The film focuses on a dozen of the 500 characters depicted in Bruegel's painting. The theme of Christ's suffering is set against religious persecution in Flanders in 1564.
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A few minutes before the end of the movie, a red automobile crosses the background between two houses, while Bruegel and Nicholas Jonghelinck are speaking in the foreground.
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The Miller (God) stops the windmill turning with a gesture, freezing the diorama below. When he restarts the mill, it starts rotating in the opposite direction, even though events are proceeding in the usual way below, not in reverse.
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