catwoman flips and yet no one appears to be too amazed by this, much less pants-soiling surprised, and on top of that it has a sort of VH1/Color Me Bad/early New Edition video feel to it. And I'm really not sure what city this is all supposed to take place in--Gotham, Metropolis, the land beneath the whole in the cutting room floor--but apparently this place only has one detective, the unfortunate Bratt. No matter what the crime is--burglary, murder, domestic disturbance, interrupted ballet performance--he's always there.

As for the rest of the cast, that annoying woman from Mad TV--I know that's not specific enough; I mean the most annoying one who plays what I guess is supposed to be some bizarre Asian lady--well, she plays Catwoman's annoying and sort of slutty co-worker comic relief since Rosie O'Donnell was apparently unavailable.

And then we come to Sharon Stone. Now I know her career is going down the crapper with all deliberate speed, but it's still hard to understand this one. The only thing I can guess is that the opportunity to break into silly, pseudo-feminist diatribes made this a role she couldn't turn down. Of course Sharon has often lamented the lack of good roles for older women in Hollywood, and she's absolutely right about that, but this is not the best way to lodge a complaint, and plus that's always been a little peculiar coming from an actress whose greatest cinematic achievement is the conspicuous exposure of her labia.

Briefly back to this Pitof character--I thought that pretentious one-named idiot who did the Charlie's Angels movies--McG, I believe--was bad enough, but this guy is even more shameless and obviously lacking in talent. What's with these guys who've never made a movie and are already going by only one name? Don't you have to work up to that? I mean if is Scorsese wants to go by Marty, fine; if Tarantino wants to be just Quentin, or even just Q, whatever, but where does a hack like this get off using one name? This movie deserves every Razzie it receives, and while some reviewers may say it's not really that bad, remember, it took a lot of money to make this godawful thing, and if people don't speak out about how dreadful it really is, they just might make Catwoman 2. Can you live with that?

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shinlyle from United States
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Wow...I have never seen such horrendous footage in my life! I would normally never knock something without having seen it in its entirety, but this film is utter $hit! Put it back in the litter box and throw it out!

I've seen about 45 minutes of footage and it really looks like something someone did as a flash film and they thought "Hmm...this would look cool on film!!"

I think it's total and utter betrayal of the character's roots is bad enough, but to compound that by ripping off elements from other comic-based action films (The Crow, Spider-Man 1 & 2, etc.) is just adding more nails to this already sealed coffin.

The only positive reviews I have read seem to say that "It wasn't as bad as everyone said it was, but it was bad". That isn't a positive review. The only people who enjoyed this film are pre-pubescent guys who will never know the touch of a woman without shucking out a few hundred bucks for it.

This film is a disgrace to comics, movies, and mankind in general, and any woman who thinks this film is "empowering" is probably some young promiscuous woman will will be called "MAMA" before she hit age 17.

Beware this movie, and avoid it like the freaking' plague.

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Ruth from United Kingdom
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I liked it. OK, it wasn't the best film ever, and yeah, there have been better Catwomen (namely, Julie Newmar and Michelle Pfeiffer), but when you sit and watch it with no expectations, it's actually kind of cool.

From a superhero point of view it's a little one-sided- there aren't any real villains, at least, none who pose a real threat. Although Sharon Stone's character reminded me a tad of Poison Ivy, you know, super-beauty-products and all that jazz. But I quite liked that it showed how someone really quiet and shy can turn into a catty, sexy weirdo.

No offence meant to catty, sexy weirdos.

Catwoman has no real point to it, other than to explain how Patience gets her powers. It would be good if there was a follow-up where she beat Batman / Superman / Poison Ivy or whoever, but since the film did so badly this seems about as likely to happen as pigs flying, hell freezing over, and Ozzy Osbourne announcing a fondness for Girls Aloud. Which is a shame, because I didn't think the film was that bad.

They'd have been better off doing a spin-off from the Batman flicks with Michelle P (or a lookalike) as Catwoman, so the back story wouldn't be necessary.

Don't hate me for loving Catwoman. Please?

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Sam-71 from Sydney, Australia
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Wow - where to begin???? Firstly, this film should prove that the Oscars are rigged - Berry can act about as well as I can fly. She deserved the Oscar about as much as George Bush deserves an award for world peace. And Pitof???? Who are you? Madonna???????? Unless you're a mega-star - USE 2 NAMES! Well, as a visual effects producer myself, I can say with confidence that he shouldn't give up his day job - directing VFX is very different to directing a film. Even having said that, the VFX in "Catwoman" were pathetic at best: half of it looked liked a poorly rendered video game!!! Please go back to France and do something else with your life like making coffee or croissants or pretending to be American.... 2hrs of my life WASTED!

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Phil B from Ireland
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What a load of Rubbish. Now i know there's sci fi movies out there that are obviously fictional, but this has to be the worst fictional movie i have ever encountered. I watched the whole film just on the off chance that it would get better. Low and behold it just kept getting worse. Don't get me wrong i like Halle Berry but for her even to take a script like this it was obviously the money talking. OK the start of the movie where she happens to save a cats life that was hanging off a balcony and the man whom happens to turn up every second of the movie happened to bear witness to this and thought halle was gonna jump off the balcony, and turns out to fall in love with her straight away. Then a few minutes later halle goes to work and somehow ends up in a totally private and confidential area of her workplace where she witnesses her evil boss conjuring up some "addictive" make-up (how corny is that), then she gets shot at by some goons that couldn't shoot at an "open goal" from point blank range. Well i suppose halle did do some incredible matrix style dodging of bullets. Then to cut a long story short she ends up on the edge of a cliff where she plunges to her doom, all to be washed ashore where the cat she saved from the balcony gives her mouth to mouth resuscitation. Then low and behold, she turns into catwoman. And yes you guessed it she is now a "super hero." Now shes on a mission to avenge her death. Oh yeah the man who thought she was gonna kill herself turns up everywhere she goes, surprise surprise and cant even use his thick head to understand they are the same person, even though there is no difference in looks except a silly black thing covering her eyes. Well the only advise i can give someone intent on watching this is Don't WATCH IT, you'll get stressed and end up killing the nearest cat you see.

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AKAs Titles:


Certifications:
Argentina:13 / Australia:M / Brazil:10 / Canada:PG (Ontario) / Chile:TE / Finland:K-11 / Germany:12 / Iceland:10 (original rating) / Iceland:12 (video rating) / Ireland:12 / Japan:U / Malaysia:U / Netherlands:12 / Norway:11 / Peru:PT / Philippines:G / Singapore:PG / South Korea:12 / Sweden:11 / Switzerland:12 (canton of Geneva) / Switzerland:12 (canton of Vaud) / UK:12A / USA:PG-13 (No. 41022)