Quadripeligic ex-cop Lincoln Rhyme was looking forward to his assisted suicide when he got the news: some sicko was abducting people in a taxi and leaving them to die in particularly sadistic ways. With time counting down between each abduction and possible death, Rhyme recruits rather-unwilling Amelia Donaghy, haunted by her cop father's suicide and thinking she's next, into working the crime scenes to track down the killer. Written by

Plot Synopsis:
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The credits appear over newspaper articles and photos detailing the successful career of forensic expert Lincoln Rhyme (Denzel Washington). One story details Rhyme's involvement in convicting a cop.

Rhyme is investigating a transit cop's death in a sewer tunnel when a falling concrete beam crushed him. He wakes up in a hospital bed, a quadriplegic. A man and his wife (Gary Swanson and Olivia Birkelund) are at the curb at the airport early in the morning, looking for the person they expect to pick them up. When their ride doesn't show, they take a taxi. The cab driver kidnaps them to a desolate part of town, but before we learn more Rhyme wakes up in his apartment which is fully equipped to manage his medical care. Rhyme's medical tech Richard Thompson (Leland Orser) tells him his heart monitor is faulty.

Dr. Barry Lehman (John Benjamin Hickey) arrives to talk about Rhyme's request for assisted suicide. He agrees to help Rhyme the next weekend. His nurse, Thelma (Queen Latifah), listens and watches.

Amelia Donaghy (Angelina Jolie) is brooding by the window of her apartment. She's a patrol cop and her boyfriend (Bobby Cannavale) pressures her to make a commitment to their relationship, but she refuses. On the street, she responds to a radio call and finds the man from the cab buried in the rocks, with only his hand showing. One of his fingers is missing. On the nearby railroad tracks she sees a pile of sand, a note, and a bolt. She stops an oncoming train and ask Chris (Christian Veliz), the boy who reported the dead man, to buy her a disposable camera. She photographs everything including a footprint nearby.

A masked man is dragging the woman from the cab through underground tunnels. She is handcuffed and gagged. He attaches the handcuffs to chain around a pipe and leaves her.

Captain Howard Cheney (Michael Rooker) arrives at the crime scene and meets Detective Solomon (Mike McGlone), then is directed to Donaghy. She gives the evidence she collected and the camera to Detective Paulie Sellitto (Ed O'Neill). Cheney dresses her down for stopping the train.

Rhyme is visited by Sellitto and Solomon, who describe the crime scene to him. The victim's name is Alan Rubin, a wealthy NY builder worth several million dollars. His wife's wedding band was forced onto one of his fingers, stripped of flesh. Rhyme believes it's a kidnapping and a ransom demand will be forthcoming. Rhyme has a seizure and passes out.

When he wakes up, he looks at the evidence and crime scene photos left behind by Sellitto on a large monitor. The note is a torn page from a book. The page number is 119. There's a newspaper clipping from 1913 with 4PM circled.

Donaghy is receiving an introduction to the youth services division that she has just transferred into. Rhyme has her pulled out of the training session and, when she arrives, he praises her excellent forensic work and photography. She says she read his book in the academy. He believes the book page number and time refers to the current day's date, three hours from now. Rhyme thinks the man's death scene is staged and that it indicates the woman will be killed at 4:00. He asks Donaghy to help on the case. She refuses, but her boss overrides her. The cops set up workstations and desks around Rhyme's spacious apartment.

In the tunnels, a masked man shaves a wooden stick and looks at a pocket watch. The kidnapped woman, Lindsay Rubin, her mouth covered in duct tape and her wrists handcuffed to the pipe, watches.

The investigators learn that the bullet taken from Alan Rubin was from an old Webley pistol. The bolt has three initial "NSG" embossed on it, and it's not steel, but iron, meaning it too is very old. They also look into the asbestos found at the crime scene. Rhyme tells Donaghy to identify all locations where asbestos is currently being remediated in Manhattan.

Crime technician Eddie Ortiz (Luis Guzman) arrives and sets up a portable forensics lab. Eddie finds a scrap of very old paper on the bolt. The sand appears to be ground up oyster shells. Rhyme remembers a police case from 1913 where a body was found in crushed oyster shells in downtown Manhattan, near the Woolworth building.

Rhyme asks Donaghy to investigate the area, encouraging her to trust her instincts. As they drive there, Sellitto tells Donaghy about Rhyme's superior expertise in forensics, his interest on collecting eclectic stuff, and examining it. She asks about his family, and Sellitto says he has cut off contact with his only sister.

Underground, the masked man loosens another bolt from a steam pipe. He rotates a very large pipe around so the opening faces Lindsay Rubin. Eddie tells Rhyme that the iron bolt was primarily used for assembling steam pipes. . Rhyme tells Sellitto that there is a steam junction in downtown Manhattan where steam is released from the pipes everyday at 4:00 pm. Rhyme tells Amelia to put on a radio headset and prepare to enter the steam tunnels to work the crime scene if Lindsay Rubin can't be rescued. Donaghy enters the sewer tunnels. The Department of Steam is unable to turn the apparently frozen valve. Donaghy can hear Lindsay Rubin, but a new wall of construction blocks cuts off access. The steam pipe workers break the steam valve and learn it has been tampered with. Lindsay Rubin is burned to death.

An Emergency Services team blows an opening in the concrete block wall. Donaghy enters and describes the scene in detail to Rhyme over the radio. Donaghy is terribly upset when she sees Lindsay's burned corpse. She finds a piece of wood, hair clippings, and a bloody bone shard. Under Rhyme's direction, she tells Rhyme that Lindsay was bound with old-fashioned shackles, with a chain around her waist, and a rope around her feet. Lindsay has a surgical-style wound on her forearm. Rhyme wants her to saw off the hands to preserve the cuffs. Donaghy tries but then refuses and goes home. Rhyme researches Donaghy's background and learns that her father, a cop, committed suicide, and that Donaghy found the body. Det. Solomon goes to Donaghy's apartment, but when she doesn't answer the door, he tries her window. Donaghy arms herself and nearly shoots Solomon. He tells her that Rhyme believes the evidence she collected indicates there's another victim in play, and that Rhyme needs her help.

Outside a nightclub, a student (Danial Brochu) gets into a cab and disappears. A witness reports that she saw the cab driver hit the student before driving away. The taxi driver takes the bound and gagged student to an abandoned building. The masked man ties the student to a post at floor level and cuts him repeatedly.

Rhyme's team discovers the bone fragment is from bovine, from a cow, and discover more old newspaper embedded in it. The hair is from a rat, shaved. Donaghy suggests that the perp might be a cop. Rhyme tells the team to look for the location of old stockyards and slaughterhouses.

Rhyme sends a team to one of the old slaughterhouses, decommissioned in 1898. Donaghy goes in first and finds the dead student. He has been eaten by rats attracted to the numerous bleeding incisions. Donaghy describes the scene to Rhyme, while the team outside tries to delay the NYC ESU unit, led by an official in contact with Cheney, from contaminating the area. The student is missing a chunk of flesh from his leg. Donaghy finds a matchbox and a piece of old paper. Cheney removes Rhyme from the case, but Rhyme tells Ortiz to continue his research.

Captain Cheney's team finds a finger print and match it to a taxi driver with a criminal record. They raid his repair shop only to find him dead under a vehicle and missing a finger. Cheney demands Donaghy turn over the evidence she collected, but she demands a chain of evidence receipt, which Cheney refuses to provide.

Donaghy takes the evidence to Rhyme. Ortiz produces records of old unsolved homicides that include evidence of missing flesh. Each homicide also had a message buried in the evidence, but no one noticed. Rhyme has another seizure and passes out. Thelma tells Donaghy about Rhyme's request for assisted suicide, and while Donaghy waits for Rhyme to wake up, she looks at his badge, awards and photos. Cheney tries to see Rhyme, but Thelma refuses to allow him to enter, and Cheney vows to come back with a warrant.

A grandfather and his granddaughter get into a taxi at the airport. A taxi inspector stops the taxi and questions the taxi driver about why his flag is down. The driver kills him and speeds away. The little girl screams.

Sellitto calls Rhyme to report the taxi incident, while Rhyme examines the paper clippings, uncovering a logo from an old book publisher. Amelia goes to a bookstore and finds a book called, The Bone Collector, which contains stories describing the murders already committed. One of the final chapters illustrates a man and girl hanging from a rope over water. Rhyme thinks the odd smell from the paper is diesel, and he remembers an old diesel refueling station on Staten Island. Amelia searches for and finds them tied to a pier, drowning under the rising tide. Rescue crews are unable to resuscitate the grandfather, but the little girl survives.

Donaghy looks for clues and finds a map, a bone, and a piece of metal that looks like a cop's badge. The map shows an old subway map, and Rhyme thinks the killer is at the southernmost station. Cheney arrives and Amelia sneaks off to the station described by Rhyme. There are footprints in the abandoned station, and she finds a train numbered 78499. She tries to remember the number, and realizes it's the same as Rhyme's police badge number that she saw earlier at his apartment.

A man knocks at Rhyme's apartment door and when Thelma opens the door, he stabs and kills her. Someone enters the apartment and washes their hands. Richard Thompson, the medical technician who has been maintaining Rhyme's medical equipment, appears. He says Thelma is in the hall, but when the phone rings, he yanks the phone line and disconnects the power to Rhyme's monitor. Thompson reminds Rhyme of a forensics cop in Syracuse, New York, named Marcus Andrews who was suspected of doctoring evidence to obtain false murder convictions. Rhyme's expert testimony put him in jail for six years. Thompson / Andrews tells Rhymes that as a cop he was brutalized every day while in prison. When Thompson / Marcus tries to lower the bed, Rhyme uses his mouth control to suddenly lower the bed and trap Thompson / Marcus' hand. Thompson / Marcus pulls his hand out, but his fingers are mangled. He pulls Rhyme off the bed and as he prepares to stab him, Rhyme bites him in the neck. Thompson / Marcus retrieves a carving knife, and as Thompson / Marcus prepares to stab Rhyme, Donaghy appears and shoots Thompson.

Sometime later, Rhyme is using a motorized wheelchair and living with Donaghy. It's Christmas, and all his friends show up, including his estranged family and niece.

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Jack the Ripper1888 from Chicagooooooo
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I was very pleasantly surprised at this film. Denzel Washington proves again that he can handle any role that he chooses to play. In this case, he plays homicide inspector, Lincoln Rhyme who has been nearly paralyzed after suffering from an accident in the line of duty. But now, when a mysterious killer begins killing off people in a very peculiar matter, he must team with a hard-headed rookie cop (Angelina Jolie) to solve the crimes. Supporting cast includes Queen Latifah, Michael Rooker, Mike McGlone, Luis Guzman, Leland Orser and Ed O'Neil.

I like the way they have the killer as an intelligent person. Someone who has a knowledge of what he is doing. And the way he leaves clues for the cops to follow. To come up with something this perfect, you must a genius. While not really scary, this suspense thriller is actually thrilling as opposed to the many number of "thrillers" that are not even thrilling. (Example: HANGMAN). Thank you Hollywood for giving us THE BONE COLLECTOR. This is a good one. Highly recommended.....5/5.

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jimjba from Washington State, USA
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Denzel Washington plays a former cop who is injured in the line of duty and becomes a crime scene investigator and expert witness in the service of law firms. Angelina Jolie plays a cop who is struggling to find a place within a male-dominated police culture, and shows a talent for crime scene investigation, which Denzel's character immediately recognizes and appreciates, since he is bedridden and physically unable to go to most crime scenes. She is reluctant to get involved, but does wind up grudgingly serving as his eyes and ears as they try to follow clues left by a serial killer who gives clues about his next victims and taunts them and the police.

While Denzel's character is almost too brilliant to be believable, if you can overlook that you should thoroughly enjoy this movie. Denzel and Angelina, together with cops of varying competence, try to follow the clues given to them by the serial killer, who gives them clues before the killing actually occurs.

Most people who enjoy a dark, suspenseful movie (such as Silence of the Lambs) should thoroughly enjoy this movie.

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denise_kate from Manchester, England
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I've read quite a few comments on this movie and some of them I disagree with and others I don't. Sure, it may be a little predictable and a bit 'all been done before' but there is a certain level of originality and uniqueness to it also.

For starters it has a fantastic cast and both lead actors (Jolie and Washington)have won Oscars and thats says something. It can't be easy playing a paralysed man and remaining so still and wooden and he plays the frustrations and emotions so realistically that I would imagine a person actually would be like in real life. Jolie is charming, composed and works well with the camera. Her character is convincing enough and this goes for her performance.The support cast is fantastic too, especially Queen Latifa.

The film may have the usual iconographic elements found in the psychological thriller genre but they are necessary for it to firstly conform and also progress. 'The Bone Collector' introduces new techniques and a slightly different angle for the viewer. there has to be a certain amount of repetition with this genre for it to work and this is the case for many others, such as romantic comedies and a couple falling in love or teen flicks with a football jock character.

I am currently writing my degree dissertation on sexual subjectivity in psychological thrillers and this film is perfect for that. The changing levels of gendered representations is very interesting and both supports and detracts away from the current representations in society.

I say, give it a go! Don't listen to people who have already seen it and didn't like it. If I'd have done that then I wouldn't have given it a go and my dissertation would have been short of argument!

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Ron Revere from West Virginia
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I am one of those older folks who doesn't care for the kind of movies that are made these days. As such, my movie watching is generally confined to old classic films ala TCM and AMC. But, I do subscribe to all of the premium channels via DirecTV and, occasionally, watch a newer film if the plot synopsis appears to be one that I may be able to tolerate. I have read all of the previous reviews of this film on the IMDB and find them very interesting. Many of the reviews mention a movie titled "Seven". I have never heard of, much less seen, "Seven". I consider this fact to be a fortunate one because I was able to watch "The Bone Collector" without having to constantly compare it to a previous film. In short, I liked this movie. I was entertained royally precisely because I didn't take the story line too seriously. There was not much time wasted on character development. GOOD !! I don't need to know why the characters became the persons that they are. I simply want them to get on with whatever they must do. Another thing that I liked was the lack of sex scenes, which seem to be almost a necessity it today's movies. The two leads did a great job and their chemistry was excellent. Mr. Washington and Ms. Jolie were very believable. The killer? No big deal. I couldn't have cared less who did the killings. I simply waited for justice to be done. In short, I don't agree with any of the harsh criticism that I have read on this forum. I guess that's because I am a rather down to earth person who has no need to turn watching a movie into an academic exercise, complete with thorough analysis of character motivation, etc.

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Lechuguilla from Dallas, Texas
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A bed ridden, paraplegic NYC detective, Lincoln Rhyme (Denzel Washington), teams up with a rookie cop named Amelia (Angelina Jolie) to try and catch a serial killer, in this dark, moody atmospheric thriller from Director Phillip Noyce. This is a fine thriller.

From the get-go viewers understand that an intelligent maniac is on the loose, and could strike at any time. That is the very definition of cinematic tension. In addition, the killer uses dark, subterranean spaces to torture and kill victims. That inky darkness, together with a haunting musical score further amplifies suspense.

But, the solution to the whodunit puzzle is ultimately unsatisfying because the screenwriter withholds important back-story from viewers. This could have been so easily fixed with the addition of a line or two of dialogue and/or a brief added scene near the film's beginning. Even so, good plot misdirection creates ample red herrings, so that the killer's identity is not a foregone conclusion.

The film's cinematography, production design, and editing are fine. Washington does a good job as the paralyzed cop. But Angelina Jolie is miscast; she pouts her way through the film looking like she's bored out of her mind. The support cast helps a lot, with highly credible performances from delightful Queen Latifah, capable Ed O'Neill, and reliable Michael Rooker.

The crime scenes tended unfortunately to be in-your-face grizzly. But at least the gore quotient was minimal.

For dark, moody serial killer films set in NYC, I prefer "Sea Of Love" (1989). Nevertheless, "The Bone Collector" can be enjoyed for its elevated level of suspense, its fine cinematography, and its generally high level of acting. Be advised, however, that the film's finale may be a disappointment if you expect all the whodunit puzzle pieces to fall into place, neat and tidy.

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Elwood_Blues from Bonn, Germany
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I went to this film expecting not too much after all the bad commentaries about it, but in the end I think this film is quite entertaining. The acting is quite good and the filmmakers understand it to build a 'scary' atmosphere. Of course, this is no masterpiece like Se7en, but its okay... What I did not liked at all, was the ending. It was so (!!!) predictable. Some people even made bets a la "5 bucks she will save him". Moreover it was really stupid, that the killer's motive had nothing to do with the entire film. And maybe the worst about the film was this completely ridiculous christmas scene where both lead characters seem to be a couple. It seemed to me like the writer thought "Oh s**t, I forgot the two have to fall in love" and so he wrote this scene.

Bottom line: Quite entertaining but too predictable to be good. My vote: 6/10

BTW: What do Angelina Jolie and Julia Roberts have in common? The wide grin :-)

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danielll_rs from Belo Horizonte, Brazil
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One time, when I was about 11 years old, I rented a film called "The Silence of the Lambs", and... Wow! I can't describe the the feelings I had. It was the best film I had seen till that moment, and it is on my mind until today.

In my opinion, this was the inspiration for all the other thrillers which came out after 1991, specially those ones with a serial killer. Some time after that, I rented "Se7en", which was for me wicked, claustrophobic (in the good way), brilliant, almost as good as "The Silence of the Lambs". Taking those two films, almost all the other serial killer thrillers were a big waste, specially "Kiss the Girls". However, "The Bone Collector" was released in 1999. But, for some reason, it received many bad reviews. I really don't agree with them.

The theme of "The Bone Collector", despite the fact that it has already been used in many other films, is really interesting. I won't say much about it to preserve your entertaining, but I can say it is very suspenseful, dark, well-written, well-directed and well-acted. Denzel Washington gives another great performance as the paralitic detective, but the big star is really Angelina Jolie. She's very, very pretty and talented, and has a GREAT future. She has been keeping my attention since the TV movie "Gia", and surprised me last year in the wonderful "Playing By Heart". I'm very glad that she won the Golden Globe for "Girl, Interrupted", and I hope she wins the Oscar for that part. Angelina deserves it for walk one more step on her brilliant career. Her acting in "The Bone Collector" is not different. Her dialogues with Denzel Washington in the film are intense and provoking, and without her the film would have been a little lost.

So, when you see "The Bone Collector", try to forget the bad reviews and have fun. It is not "The Silence of the Lambs". It is not "Se7en". But it is a fine film if you want to feel your hands cold and your heart beating fast. And appreciate Angelina's beauty.

7/10

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bob the moo from United Kingdom
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When NYPD cop Amelia Donaghy uncovers a mutilated corpse she shows a natural eye for detail and preserving crime scenes. When the killer turns out to be a serial killer leaving clues to his next crime, NYPD turn to the paralysed ex-forensics cop, Rhyme to help them piece together the clues. With Rhymes bedridden, Donaghy becomes his eyes, ears and legs as she walks the scenes under his guidance to uncover the trail.

This is a star vehicle - two Oscar winners and some good supporting actors (Luis Guzman, Michael Rooker to name two). However the plot is below the Washington and Jolie. It is the old "killer taunting cops to catch him" chestnut. It is slightly spiced up by the use of forensics etc and watching Washington putting together the logical clues is quite fun - mainly because you get the feeling that you're right there with him and that it all makes sense. However most of it doesn't makes sense, a lot of the forensics is bull and relies of coincidence or Washington dragging facts from the back of his head. This is a shame because it feels like the film is just being lazy at times and is cheating us out of logic. This laziness feeds right through to the ending - if you thought that the Scream films were lazy and stupid wait till you see the stupid ending to this! Up till this the film does have plenty of horrible scenes and lots of tense bits with Jolie walking round in the dark with the killer potentially just round the corner.

Jolie is good and deals with her character well - despite the fact that a beat cop would never just be able to become a crime scene officer on the whim of an ex-cop. Washington deals well with his character being paralysed for the whole film but does get a bit silly at the end where he fights the killer with just his head! Support is fine - but Guzman is not as good as he usually is.

Overall this is a B movie that got an A movie budget. The film is dark and tense but ultimately a bit lazy and blows it totally with a stupid lazy conclusion.

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MovieAddict2016 from UK
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The Bone Collector

The serial-killer genre received a big boost over a decade ago when 'The Silence of the Lambs' was released; Hannibal Lector himself spawned a newfound interest in not the slasher genre of the eighties, but of the psychological slashers.

Unfortunately, like all movies and their genres, they simply get…old. I'm tired of serial killer movies that try to cash in on the success of 'The Silence of the Lambs.' We've had countless films over the years since 'Silence' that are just tragic rehashes of each other with predictable and ridiculous endings.

Now we have 'The Bone Collector,' another typical 'psychological thriller' brought to life by a great cast and director.

Angelina Jolie plays the cop-on-the-streets who discovers a corpse next to a railroad. She immediately sparks interest in herself as the chief of police starts watching over her more, and a paraplegic man named Lincoln (Denzel Washington) summons her to his home to ask her a simple question.

Washington wants Jolie to help him catch the killer.

Denzel Washington plays Lincoln, a man who used to be big but is now immobile. His only moveable joint below his neck is a single finger, which he uses to click a computer mouse by his bed. He is watched over by Queen Latifah, a caring woman, sure, but not exactly loving.

'The Bone Collector,' based on the novel of the same name by Jeffery Deaver, could easily have slipped into the average slot, but because of a great cast, is just good enough to recommend. There are some gut-wrenching scenes in 'The Bone Collector,' but then there are some scenes (including the end) that recede into the stereotypical psychological thriller.

Director Phillip Noyce uses some great shadowing and a dark, moody atmosphere to bring the surroundings of his film to life. Exterior shots are dark and withdrawn, and interior shots are almost brighter. It is as if the darkness symbolizes the chemistry in the characters. The more Denzel talks to Jolie the brighter the room gets; when they are outside it is darker. Why? Because she doesn't know anyone outside. It is as if the surroundings are tailored around her character's emotions. She's happy, it's bright. She sad, it's dark. Etc…

All in all, I was going to give 'The Bone Collector' a higher recommendation than three stars before I saw the ending, but it turned out to be quite ridiculous and average; plus, it was very predictable. I guessed it before it happened.

3/5 stars –

John Ulmer

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Sjoerd (Filmfan-NL) from Netherlands
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The storyline has too many flaws and illogical sequences to be worthwhile. Jolie's acting is pretty flat and poor, Washington's is OK, the rest of the cast are cardboard cutouts. Somehow almost everything about this film oozes mediocrity. The plot is lame. The only thing I liked more or less about this film are the fairly original methods the perpetrator uses to end his victims. Technical details are worse than the most far-stretched CSI 'knowledge' and gizmos and halfway the movie one wonders if the director even cared about detail credibility. (Some Spoilers hereafter!) I mean, an EKG machine with a pure sinus wave reflecting a man's heartbeat, a quadriplegic with full body muscle spasms and one working index finger, sure. A killer gutting a man's bowels whilst keeping him alive to allow the rats to feast on him followed by a rat aiming for the guy's FACE! What's with all that stupidity? Then there are quite a few continuity goofs, but you can find those elsewhere here on IMDb Honestly I found it a bit of an insult even to my limited intelligence.

Waste of time. Still 4 out of 10 to keep my girlfriend from kicking me.

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AKAs Titles:


Certifications:
Argentina:16 / Argentina:18 (cable rating) / Australia:M / Brazil:14 / Canada:18A (Alberta) / Canada:14A (British Columbia) / Canada:R (Manitoba/Ontario) / Canada:14 (Nova Scotia) / Canada:16+ (Quebec) / Chile:14 / Denmark:15 / Finland:K-16 / Finland:K-15/13 (2001 reform re-rating) / Finland:K-16/13 (2012 reform re-rating) / France:12 / Germany:16 / Hong Kong:IIB / Iceland:16 / Ireland:15 / Japan:PG-12 / Malaysia:18SG / Netherlands:16 / New Zealand:M / Norway:18 / Peru:14 / Philippines:R-18 / Portugal:M/16 / Singapore:PG / Singapore:PG13 (re-rating) / South Korea:18 / Spain:18 / Sweden:15 / Switzerland:16 (canton of Geneva) / Switzerland:16 (canton of Vaud) / UK:15 / USA:R (certificate #36863)