Jimmy the Saint's business is videotaping the terminally-ill, so that they will be around to give 'Afterlife Advice' to their survivors. He hasn't been doing too well lately and has had to turn to loan-sharks to accomodate his failing business, as well as his expensive personal tastes. When an evil gangster-overlord buys up his note and demands a favor of Jimmy, in exchange for the interest that he can't afford, Jimmy capitulates. Jimmy is to scare someone for the gangster-overlord--really rough them up. Without giving too much away (spoiler), the scene goes down badly and Jimmy and his crew all end up with contracts on their heads for their trouble.
Written by
Tad Dibbern
Plot Synopsis:
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The character name "Jimmy the Saint" is taken from the 1973 song "Lost in the Flood" by Bruce Springsteen.
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Screenwriter Scott Rosenberg created the distinctive slang-based vocabulary used by the characters in the film by mixing Vietnam slang and biker slang, and adding in some of his own original diction.
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Film title is taken from a Warren Zevon song of the same name, from his 1991 release "Mr. Bad Example".
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Scott Rosenberg wrote the script in two weeks. It was partly in reaction to the death of his father from cancer.
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The production began on August 24, 1994 and shot for thirty-four days on over twenty-five interiors and exteriors in and around the city of Denver, Colorado.
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According to Jenny McCarthy during an interview on Late Night with Conan O'Brien (1993), Christopher Walken "smelled like formaldehyde" and nibbled from an apple that had turned brown which he kept in his pocket.
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The red convertible that Jimmy (Andy Garcia) drives is a 1973 Oldsmobile Delta 88 Royal.
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During the movie, they refer to the hit man killer as "Mr. Shush" (it even says as much in closed captions) - yet in the credits and chapter section, he is called "Mr. Shhh".
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When Pieces meets Jimmy at the amusement park, he arrives and approaches bareheaded. When they part, he has a hat.
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When Jimmy The Saint is threatening Lt. Atwater with a baseball bat he's holding it against Atwater's chest and lowers the bat to the ground to lean on it, but in the next shot the bat is back against Lt. Atwater's chest.
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When we first meet Christopher Walken's character, his feeding tube keeps changing positions.
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