Picking up three years after the events in Magnum Force, a threatening terrorist group called, The People's Revolutionary Strike Force declare war to the city of San Francisco and demand a ransom to be paid, otherwise they plan to blow the city apart. While Inspector 'Dirty' Harry Callahan is at a limbo following his unorthodox method during a robbery, he's at it to dispatch the terrorist group, by playing their game by being more dirty than ever. But this time, he's got a new partner, which might prove the task to be somewhat more difficult than ever, unless the two can work together. Written by

Plot Synopsis:
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Two gas company men are lured by a scantily-clad woman to a remote spot and killed by Bobby Maxwell (DeVeren Bookwalter). Maxwell's gang, the People's Revolutionary Strike Force (PRSF), a self-proclaimed terrorist group made up of several disgruntled Vietnam veterans, who plan to use the gas men's uniforms and van as part of an ambitious series of crimes that will make them rich.

Inspector 'Dirty' Harry Callahan (Clint Eastwood) and his partner Frank DiGiorgio (John Mitchum) arrive at a liquor store where robbers have taken hostages. The robbers demand a car to take them to the airport. Dirty Harry provides one... by driving his squad car into the store and shooting all the robbers.

Afterwords, Callahan's no-nonsense and by-the-book superior Captain McKay (Bradford Dillman) reprimands Callahan for "excessive use of force", injuring the hostages, and causing more than $14,000 of damage to the store, and temporarily transfers him out of the Homicide unit. While assigned to Personnel, Callahan participates in the interview process for promotions, and learns that three of the new inspectors will be female including Kate Moore (Tyne Daly), despite her very limited field experience.

Meanwhile, the PRSF uses the gas company van to steal several M-72 LAW rockets and other weapons from a warehouse, killing DiGiorgio during the robbery. To Callahan's distress, Moore is his new partner. She claims to understand the risk, noting that (besides DiGiorgio) two other partners of his have died in the past five years (in the last two Dirty Harry movies). They visit the Hall of Justice for an autopsy where a bomb explodes. Callahan and Moore chase and capture the PRSF bomber. Later, Callahan and Moore meet "Big" Ed Mustapha (Albert Popwell), leader of a black militant group the bomber formerly belonged to.

Although Callahan makes a deal with Mustapha for information, McKay arrests the militants for the PRSF's crimes. Callahan angrily refuses to participate in a televised press conference in which the publicity-seeking Mayor would commend him and Moore ("one of the first of her sex in the whole country") for solving the case, and the arrogant McKay suspends him from duty. Moore supports Callahan and gains his respect.

But two days later, the PRSF boldly kidnaps the Mayor after a Giants game and demands a $5 million ransom. With Mustapha's help, Callahan and Moore locate the gang at Alcatraz Island, where they land by boat and battle the kidnappers in a climatic shootout, killing all of them exept for Maxwell. Moore frees the Mayor, but Maxwell kills her as she saves Callahan's life. He avenges Moore by chasing after Maxwell who fortifies himself atop an old guard tower, and Callahan kills Maxwell by literally blowing him up with a LAW rocket. Dirty Harry Callahan is uninterested in the pompous Mayor's gratitude, returning to his partner's corpse as McKay and other policemen arrive.

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Righty-Sock (robertfrangie@hotmail.com) from Mexico
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Harry Callahan quickly establishes his action-not-words by driving his car through a liquor store window to free the owners, who are being held as hostages… Demoted to the personnel department, he scorns bureaucracy in general and in particular the Mayor's policy of attracting women into the force, but he is saddled with one, Kate Moore (Tyne Daly) as his by now obligatory 'minority' partner…

Insp. Callahan finds black militants are not his enemies but his allies: when 'Big' Ed Mustapha (Albert Popwell), the black leader, is arrested to boost the Mayor's prestige, Harry actually resigns this time and continues his pursuit of the revolutionaries as a loner… His female aide risks her own job to he1p him and eventually they chase a prime suspect through the seamy 'massage parlor' underworld of the city and kill a leading gang member, who has disguised, herself as a nun… And discovering that the Mayor is being held captive on Alcatraz Island, they make for an abandoned fortress for the final shootout…

The film is a step backwards in style and content from the previous two… Harry seems to have reverted to his first incarnation: 'What kind of a department are we running when we're more concerned with the rights of the criminals than of the people we're supposed to be protecting?' and displays unusual brutality in roughing up a man who feigns heart attacks instead of paying his restaurant bills…

Advertised as the 'dirtiest Harry of them all,' it is also the weakest… Without the experience of Siegel or Milius to help him, Eastwood took a gamble on James Fargo, his assistant director on some of his previous films and the result was competent action but a noticeable lack of depth and subtlety…

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ma-cortes
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This is the third entry in Harry Callahan's popular series , the first is the classic ¨Dirty Harry ¨(1971) by Don Siegel , the second is ¨Magnum Force¨ by Ted Post . This time has a female partner ( Tyne Daly ) who is assigned when his ordinary pal ( John Mitchum ) is wounded . And they try to track down some dangerous terrorists ( Michael Cavanagh , Veren , among others ). Then the terrorists hijack the Mayor ( John Crawford ) of City San Francisco . As always , two-fisted Callahan , the tall and taciturn inspector utilizing his Magnum 44 pistol kills the baddies. Rock-hard cop Harry abuses the murderer's civil rights , however facing his superiors , a captain(Bradford Dillman) and a Lieutenant ( Harry Guardino ) . Rule-breaking Callahan strides grimly throughout San Francisco in pursuit the murderous , including an exciting final on Island-prison of Alcatraz.

Formula thriller plenty of action , crisply edition , tension, suspenseful and lots of violence . Appropriate and atmospheric musical score by Jerry Fielding . Less effective than ¨Dirty Harry¨ but still gripping and stirring . Colorful and adequate cinematography , reflecting splendidly the streets of San Francisco , habitual scenario of the series . The motion picture is professionally directed by James Fargo who also made other vehicles for Eastwod ( Every which way but loose ) and for Chuck Norris ( Forced vengeance ) . Followed by ¨Sudden impact¨ with Sandra Locke and ¨Dead pool¨ with Liam Neeson . Rating : Good, 6,5 . Well worth seeing for Clint Eastwood fans and Harry Callahan's followers . It's a cool companion to Dirty Harry classic, an amusing film with several scenes that'll have you on the edge of your seat.

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jhclues from Salem, Oregon
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In this third chapter from the Book of Dirty Harry Callahan, there's plenty of action as Harry breaks in a new partner and goes after a ruthless bunch, some self-proclaimed revolutionaries who are nothing more than common criminals, in `The Enforcer,' directed by James Fargo, and starring Clint Eastwood and Tyne Daly. And beyond the action, it's a film that manages to make a valid statement about bureaucratic nonsense, as well as the lack of common sense employed by those ensconced in the budding agenda of `political correctness,' who put an emphasis on image over purpose and results. Mostly, though, it gives the audience a chance to share vicariously in the triumph of good over evil, as Harry once again metes out justice in his own inimitable way.

After taking charge and cleaning up a hostage situation in a way that only `Dirty Harry' can, Harry (Eastwood) is assigned to a desk job in personnel. But when his partner, Frank DiGiorgio (John Mitchum) goes down on the job during the robbery of a munitions warehouse, Harry is back on the street, but with a new partner, Kate Moore (Daly), one of the first female inspectors in the country. And Harry puts her through her paces as they attempt to track down this particularly volatile gang, who seemingly put little value on human life as they cut their swath through the city of San Francisco and pursue their own `for the people' agenda, which in reality means they want to get their hands on as much cash as possible, and plan to hold the city hostage to do it. But they had better think again; because when they took down Frank, they inadvertently provoked the ire of Inspector Callahan himself, who does not take kindly to their sort to begin with.

James Fargo is in the director's chair for this one, and he comports himself well, recapturing all of the attitudes and elements that made the first two `Dirty Harry' films so successful. Fargo sets a good pace and keeps the story on at least an equal footing with the action, which keeps this one involving. Giving Harry a female partner puts some added interest into the mix as well, in light of the fact that this film was made in an era in which women were just beginning to emerge in such positions, on the screen or otherwise. `Cagney and Lacey,' for instance, was still some five or six years away, and Kathleen Turner's `V.I. Warshawski' wouldn't make an appearance until 1991. Initially, the film takes something of a patronizing attitude toward her, but Harry treats her as an equal from the beginning, and in the end, Inspector Moore emerges as a strong character, gender aside. Most importantly, that is not the focus of the filmmakers here, and the fact that Moore is a woman is little more in the overall scheme of things than a footnote in cinematic history; Moore is just another character in the `Dirty Harry' saga, and she's a good one (especially when compared to Harry's partner, Al Quan-- played by Evan C. Kim-- in `The Dead Pool'). And credit Fargo with insuring that it all blends together naturally within the context of the story, as well as the fact that he keeps the relationship between Callahan and Moore on task, and allows it to develop quite credibly. All in all, it's a good, collaborative effort from all concerned.

What really gives this one that ring of authenticity, however, is that Clint Eastwood is in top form, and even in his third outing as Harry seems more immersed in the character than ever. And, in the final analysis, story aside, it's the `Dirty Harry' character that makes these films so popular and successful. Creating a cinematic icon is no easy task, and that's precisely what Eastwood has done with Harry; and it's gratifying to see that he is willing to give that 110% at this stage of the game, in order to maintain the credibility of the character and the films, as well. A lesser actor would have taken this kind of success to the bank by now, while possibly allowing the character to slip into caricature rather than being concerned with keeping it real and convincing. It demonstrates what a pro Eastwood is, and why he commands the kind of respect afforded him within the industry.

Taking on the role of Kate Moore had to be a challenge for Tyne Daly, and happily, she succeeds quite well with it. She makes her character convincing by allowing her to develop in a `real time' manner; she doesn't just jump in there, full blown and ready to take on hardened criminals. Initially, she displays some intimidation in Harry's presence, which gives their relationship some realism from the beginning. After all, Harry IS an intimidating guy; add to that the fact that this is a new job for Moore, which in reality would create a level of discomfort for anyone, anywhere. And Daly has tapped into all of that with her portrayal of Moore, making her a very believable character, and one of the most memorable from among the five `Dirty Harry' films.

The supporting cast includes Harry Guardino (Lt. Bressler), Bradford Dillman (Capt. McKay), DeVeren Bookwalter (Bobby Maxwell), John Crawford (The Mayor), Samantha Doane (Wanda) and Albert Popwell as `Big' Ed Mustapha (look for Popwell in the original `Dirty Harry' as the Bank Robber; in `Magnum Force' as pimp J.J. Wilson; and again in `Sudden Impact' as one of Harry's partners, Horace). A well made and entertaining film, `The Enforcer' keeps the `Dirty Harry' series alive, well and on solid ground; in retrospect, it seems a shame now that Eastwood waited seven years to make the next installment, `Sudden Impact,' as with the dreadful `The Dead Pool' in 1988, it all ended with barely a whimper. The first four, however, more than make up for it-- and that's the magic of the movies. 8/10.

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bamptonj from Melbourne
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I think many fans have mixed feelings about THE ENFORCER. It represents both a departure from and an adherence to the familiar Harry tradition. However, despite its many shortcomings, it excludes a great 70s feel.

Fans of the first two installments will still delight in Harry's struggles with bureaucracy in the department, and to this end Bradford Dillman is a valuable addition to the series as the new Chief. Once again, Clint has some killer dialogue but while for the most part he is as stern as in his previous performances, some of his lines are offered just a little too sparingly and nonchalantly.

The villains – this time a group of mere misfits who kidnap the Mayor of San Francisco for a ransom of five million dollars – just aren't as menacing as the crooks in DIRTY HARRY and MAGNUM FORCE. There's no mystique surrounding their identity and their performances are particularly flat and nondescript (even to the point where their plot points may wash over you and you momentarily lose your place.)

The script begins very promisingly with Harry being assigned a female partner. The relationship that develops between the two - as Harry is forced to deal with his subconscious sexist prejudice – leads to some surprising comical moments, and this addition to the dynamic of the usual animosity between Harry and his partners comes across very well.

The soundtrack is overwhelmingly orchestral giving THE ENFORCER a Hollywood music make-over instead of the usual gritty and upbeat Lalo Schrifin score which was used to full effect earlier. The chase scene in which Harry ends up in the Church builds up some tension and only serves thereby to remind the viewer of a hitherto absence of the moody jazz that was so prevalent in the original.

The original Dirty Harry's success was not due to any specific formula but rather was the result of a film full of subtleties. These subtleties included a perfect music score, a balanced tension between Harry and his partners, Harry's contempt for the red tape of police bureaucracy, and the sinister nature of the villain(s). Together, these dynamics made the original two movies stronger than the sum of their parts: THE ENFORCER is simply not as magical. This is a great pity. For the next Harry outing would see an older, greyer, and wrinklier Clint - and the series could only ever descend into some sort of parody.

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lost-in-limbo from the Mad Hatter's tea party.
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For me the sequels to "Dirty Harry" never came close topping the original, but I thoroughly enjoyed and think highly of them anyway... well maybe with the exception of "The Dead Pool". Each one seemed to add its own distinguishable touch to the typical formula. The third film (and probably the cheapest, as it looks like it) of the series 'The Enforcer' seemed to have that swinging and carefree vibe of the times, with the biting reality and stark realisations (heavily implemented in the first two) taking a backseat for forceful (if crass) humour. However the violence is still gritty, mean, explosive and openly displayed. Director James Fargo ('Forced Vengeance', 'Every Which Way But Loose', 'Caravans' and 'A Game for Vultures') has appeared in some of Eastwood's early films as assistant director, and here he paces it well-enough and let's the foundation play out more like an expansive low-key action fling filled with the constant buddy routines (as Harry is paired up with a young green-horn female detective fidgety played by Tyne Daly. Who does bring an authentic and potent side to her role) that are credibly developed, long-winded build-ups finishing off with brute force and the quick-witted response. Harry also has got a catch-phrase… just 'marvellous'.

Eastwood laconically pulls it off with dominant ease and certain authority of truly delving into this character (as now there's more to that monomaniacal search for one's own justice), as his hands out punishment (against a bunch of terrorists who call themselves 'The People's Revolutionary') and has time to let fly what he really thinks. Copping the cynical barbs are amusing support performances by Harry Guardino, John Crawford and Bradford Dillman. The bad guys here aren't overly memorable, but the DeVeren Bookwalter bestows a steely glance and has a quietly dangerous psychotic air to him. Showing up again, but in another different character is the wonderful Albert Popwell.

I never tire of the San Francisco locations (where most of the films are shot), and the camera superbly details the on-screen action and striking background features. What I like about the ending of these earlier 'Dirty Harry' films, was how they weren't afraid to end on such an powerful note involving something represented visually to express the mindset, as the camera slowly zooms out and the harrowing score cues in. On the point about the music. I would say I was a little put off by the racy and bouncy jazz score arrangement of composer Jerry Fielding (who by-the-way has done some magnificent scores for films of Sam Peckinpah, Michael Winner and Clint Eastwood) just didn't have the stinging, sombre and self-reflecting quality of Lalo Schifrin's efforts. That's not to say it was bad or felt out of place, because it didn't with the feel that this one opted for. But a darker or more subtle take could've done it wonders since Fielding has chalked up some jarringly bold pieces in other films.

The script has some political context (home-grown terrorism, political correctness and equal-gender opportunity), but always stays true to the story than trying to undermine or overdo it. While it should be predictable, it does keep one step ahead and offers a surprise or two.

An up-to-par sequel.

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Michael Dyckman from Forest Hills, New York, USA
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Kindler, gentler Dirty Harry film which puts our bureaucracy-hating, crime-busting hero with a female partner played by Tyne Daly, who would later achieve fame on "Cagney & Lacey" and is currently seen on "Judging Amy." Thin plot, some classic Eastwood quotes, but the villains can't match Andy Robinson from "Dirty Harry" or David Soul from "Magnum Force." This might be the weakest Harry of the bunch.

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(chvylvr80@aol.com) from Northridge, California
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This movie continues the tradition of Clint Eastwood making great movies. The Enforcer is not the best of the Dirty Harry films, but it isn't the worst of them either. (The Dead Pool is). Don't get me wrong, they are all great flicks and I enjoy all of them but there is a best to worst order to these movies. The Enforcer is filled with Harry's dry humor and tough talking dialogue. 1976 San Francisco is filmed beautifully and provides a great background as in all the Dirty Harrys. The music is suitably funky. A bit dated, but funky. Tyne Daly does a good job as Harry's spunky new partner. Tyne Daly wasn't bad lookin' in 1976 either. I'm sure Tyne misses those days. Bottom Line: Must have this movie to complete the Dirty Harry collection. It's a good tough-cop movie on it's own but I suggest getting all these films. Get the box set on DVD.

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TheUnknown837-1 from United States
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This is the third installment of the Dirty Harry series, all starring the legendary four-times Academy Award-winning actor and director Clint Eastwood. Naturally, it's not as powerful and dramatic as the first of the series, because, once again naturally, sequels are difficult to make. Especially if you want them to live up to their proceeding movies.

"The Enforcer", like all five installments of the series, is a great action-crime film with it's own little individual plot and point. It's got plenty of decent action, Eastwood flaring away with his .44 Magnum revolver, punching bleeding holes through his challengers.

This movie has also got a pretty dramatic ending.

Overall, "The Enforcer" is another classic Clint Eastwood movie and definitely worth checking out and seeing a few times over.

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gottogorunning from United States
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This film was to be Dirty Harry's last outing in the seventies (do not worry though, he had two comebacks in the eighties). It is easy to compare this film, with the two previous Dirty Harry movies, because there some things have (still) not changed. First of all, Harry (obviously) kept his cheeky mouth, which again provides the viewer with the necessary laughs and his boss with the necessary headaches. This is not the only thing that has stayed the same though. Again some of the scenes could have been shorter, thus (theoretically) making The Enforcer a much tighter package. A perfect example of that is the scene in which Harry chases a bad guy to the rooftop of a building. Not only could this scene have been shorter, but it could also have been much more exciting had there been adequate use of music and cinematography. There is however one upside to this installment in the Dirty Harry series, which is, that it is far more stable than it's predecessors. It is not a decent or good film film, but it gets very close, mainly because of the good acting and the fact that the film remained interesting for the despite it's downsides. Best Dirty Harry film until then. If you want to know if it is the best in the series, check my comment for Sudden Impact

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hnt_dnl from United States
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The original "Dirty Harry" film is a masterpiece of filmmaking, a bleak, spare morality tale and social commentary on the flawed justice system that introduced the iconic San Francisco detective to the ranks of the best cops portrayed on film and essentially re-defined the trajectory of Clint Eastwood's career. Yeah, Eastwood had already nailed the anti-heroic Western loner in the 60s, BUT in the 70s thanks to the role of Dirty Harry, he was able to tweak his cool, macho persona just enough to create a new, invigorating character.

Harry Callahan may actually be similar on the surface to Eastwood's "Man With No Name" Western hero, but there are definite subtleties that make Harry a more relatable type of hero. For example, in the first film, we find out that Harry is a widower in a very brief, yet immensely well-played scene when he is being treated by a longtime doctor friend for his wounds obtained in the film's early legendary "Do you feel lucky?" shootout. Anyone in Harry's situation could relate to such loss, however long ago it happened. It's nice little scenes like this that make Harry "one of us", and not just some otherworldly tough guy. Then there's Harry's legendary speech to the Mayor on how he feels about criminals. I imagine that's how a LOT of people actually feel, but Harry is that rare breed that's got the stones to voice his opinion! Harry speaks for the majority. The ending to "Dirty Harry" is still one of the most powerful ever put to celluloid. It was the real Best Picture of 1971, anyway you slice it!

Interestingly, most people actually like virtually all of the sequels (except perhaps for "The Dead Pool"), but you can't win them all! Still, for 3 out of 4 sequels to be good, that's something. In actuality, I think the majority opinion is that each sequel declines in quality from the prior film. I disagree. While I still think "Dirty Harry" is the best of all (obviously), I don't think the immediate sequel "Magnum Force" is the best sequel. I believe that honor actually goes to this film THE ENFORCER (1976). "Magnum Force", while somewhat watchable, is a bit too cold and detached and, really, the least relatable of the group of films, next to "The Dead Pool". Definitely not my favorite. As a sequel, I feel as if "The Enforcer" comes closest of all of them of deftly relaying the message of the Dirty Harry films, while being able to tell a different, yet compelling, story.

"The Enforcer" starts out with a scene of a sexy hitchhiker (70s blonde bombshell Jocelyn Jones sporting the "Daisy Duke" look even before the term was coined!) goading two gullible and horny gas company employees to a private location, where lay in wait is Bobby Maxwell (played with bug-eyed intensity by DeVeren Bookwalter), a disgruntled Vietnam vet and leader of the People's Revolutionary Strike Force. Maxwell kills the 2 men so he can confiscate their van to infiltrate a secure warehouse to steal advanced weapons so they can wreak havoc in the city, all the while leading up to a grander plan that involves kidnapping the Mayor to make a bold statement.

During the warehouse melee, Harry's partner DiGiorgio (commendably played by John Mitchum) is killed trying to stop the terrorist gang, but not before he is able to fatally injure one of them. Maxwell takes no chances and finishes off the injured party in a disturbing moment. So Harry is assigned a new partner Officer Kate Moore (winningly played by a very young Tyne Daly in a breakthrough role), who is immediately promoted to detective after having just passed an oral screening exam, of which Harry was one of the testers. The exam scene was my favorite of the film! Harry, being somewhat of a misogynist, reluctantly partners with Moore and their uneasy alliance is fun to watch throughout, as Eastwood and Daly display appealing yin-yang chemistry.

During their investigation into the war on the city, Harry's superiors, in particular the vain, media-schmoozing Captain McKay (convincingly played by Bradford Dillman) try to compel him to harass an infamous local group of black militants, let by Mustapha (persuasively played by Albert Popwell, a stalwart supporting player in the "Dirty Harry" franchise). The scenes between Harry and Mustapha are very compelling, as the two men, while they have similar viewpoints on the MAN and the corrupt, ill-operated justice system, Harry hasn't completely given up on it, while Mustapha is a total rebel.

But as the film progresses and Harry sees that his superiors are targeting the wrong group, even after he and Moore have gathered some feasible circumstantial evidence, he gets himself suspended. Soon after, the real terrorists kidnap the Mayor and McKay re-instates Harry as Harry and Moore pursue the terrorists in a pulse-pounding climax at the infamous Alcatraz prison (shot on location). The ending scene to this sequel, for me, really resonates and I have it as easily the second best one in all the films. I'm sure you can guess which ending I rank as Number 1!

Eastwood easily fits into his iconic role here carries the show with cool, calm precision. And Daly, in a groundbreaking role, plays my favorite partner to Harry Callahan. This role probably set the stage for her to become the Lacey half of "Cagney and Lacey", for which she would go onto to win FOUR Lead Actress in a Drama Series Emmys! Directed by James Fargo, I find "The Enforcer" to be a very provocative and fluid film that never stalls and tells a compelling story. Easily the best sequel to "Dirty Harry" for me!

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AKAs Titles:


Certifications:
Argentina:16 / Australia:R18+ / Brazil:14 / Canada:PG (Manitoba) / Canada:R (Nova Scotia/Ontario) / Canada:13+ (Quebec) / Chile:14 / Denmark:15 / Finland:K-15 (uncut) (2008) / Finland:K-18 (uncut) (self applied) (2001) / Finland:K-16 (cut) (1987) / Finland:K-18 (cut) (1977) / France:Tous publics / Germany:16 (re-rating) (2008) / Hungary:16 / Iceland:16 / Ireland:18 / Italy:VM18 (original rating) / Italy:VM14 (re-rating) / Mexico:C / Netherlands:12 / New Zealand:R16 / Norway:18 / Norway:15 (DVD rating) / Norway:16 (1977) (cut) / Peru:14 / Russia:16+ / Singapore:PG (cut) / Singapore:M18 (re-rating) / South Korea:18 / Spain:18 / Sweden:15 (cut) / UK:18 / UK:X (original rating) / USA:R (certificate #24716) / West Germany:18 (original rating)