Bud Fox is a Wall Street stockbroker in early 1980's New York with a strong desire to get to the top. Working for his firm during the day, he spends his spare time working an on angle with the high-powered, extremely successful (but ruthless and greedy) broker Gordon Gekko. Fox finally meets with Gekko, who takes the youth under his wing and explains his philosophy that "Greed is Good". Taking the advice and working closely with Gekko, Fox soon finds himself swept into a world of "yuppies", shady business deals, the "good life", fast money, and fast women; something which is at odds with his family including his estranged father and the blue-collared way Fox was brought up. Written by

Plot Synopsis:
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New York City, 1985. Bud Fox (Charlie Sheen) is an ambitious, young junior stockbroker at Jackson Steinem & Co. a local Wall Street stock and trading firm, desperate to get to the top. He wants to become involved with his hero, the corporate raider Gordon Gekko (Michael Douglas), a ruthless and legendary Wall Street player.

After work, Fox's meets with his father Carl (Martin Sheen), at a bar in nearby Queens for drinks. Carl Fox is a blue-collar maintenance foreman for a small and struggling airline company called Bluestar Airlines. In a casual conversation, Carl tells Bud that the Federal Aviation Authority has cleared Bluestar of responsibility for a major incident in which it was involved.

Some days later, Bud Fox visits Gordon Gekko on his birthday and, granted a brief interview, pitches him stocks, but Gekko is unimpressed. Realizing that Gekko may not do business with him, a desperate Fox provides him with the information about Bluestar which the FAA has yet to make public. Gekko tells him he will think about it. A dejected Fox returns to his office where Gekko places an order for Bluestar stock, becoming one of Fox's clients.

Over the next few weeks, Fox makes more stock deals with Gekko which fall through, but the corporate raider has taken a liking for the young man and takes him under his wing. However, Gekko makes it clear that he does not want just a few tips on the stock market: he wants inside information of the sort that should be confidential, obtained by any means necessary, even if it involves using unethical and illegal methods. Desperate to advance in life, Fox agrees.

One of his first assignments is to spy on British corporate raider Sir Lawrence Wildman (Terence Stamp) and discern his next move. By following Wildman through New York, Fox discovers that he is out to take control of a major steel company in Pennsylvania and informs Gekko who leaks the news to the press and then and buys the controlling shares.

On that weekend, Gekko invites Fox to his house on the Hamptons in Long Island where Fox gets a look at the corporate raider's family life and gets to meet his wife Kate (Sean Young), the mother of Gekko's two-year-old son Rudy and infant daughter. Fox also has a run-in with an attractive blond lady who introduces herself as Darien (Daryl Hannah). Over drinks, Darien tells Fox that she works as an interior decorator in New York and she knows Gekko because she is a frequent client of hers to do business at his house and city apartment. Fox asks Darien out on a date for later, and she agrees to one. A little later, Wildman arrives uninvited and confronts Gekko about the takeover of the steel company. Wildman claims that he is not out to asset strip the steel company but to improve its infrastructure and make something of it. After trading some personal insults, the two men agree to a deal where Gekko will sell it back to Wildman for a large cost.

Over the next year, Fox's star is on the rise. He makes good money and enjoys Gekko's perks, including purchasing a penthouse on Manhattan's Upper East Side and Darien becomes his trophy live-in mistress. However, it is hinted that Darien is a former lover of Gekko's. Still employed by Jackson Steinem, Fox is promoted as a result of the large commission fees he is bringing in from Gekko's trading and is given a corner office with a view. He continues to maximize insider information, going so far as dressing up as a cleaner and breaking into the offices of lawyers and businesses after hours in order to obtain necessary data.

Fox believes that the Bluestar Airlines can be improved and made a commercial success. He persuades Gekko to buy Bluestar and expand it using savings achieved by union concessions. The union leaders, including Fox's father Carl, are invited to Fox's apartment in order to discuss the proposal. Only Carl Fox proves to be hostile to the idea since he does not trust Gekko and feels that Gekko only wants to buy up and then liquidate the airline, but, after a row with his son, he agrees to put it to his men.

Things seem to be going well, but then Fox learns at a shareholders meeting that Gekko has indeed double-crossed him and in fact intends to sell off all of Bluestar's assets leaving Carl and the entire Bluestar staff unemployed once the stock peaks at it's price. Fox himself stands to make a fortune on such a move but is racked with guilt since it was never his intention to break up Bluestar, especially since many of the staff happen to be friends whom he has known for a long time. Just then, Fox learns that his father has been admitted to the hospital from a heart attack. At his father's bedside, Fox apologizes to his father for doubting him.

From this point onwards, Fox resolves to destroy Gekko's plans to take over Bluestar. Darien tries to talk him out of it, pointing out the money that they are going to earn and the danger of making an enemy out of Gekko. Fox refuses to listen to her arguments and they break up, leading her to walk out on him for good.

A few days later, Fox and the union leaders privately meet Gekko's rival, Sir Laurence Wildman, who agrees to take over ownership of Bluestar, and, in return for union concessions, save it from being asset-stripped. The next day, Fox then gets his colleagues at Jackson Steinem to persuade their clients to invest in Bluestar. Using Gekko's own methods, he leaks the news of Gekko's takeover of Bluestar which sends the share price up. The union leaders then confront Gekko, warning him that they know of his plans to liquidate the company (which of course he calmly denies) and threatening to make life so difficult for the customers that by the time the company is broken up it will be next to worthless.

Gekko decides to cut his loses and pull out of Bluestar - "What the hell. So we only make 10 million instead of 20 million." - but Fox then gets his contacts to dump their Bluestar stocks... which sends the share price down! Gekko is unable to find buyers for his own stock, "I am losing millions!", and is forced to sell at a loss. Once the share price has gone down as far as it can, Wildman buys it up, taking over Bluestar. Gekko is furious and knows who to blame.

The next day, a triumphant Fox arrives at work at Jackson Steinem & Co. where he is confronted by the police and the Securities and Exchange Commission. Apparently Gekko tiped them off about Fox's insider dealings which they themselves have been investigating for some time. Fox is arrested, handcuffed and led out of the office in tears.

Some time later, Fox confronts Gekko in rainy Central Park. Gekko berates him for his betrayal. He then viciously assaults Fox, but not before mentioning several of their illegal business transactions. Unknown to Gekko, Fox was wearing a wire which he then turns over to the federal authorities.

A few days later, Carl Fox drives his son to the New York City courthouse where he will face the consequences for his insider trading and securities fraud charges. After having a few words with his father, Fox exits the car and walks up the steps to the courthouse alone as the image pans back to the skyline view of New York. It is strongly implied that Bud Fox will go to jail for his greed, but his co-operation to implicate Gekko with him in their insider trading schemes could mean a lesser sentence and Wildman has offered him a job at Bluestar upon his release... whenever that will be.

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scrummy01 from Phoenix, Arizona
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You can watch Wall Street and take it for face value. If you want to do that, all you have to do is watch Michael Douglas, probably the most underrated actor of the last 30 years, give his greed speech. You will be amazed at this man's talent for delivering a performance. You can watch Daryl Hannah give a flawless interpretation of the high priced trophy girlfriend/wife. And you can just feel the disappointment that your father showed you the first time you let him down when you watch Martin and Charlie Sheen deliver the hospital scene. The story is a classic. It is purely timeless. The setting is as grand as the money that they are playing with. The supporting cast is excellent (realtor, boss, traders, etc.) This film is everything a casual movie fan needs to sit for 2 hours and be entertained. However, if you want to look deeper into the film you will appreciate the true intent of Mr. Stone's effort. Don't get too caught up in the facade of tall buildings, trading stock and corporate tycoons. Wall Street is not necessarily all that it seems. Rather, it is consistent with Mr. Stone's clever work in the past. It seems that to a creative genius like Stone, it is not enough to make the typical story of the kid hits it big and suddenly crashes back to earth (see secret of my success, cocktail, top gun, etc.) The intent of the picture may be completely different from the actual medium chosen. Stone drops clues throughout the film. It's the dawn of a new age, 1987. The journey from the old economy i.e. the airline industry and paper industry to the age of information. The sun is rising in the east as shown in the beach scene. A quote from Stone's character Gekko `damn I wish you could see this' is the perfect hint of what Mr. Stone is trying to say. Oliver Stone sees the future, it is a future economy based on information being the most powerful resource in the world. The eastern philosophy, the greed, the self-destruction of smoking and working out. All these things brought Gekko down. Gekko was brought down by what? A man with a micro tape recorder. A man armed with the medium of the new economy, electronic media. He was nailed by a person whom he trained to `get information' Well, he got the information and Gekko was brought down by the fact that he was short sighted to it. Great movie and excellent foresight by Mr. Stone as always. I suggest you watch it again. But, this time I suggest that you look for the real intent of the film. In my opinion, this is quite simply one of the best films of all time. Not only because of its timeliness, amazing foresight (see stock market crash in October 87, and the rise of silicon valley and Microsoft in late 80's) and one of the best performances by an actor period in Michael Douglas' portrayal of Gordon Gekko.

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tfrizzell from United States
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Deceptively deep and complex picture from co-writer/director Oliver Stone paints a vivid portrait of 1980s over-excesses as the age of "Me, Me, Me" (otherwise known as the 1980s) is explored through the eyes of a young, eager and impatient stockbroker (Charlie Sheen) who moonlights as a liaison to a heartless, ruthless and crazily greedy mega-millionaire (Michael Douglas in a smashing Oscar-winning turn) who seemingly has his hands on most every aspect of big business. Naturally dilemmas occur in every direction for Sheen as the lifestyle he wants comes at a very heavy price (both literally and figuratively). A strained relationship with his father (real-life dad Martin Sheen) and a whirlwind fling with the superficial Daryl Hannah just leads to more and more cinematic fireworks. "Wall Street" is really the only film I can think of to deal seriously with its subject matter. Everyone of the age remembers the yuppie phase this nation had in the mid-1980s. Young urban professionals did their best to make as much as they could as fast as possible (sometimes through crooked and illegal means). The idea of retiring at 40 seemed like a good notion, but those same people with those thoughts are still working today (they never made their millions or they made their money and ended up going into a lifetime of debt because they spent their earnings quicker than they could make it). Ultimately the 1980s was good while it lasted, but good like that never lasts forever and that becomes painfully clear as Sheen's character becomes a warning to all those who think they can out-think and manipulate a strained economic system. Douglas is a complete revelation. I mean there is no doubt that he is an excellent performer, but his portrayal of a money- and power-mad player in New York is truly one of those instances of classic career work being achieved. Super-slick, wickedly intelligent and definitely a thinking person's movie, "Wall Street" continues to strike a chord when looking back at a very unique time of American economic history. 4.5 out of 5 stars.

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Kill~Gore (breen@teleport.com) from USA
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Wall Street is about those for whom material wealth takes precedence over morality, and those for whom it does not. Moreover, it is the story of one who is struggling to decide which of the two he is: greedy or ethical.

Bud Fox is a young stock broker who only wishes to excel in life. His father, Carl, provides a strong moral foundation, prioritizing human life and well being over profit. Bud's mentor, Gordon Gekko, is a ruthless and legendary Wall Street player whose values couldn't conflict with those of Bud's father more perfectly. So caught in the middle is Bud, who pitches his father's airline to Gekko with the intentions of saving the company while everyone gets rich in the process. This business deal sets the stage for the conflict of interests Bud faces, and whether in the end it is his moral father or his greedy mentor he would most like to become.

Wall Street is impeccably directed and perfectly cast. Oliver Stone really captures all the elements necessary to the telling of this story, with all its moral, economic, and legal implications. Michael Douglas is almost frightening as the ghastly Gordon Gekko, a role for which he took home the Oscar for best actor. And the casting of Martin and Charlie Sheen as father and son lends authenticity to their numerous emotional exchanges. We see what seem to be genuine hurt, pride, and shame from the two of them together. John C. McGinley makes his customary appearance in yet another of Stone's movies as Bud's coworker, and as always he shines, contributing his unique personality to the film. The combined efforts of talented individuals in a powerful story of human strength and weakness makes Wall Street a must see movie.

I rate it 10/10.

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Miyagis_Sweaty_wifebeater (sirjosephu@aol.com) from Sacramento, CA
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Wall Street (1987) is one of the films that defines the 80's American Lifestyle. A dog eat dog society fueled by greed, materialistic possessions, excess and drugs. People preying on others, a world of unscrupulous inside trading and the rise of yuppies. Oliver Stone is one of those film makers who knew the 80's inside out. People say John Hughes defined the 80's but Mr. Stone showed it's true side and it was ugly.

The film follows a low level day trader (Charlie Sheen) who strives to become a very powerful figure on Wall Street like his idol Gordon Geckko (Michael Douglas). To justify his rise to power, he uses his father (Martin Sheen) knowledge of the flight industry for his own personnel gains. He wants to get his foot into the door of the oily Geckko. Will he sell his soul for a quick buck? How far and fast will this rising star soar? To find these answers check out Wall Street.

This film was made immediately after Platoon. Stone made it clear that he wasn't going to let an Oscar winning malaise effect him. He explores the two fathers theme that he used in Platton and once again makes it work. A highly underrated film that has sadly been neglected by the mainstream audience. What makes it even sadder is the fact that it still applies today.

Highly recommended.

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Silasss from London, England
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First of all, it's amazing now to see how young, baby-faced and gauche Charlie Sheen looks from this distance in time, particularly when he's trying to hit on Daryl Hannah.

In today's dumbed down movie world, Gordon Gekko could have been scripted and played exactly the same except for one thing: you'd never see the scene when he suddenly stops to admire the ocean at dawn. Fortunately Michael Douglas clearly added his own dimensions to the character whom, if left to Stone, would have been a cardboard money-grabber. As far as Stone is concerned Gekko wants money for its own sake, but Michael Douglas manages to evince a man who revels in the power and influence that money gets him. Stone's dialogue actually undercuts this perception on occasion, as when Bud Fox yells at Gekko, "How many yachts can you sail!?", and when Gekko, enticing Fox by outlining how rich he could be, says, "Rich enough to have your own jet" - as if owning a jet wasn't the minimum accoutrement you'd expect from the least successful company director or minor pop star. Other infelicities in the script include the moment when Stone wanted to signal that Bud Fox has reached the peak of success and found it empty: following the montage of the condo purchase and decoration, the perfect meal for two, culminating in making love to Daryl Hannah, Stone has Fox standing on his balcony, and apropos of nothing at all, he just says, "Who am I?" It has to be said that Sheen wasn't really up to the task of delivering this atrocious line.

I've rarely seen a film in which the female lead was so comprehensively abandoned by the director. Stone clearly wanted to focus all his attention on Sheen and crucially on Douglas, leaving Hannah floundering and unable to clearly express just how much into Bud Fox her character is at any one time. At the final break-up you almost hear Stone's sigh of relief at being able to get rid of the irrelevant female (probably forced on him by the studio) and concentrate on the man's world of stockbroking.

I seem to be finding a lot of flaws in what is basically a most compelling and watchable film. Despite the complex jargon-riddled technicalities of the subject matter, the movie's plot grabs hold of the viewer from the first scene and never lets go. Of course Douglas dominates most of the movie, until Fox sr. (Sheen sr.) throws the spanner in the works of his son's airline deal. Thank heavens Charlie Sheen took the unbelievably courageous decision to have his own father (instead of Jack Lemmon) play his character's father because the two of them perform an absolute barnstormer of a scene in which every word, inflexion and facial expression is repleat with absolute truth; and it's all the more poignant considering Charlie Sheen's own personal difficulties which faced him in later years, and the well-publicised ups and downs of his relationship with Martin as a result. Had those troubled times preceded this movie, it's hard to imagine the performances could have been any different - that's how good they are.

Fantastic character support comes from Hal Holbrook, the always reliable Saul Rubinek and John C. McGinley (who does not seem to have changed at all in the intervening years!), a young James Spader and the magisterial Terence Stamp who understands the unutterable menace with which it is possible to lace the single word "Mate".

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Bill Slocum (bill.slocum@gmail.com) from Greenwich, CT United States
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With his diabolical charm, slicked-back hair, city-college chip on his shoulder, and era-defining "greed-is-good" mantra, Gordon Gekko may by one of the all-time great film roles. Michael Douglas's performance as Gekko won a deserved Oscar in 1988 and makes "Wall Street" required viewing.

There are two schools of thought when it comes to money. Some economists argue money is an expanding resource, and prosperity a rising tide that lifts all boats. For Gekko, the truth is simpler and more brutal: The rich get richer off the backs of everyone else. "Money itself isn't lost or made, it's simply transferred," he tells his young protege Bud Fox (Charlie Sheen).

No question writer-director Oliver Stone feels the same way, as he presents this tale of wealth acquisition at its very apex, lower Manhattan circa 1985. In practically every frame showcasing the opulent world Gekko travels can be glimpsed beggars, fishermen, window washers, people who never will have access to the white-collar lifestyles their lowly status perversely enables for others.

For some, this zero-sum take of America clouds their enjoyment of "Wall Street" the movie. It shouldn't. You don't have to buy Shakespeare's version of history in "Richard III" to enjoy the morally bankrupt character at its center, and you don't need to adopt Stone's philosophy to enjoy Gekko.

In fact Stone's attitude about the Street, presented here as a kind of Hogarth caricature, helps make the film so entertaining. He captures the scenes of floor trading and calls and puts in journalistic detail, but leaves room for the human equation. And he has fun, a lot of fun, especially with Gekko, a character who makes you laugh with his pithy comments even as he sets about using poor Fox as a human ashtray.

On an upcoming charity event for the Bronx Zoo: "That's the thing about WASPs. They hate people, but they love animals." On a rival: "If he was in the funeral business, no one would ever die!" To Fox: "You had what it took to get into my office, sport, the question is do you have what it takes to stay."

Fox wants to stay, and allows no SEC regulation to block his wayward path. Stone's father was a stockbroker, and so the director takes special care to show us that all Wall Streeters aren't bad. There's Hal Holbrook, almost too saintly and somewhat detached from day-to-day business of his brokerage house to the point he seems a slumming B-school don. John C. McGinley delivers a standout performance as a vulgar, greedy friend of Fox's who we nevertheless find ourselves sympathetic to, especially as Fox ditches him for Gekko.

But of course it's really Gekko's world, as we watch him at his desk, punching telephone-line buttons and encouraging subordinates to "rip their throats out," checking his blood pressure with one hand while smoking a cigarette in the other. His centerpiece moment, his speech to the stockholders at Teldar Paper, is a compelling soliloquy not because it showcases his brutality but because it allows him a chance to explain his philosophy in a way that sounds logical, even honorable, until you think through the implications. That's Stone's screen writing at its best.

Sheen is also masterful in his role, playing the naive waif who wants to swim with the sharks and thus giving Douglas daylight to run. Too bad there's a tacked-on romance that never really works, in part because the character of Darien Taylor is not well developed, in part because Darryl Hannah hadn't yet met Quentin Tarantino. The ending is a bit too neat, and loses the subtlety that makes the rest of the film so good.

But the heck with subtlety when you have Gordon Gekko. Douglas is the reason for watching "Wall Street," and a terrific one. Just watch the way he looks at Bud, eyebrows raised to hold a pregnant silence, or enjoys the discomfort of his arbitrager-rival Sir Larry (a solid Terence Stamp). Stone knew what he had here, and makes the most of it. As a twisted morality tale, "Wall Street" is a thrilling, scenic ride down a dark and dangerous road.

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(fandangonoir)
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I have seen this movie dozens of times. It is a must see for any capitalist pig. Gordon Gekko remains one of the great movie villains, evil and ruthless to the core. You will love the music by Stewart Copland and Oliver Stone's direction and co-writing of a great screenplay. I went to this film expecting to hate it and loved it. This film will remind you of when Oliver Stone made REAL films. Its also a perfect time capsule for what 1980's America was like.

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MovieLuvaMatt from New Jersey
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I mainly purchased the DVD, because of two reasons: Michael Douglas and Charlie Sheen. I'm quite an admirer of both actors. I have virtually no knowledge about the stock market, or about stocks themselves. Those who are in the market or have vast knowledge about stocks will probably enjoy the film much more. However, I still enjoyed the film. When a movie's really good, it doesn't matter whether or not the audience member is interested in the topic. Besides, the film boils down to basic universal themes, like selling your soul to the devil and money being the root of all evil.

The characters are interesting and richly developed, with the exception of Darryl Hannah's underwritten character. I can see why she didn't like playing that role. Douglas is always a joy to watch, and makes a suave yet slimy villain. I wouldn't necessarily say he deserved an Oscar, but he did a fine job nonetheless. So did Charlie Sheen, who is actually the star of the film despite the fact that most people remember "Wall Street" for Douglas as Gordon Gecko. Sheen gives a fine multi-dimensional performance. I love the scenes between him and his father Martin Sheen, who plays his father in the film. Oliver Stone made a great choice casting the father-and-son team, since the tension in their scenes feels very authentic.

There are some predictable plot turns and character arcs, but altogether Stone keeps the excitement going. I like how the climactic scene between Douglas and Sheen is shot without cuts, with the camera moving from person to person, keeping the tension going. If I knew at least an inkling about the stock market, I wouldn't be completely lost during certain scenes, but what can you do? I still think it's a fine film with solid performances.

My score: 7 (out of 10)

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(secordman) from Toronto Canada
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Wall Street could have fit in very nicely in the theatres today. The bull market of the late 80's can be compared to the insane dot.com market of the late 90's, the same mistakes made on Wall Street repeated themselves again. Hal Holbrook's character is the voice of reason in Wall Street, telling Bud Fox (Charlie Sheen) to stick to the basics, and not get carried away with going for the easy buck. Fox is entranced by dynamo Gordon Gekko (Michael Douglas), whose specialty is taking over and "wrecking" companies, "because they're wreckable". Gekko takes Fox in as his protege, teaching him the ropes and showing him the realities of greed. Fox becomes corrupted, and despite the sobering influence of his union man dad (Martin Sheen) gets ensnared in Gekko's web. Great performances all around, Douglas was deserving of the Oscar, Charlie Sheen was very good in his role as well. There are terrific supporting roles in this movie; Martin Sheen, Holbrook, Terence Stamp and Oliver Stone's favourite character actor, John C. McGinley. For all of Stone's later failed movies, Wall Street hits the nail on the head, and above all entertains the audience. It's hard to see how the same man directed trash like Natural Born Killers afterwards.

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Lechuguilla from Dallas, Texas
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Michael Douglas deservedly won an Oscar for his portrayal of the ruthless, chain-smoking capitalist guru, Gordon Gekko, who leads Charlie Sheen's Bud Fox down the garden path to Wall Street's hidden abyss. Good supporting cast includes Sean Young, James Spader, reliable Hal Holbrook, and the wonderful Sylvia Miles. Tight direction, perceptive script with realistic techno-lingo, fabulous production design, dazzling cinematography of the Manhattan skyline, and hip 80's music rev up the technical quality of this Oliver Stone "message" film. If only the message had been more reassuring.

Gekko is a villain and an outlaw, but mostly he comes across to viewers as a worldly tough guy, a charming bully with a glamorous lifestyle. We see his high-class mega-office, his plush home and chic wife, his expensive paintings, his rapid-fire commands to his robotic lieutenants, his snazzy clothes and "in vogue" friends. Here and there we see his frustrations, but that only accentuates his toughness. We do not see him suffer, nor do we see the consequences of his selfish, Machiavellian behavior.

As a result, to viewers, especially to those youthful, bright, materialistic Americans with a smug, "can do" attitude, and disdain for ethics, Gekko is, unfortunately, someone to admire, a Wall Street role model.

The first feature film to show a character using a cordless portable phone.
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Oliver Stone gave Charlie Sheen the choice of having either Jack Lemmon or Martin Sheen play his father. Charlie chose his dad.
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Tom Cruise wanted the part of Bud Fox, but Oliver Stone had already cast Charlie Sheen.
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At the time, Michael Douglas was better known as a producer. Oliver Stone was warned that Douglas would micromanage the film and undermine Stone. Stone hired Douglas anyway, and Douglas did not micromanage.
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Oliver Stone later admitted that everyone involved told him Daryl Hannah was miscast, but he was too proud to replace her. This caused tension on set, particularly with Sean Young who wanted the role herself.
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From the beginning, Sean Young kept telling Oliver Stone that she should play Darien and Daryl Hannah should be fired. Young would show up on the set late and unprepared. It's part of the reason her role is so small.
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As of 2014, the only movie to win both an Oscar (Best Actor- Michael Douglas) and a Razzie (Worst Supporting Actress- Daryl Hannah) for acting.
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Michael Douglas worked with a speech instructor on breath control to help him with the film's rapid-fire dialogue.
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The only Oliver Stone film to have a sequel.
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Daryl Hannah was never happy about playing Bud's materialistic girlfriend Darien. It was at odds with everything the actress and activist represented.
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Oliver Stone wanted to make a film about the 1950s quiz show scandals. When he tossed around ideas with his friend Stanley Weiser, he hit on the notion of making a film about Wall Street instead. Weiser was reluctant because he knew very little about the financial markets. Stone encouraged Weiser to read "Crime and Punishment" and "The Great Gatsby" for an idea of the morality he wanted to put into the story, and Weiser spent the next few months immersing himself in the financial world. He and Stone spent three weeks visiting brokerage houses and interviewing investors.
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Working title: "Greed".
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The movie's line "Greed... is good." was voted as the #70 of "The 100 Greatest Movie Lines" by Premiere in 2007.
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When Bud Fox enters Gekko's Office for the first time, when the doors are closed behind him you can hear a wolf howl.
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Director Oliver Stone's first two choices to play Gordon Gekko were Richard Gere and Warren Beatty.
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The plot is loosely based on the junk bond and insider trading scandals of the 1980s.
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Gordon Gekko's "Greed is good" speech was inspired by Ivan Boesky's speech at the University of California's commencement ceremony in 1986. Boesky was a Wall Street arbitrageur who paid a $100 million penalty to the SEC later that year to settle insider trading charges. In his speech, Boesky said "Greed is all right, by the way. I want you to know that. I think greed is healthy. You can be greedy and still feel good about yourself."
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Hal Holbrook's character, Lou, is named for director Oliver Stone's real father, Louis Stone, a Wall Street stockbroker who died a year before this film's release.
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Daryl Hannah has never seen the film. She said in an interview that it was a "rough experience" and she and Director Oliver Stone had an "unhealthy working relationship". At the time of filming she accused Stone of being a misogynist. She said "film is a collaborate medium. Sometimes you hook up with people you don't collaborate well with."
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Michael Douglas modeled his performance after his friend Pat Riley, who at the time was head coach of the Los Angeles Lakers.
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Anacott Steel, a fictional company, may be an obscure reference to Anaconda Copper, a company that busted in the 1929 stock market crash. Many entertainers had invested in Anaconda, including Groucho Marx.
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James Woods was offered the part of Gordon Gekko. But he turned it down to do Cop (1988) instead.
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Sir Larry Wildman, the British takeover artist played by Terence Stamp, is widely believed to be modeled after Sir Gordon White of Hanson PLC, a company that does only acquisitions, liquidations, and wholesale deconstruction of companies.
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The movie's line "Greed, for lack of a better word, is good." was voted as the #57 movie quote by the American Film Institute (out of 100).
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The scene where Bud confronts Gekko in his office is primarily composed of two extended takes, separated by the cut to the reverse angle shot of Gordon shouting "Because it's wreckable!" The rest of the scene is one unbroken take.
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In the Wall Street scenes the camera is deliberately jittery and always prowling. It becomes calmer and stationary in the more grounded scenes with Bud's father.
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With a Directors Guild strike looming, Oliver Stone worked 14-hour days in the last few weeks of production. The film was finished five days ahead of schedule.
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Charlie Sheen's character was originally called Joe Fox. It was changed because a real-life Wall Street trader with the same name refused to have his name used.
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Martin Sheen, who is both a cast member and father of cast member Charlie Sheen, worked with Michael Douglas's father, Kirk Douglas, in The Final Countdown (1980).
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Oliver Stone talked extensively to Burt Lancaster about taking a role in the film, but the timing didn't work out. Soon afterward, Lancaster suffered an incapacitating heart attack.
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When Bud Fox discovers the Anacott Steel acquisition, Gordon Gekko tells him to buy 1500 option contracts. When they sell their shares to Sir Larry Wildman, the option contracts provide a gross return of $3,225,000.
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At the Teldar Paper shareholders meeting, the name card of the man at the end of the back row on the right, visible over Gordon Gekko's shoulder, says "Sean Stone". Oliver Stone's son, Sean Stone, plays Rudy Gekko.
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Daryl Hannah and Sean Young, who appear onscreen together briefly, were both replicants in Blade Runner (1982).
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Michael Douglas was also working on the film Fatal Attraction (1987) at the same time as this film. To avoid a schedule conflict, Douglas would alternate between each film during the week.
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Pat Skipper's film debut.
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The Realtor played by Sylvia Miles is never referred to by name. Her name is revealed in Wall Street: Money Never Sleeps (2010); Dolores.
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During the meeting where it's revealed Blue Star will be broken up, Gekko's representative tells Bud he will have the shortest lifespan of any executive, "since that pope who got poisoned." This is obviously a reference to John Paul I whom died in 1978 after only 33 days of being pope.

John Paul I died of natural causes but conspiracy theories still persist of an assassination.
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Co-stars John C. McGinley and Martin Sheen share the same birthday (August 3rd).
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Oliver Stone: on the phone during the montage of deals being made.
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At the end of the movie, when Bud Fox gets out of the car to take a long walk up the stairs to the courtroom, he passes by a newspaper stand in the background with a poster for Fortune magazine. His picture is on the front cover.
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1980s|fired from the job|f word|argument|arrest|violence|punched in the face|wall street manhattan new york city|bad guy|stockbroker|stock|greed|corporate raider|money|business|breasts|manager|two word title|ethnic slur|snow|auction|tycoon|collector|split screen|pipe smoking|southern accent|economics|ethics|famous line|cane|stocktrader|racquetball|locker room|sauna|mentor|betrayal|hospital|heart attack|brooklyn bridge|statue of liberty new york city|love triangle|birthday|computer|elevator|pay phone|secretary|englishman abroad|ex soldier|painting|electronic music score|faustian|bare chested male|premarital sex|female full frontal nudity|restaurant|engineer|airfield|apartment|swimming pool|montage|lawyer|beach|rain|pizza|news report|cult film|bar|handcuffs|cigar smoking|long take|airplane|private jet|stock exchange|first part|narcissistic personality disorder|villain arrested|darwinian struggle for survival|critique of capitalism|materialism|e mail|real estate agent|condominium|new wave music|rivalry|director cameo|cocaine snorting|yacht|bond|gun collector|manipulation|office|tape recorder|plea bargain|boiler room|loss of job|black comedy|central park manhattan new york city|attorney|death threat|revenge|evil businessman|lie|limousine|insider trading|con artist|blood|fraud|beating|millionaire|change of heart|cuban cigar|jealousy|call center|class differences|art collector|world trade center manhattan new york city|manhattan new york city|street in title|capitalist|capitalism|female nudity|sex|female frontal nudity|businessman|villain played by lead actor|options|real life father and son playing father and son|cell phone|stock broker|hooker|double cross|psychopath|wearing sound wire|union|securities exchange commission|interior decorator|landmark|stockholder meeting|train|subway|lung cancer|new york city|business tycoon|yuppie|investment bank|cigarette smoking|corporate take over|stock market|aviation industry|father son relationship|title spoken by character|surprise ending|suspenders|braces|reference to madonna|happy birthday to you|

AKAs Titles:


Certifications:
Argentina:13 / Australia:M / Brazil:14 / Canada:14A / Finland:K-10 / Hong Kong:IIA / Iceland:L / Netherlands:16 / Netherlands:6 / Netherlands:12 (DVD rating) / New Zealand:PG / Norway:15 / Peru:14 / Portugal:M/12 / Singapore:NC-16 / South Korea:15 (DVD rating) (2007) / South Korea:18 (video rating) (1990) (DVD rating) (2001) / South Korea:15 (theatrical rating) (1988) / Sweden:7 / UK:15 / USA:R / West Germany:12