Milo Tindle and Andrew Wyke have something in common, Andrew's wife. In an attempt to find a way out of this without costing Andrew a fortune in alimony, he suggests Milo pretend to rob his house and let him claim the insurance on the stolen jewelry. The problem is that they don't really like each other and each cannot avoid the zinger on the other. The plot has many shifts in which the advantage shifts between Milo and Andrew. Written by

Plot Synopsis:
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Andrew Wyke, a famous mystery writer, invited wife Marguerites lover, Milo Tindle, to his country house for the weekend.

Marguerite had lavish tastes and numerous lovers, but would not leave Andrew because none of her lovers could afford to maintain her lifestyle. Knowing that Milo, a self-made popular hairdresser from a poor Italian immigrant family, could barely afford Marguerites expenses at it is, Andrew decided to give him a large sum of money to take Marguerite off his hands.

Andrew came up with an insurance fraud scheme that will give Milo 170,000, the value of Marguerites most expensive jewels. Milo will play the burglar and steal Marguerites jewels, while Andrew used his talents as mystery write to plan out corresponding clues to fool the police and insurance company. Milo gets Marguerite, Andrew gets to stop paying her bills.

All went well, the two men had great fun playing out the plot, until Andrew pointed a gun at Milo he WAS the jealous husband after all. Andrew found it humiliating that his wife had chosen a lover from the lower classes, and Milos good look, youth, specifically sexual prowess further infuriated the impotent man.

Two days after Milos murder, Inspector Doppler arrived to investigate the disappearance of Milo. Andrew admitted to the entire event as a game he had planned out for his own entertainment and that Milo was not really killed he used a blank bullet. But Doppler found evidences suggesting otherwise and arrested Andrew. Andrew now began to see the difference between murder in real life and his books. The police inspectors are not all stupid and the upper class gentry who moonlights as detective do not always have the upper hand.

As Inspector Doppler had the panicking Andrew pinned and ready to be arrested, he took off the theatrical makeup and revealed himself to none other than Milo Tindle. And it didnt stop there, Milo had setup a much more elaborate game to get back at Andrew.

Andrew had gone out the day before, and as Milo sneaked into the house to setup his own game, he met Thea, Andrews mistress. Thea and Milo shared the same detest in Andrews insane sense of humour and condescending manner to the lower classes, and she agreed to play the murder victim.

Milo told Andrew how he had strangled Thea as his revenge and hid four incriminating evidences in his house; and that the police are on their way to his manor. Andrew went through 13 aggrevating minutes running around looking for the evidences, only to find that Thea wasn't killed and it wasnt the police inspectors at the door it was just Milo exhibiting his talent as an amateur actor.

With everything he cherished insulted and dragged through the mud by Milo, Andrew shot and killed him with real bullets. But since Milo had reported his prior experience to the police, Andrew had now trapped himself with no creditable excuses, and a house-full of evidences to prove that everything Milo said about him was true.

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jackmunro from Sydney, Australia
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To me, "Sleuth" is a demonstration of the problem with the Oscars (certainly a problem in 1972, and perhaps now also). The problem was that, even before the casting was done for the film of Mario Puzo's "The Godfather," everyone knew that whoever played the leading role was going to receive the Best Actor Oscar, irrespective of the performance. To rate Brando's performance above the performances of Caine and Olivier that year is nothing short of ludicrous. All I can say is thank God that at least Joel Grey received the best support Oscar for "Cabaret" that year.

I first saw Anthony Schaffer's play on the London stage about two years prior to the release of the movie. The leading roles were taken by Paul Rogers and Donal Donnelly, two fine English actors who were superb in these parts. I remember thinking what a difficult thing it would be to make a film of this, but I was sure that someone would try it and make a mess of it. How wrong I was!

I note that "Sleuth" comes up as #250 in the IMDB top 250. I recently selected my top 100 and it comes up at #55. This is a magnificent movie that keeps one on the edge of the seat for its entire length. The performances of the two leads as they play the same game a number of times is stunning. Here is the man acknowledged as perhaps the greatest actor of the 20th century, and here is the Cockney up-start Caine (famous for his "kitchen-sink" roles such as in "Alfie") matching him at every turn and often soaring above him.

But in saying all this, I need to put in a plug for perhaps the finest supporting performances ever delivered. Alec Cawthorne, a man few have heard of outside "Sleuth," is mesmerising as Doppler, while John Matthews and Eve Channing, although having very minor parts, imbue every nuance of their performances with ethereal splendour.

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uds3 from Longmont, Colorado
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When Britain does it right....no one can come close to it! This was just such a movie. A filmed version of Anthony Shaffer's own wonderful stage play, the brilliance needed to sustain 138 minutes attention between just two people in three or four rooms of a single house - should not be underestimated. Olivier is in his element as the upper crust land-owner who invites Alfie-esque hairdresser Caine to his mansion, simply to acknowledge his wife's infidelity with him and to inform Caine that he is messing with the wrong guy.

The dialog driven plot is probably beyond the grasp of most younger viewers, but is a veritable revelation for those seeking to be entertained on a grand scale. As important a player as anyone else, the house itself and its many wondrous artifacts are simply stunning. How the tables are turned and the roles reversed? Without doubt, one of the greatest films ever made.

As for Alex Cawthorne's stunning performance as Inspector Doppler, what can I say? Its almost as is he wasn't there!

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Jonathon Dabell (barnaby.rudge@hotmail.co.uk) from Todmorden, England
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Sleuth is based on an outstanding stage play by Anthony Shaffer. Sometimes, a work which succeeded on the stage doesn't transfer well to the big screen. Movies like Equus and Dangerous Corner - which were a delight in theatres - lose their power under the close scrutiny of a film camera. Sleuth is not a failure. It retains its stagebound plot, characters and dialogue, but somehow manages to be totally engrossing as well.

Part of the joy is due to Laurence Olivier and Michael Caine. The two giants of Britsh acting don't chew the scenery in an attempt to out-shine each other; they complement each other quite brilliantly and turn in two of the finest screen performances you could ever aspire to see. Olivier plays elderly author Andrew Wyke, an obscenely wealthy, well-educated and devious man. Caine is Milo Tindle, a charming, ever-polite young hairdresser. Milo visits Andrew to ask for his blessing in marrying his estranged wife. Although Andrew seems fairly open to the idea of giving away his wife (after all, they despise each other) he still feels stung by her exit, so he engineers a cruel game to humiliate Milo. But who is playing a trick on who?

The dialogue is terrific, but it needed terrific actors to get the best out of it. Caine and Oloivier do a fine job. Ken Adams' set design turns Olivier's gorgeous palatial house into a dazzling mansion of madness. The tinkly music by John Addison creates a playful yet ever-so-slightly uncomfortable mood. Joseph L. Mankiewicz directs perfectly, getting maximum suspense from his staging of scenes and thoughtful choice of camera angles. The twists are superbly disguised, especially the awesome "shock" climax which will blow you away. See Sleuth - it's one of the best!

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Mr. Pulse from Syracuse, NY
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My parents saw "Sleuth" on Broadway, during its original run, just a year or so before this film was released. Watching the movie I can see how it would make a good play, but by the same token, it is not a translation that feels slow, or wordy, or unsuited to the screen. The adaptation is excellent, without "opening up" the play too much. If you're a fan of mysteries, you'll be intrigued by the performances and the script. Joseph Mankiewicz's direction isn't terribly flashy, but subtle and well-done.

Laurence Olivier stars as Andrew Wyke, a famous mystery novel writer. Milo Tindle (Michael Cane), comes to visit him one weekend; asking for Andrew's wife's hand in marriage. But things aren't as simple as they first appear. Andrew wants something in return from Milo. And then again, maybe he doesn't.

The film unfolds slowly and patiently; you almost feel like the film's sentient and realizes how juicy its secrets are, holding on to them for as long as possible. There are numerous twists and surprises in the film; and even if you see one or two coming (as I did), don't expect to get it all right until it's over. It's best not to know at all what is going to happen, so I'll leave you with no more clues.

I enjoyed nearly every moment after the initial meeting between Milo and Andrew. Once Cane and Olivier really get going in their scenes, the film never looks back. They are exceptional in their performances, and deservedly earned nominations for Best Actor Oscars.

So who wins? Does anyone win? Is it a game with a winner at all? Oh just go rent it already!



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dbdumonteil
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The beginning and the end of the movie take place on a stage:a mortal feud between two characters,played by two splendid actors ,directed by one of the giant of American cinema.It's hard to speak of the screenplay without spoiling the suspense,the action-packed story,the surprises waiting for you every step of the way.The two belligerents are diametrically opposite:Sir Olivier plays a local squire,full of disdain and smugness,he's wealthy and claims a noble pedigree.Michael Caine is what the French call "nouveau riche",the most despicable breed of man to his proud opponent :worse,he 's still working,as a posh hair-dresser at that!Both are oozing hatred ,and behind the automatons,we feel the tempers rise .Height of contempt,Olivier disguises Caine as a clown!Anthony Shaffer's tour de force is rendered with gusto and virtuosity.It' s a pity that it was to remain Mankiewicz's last work.

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The_Void from Beverley Hills, England
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Sleuth is, without doubt, one of the finest thrillers ever made. It continually keeps you on the edge of your seat and you never truly know where you are. This is an excellent thing for a thriller to do as it ensures that you will keep watching for that all important next plot development. The plot itself follows a man named Andrew (played by Lawrence Olivier) who is a big fan of playing games. He invites the man that has run off with his wife; Milo (Michael Caine) to his house, and while there, he entices him into a plot to steal his wife's jewels so that he can avoid the taxman, and so that Caine can accommodate his new found girlfriend's overly expensive tastes. To give anything else of the plot away would be running the risk of spoiling what is a fascinating piece of cinema, so I will leave the plot details at that. The plot meanders in a way that is hard to pin down; the film remains ambiguous all the way through; nothing is ever what it seems, and that is what makes Sleuth a cut above many detective mysteries.

This movie stars two super-heavyweights of the British movie industry; Lawrence Olivier and Michael Caine. The film requires the two to be on screen for nearly the full duration of the movie, so it is obviously essential that they perform to a high standard; and I can confirm they most certainly do just that. The chemistry between the two is outstanding. The way that the sublime dialogue bounds back and fourth between the two is simply a pleasure to watch; and is more entertaining than a lot of movies that are made simply for entertainment purposes. The two do have a tendency to get a bit dramatic at times, there's is a particular sequence in the cellar that springs to mind immediately on that front; but the over-dramatics add to the atmosphere of the film. The film is very different and over the top in it's style anyway; it plays out almost like a moving detective novel, and the fact that both actors have a tendency to camp it up gives the movie something that it would not have had otherwise. The film is based on a stage play by Anthony Shaffer, and this is evident throughout the movie as it plays out just like a stage play on the big screen. The only film that I can think of that is similar to Sleuth in this way is Alfred Hitchcock's 'Rope'. Joseph L. Mankiewicz, who also made the classic All About Eve, very astutely directs this film. I would even go as far as to say that the direction here is better than it was in All About Eve; Joseph L. Mankiewicz's use of the camera is amazing and you can tell throughout the film that this is an auteur at the absolute top of his game. Overall, Sleuth is one of the best films ever made. It is amazing just how brilliant a film can be with a miniscule cast and a brilliant script, and if only for that fact alone; Sleuth is a film that you need to see.

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Tim Cox from Marietta, OH
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The stars have a ball with this exceptional adaptation of the award winning play from Anthony Shaffer, directed by Mankiewicz. Mystery writer Olivier invites his wife's lover, played by Caine to his lavish country home - perhaps to propose a scheme that would benefit both of them. Ah, but what's the real purpose. Stay poised and ready for thrills as both stars lead us through a devilishly cunning script, filled with a crackerjack conclusion. Both stars and their director were Oscar nominated.

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tfrizzell from United States
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Brilliant film about two men (Oscar nominees Laurence Olivier and Michael Caine) who meet at Olivier's house and go over an elaborate scheme to keep Olivier's fortune when his wife (about to divorce him to be with Caine) leaves him by staging a robbery performed by Caine. The strangeness does not stop there though as the two men each have personal motives and the twists and turns become dizzying as the movie progresses. Laurence Olivier is truly magnificent here, as he almost always was. Michael Caine, only 39 at the time, holds his own and that is far from an easy thing to do in a production like this. Joseph L. Mankiewicz's brilliant direction makes a film that could have been very dull into a stunning cinematic experience that stands tall against other films from the 1970s and all other decades for that matter. 5 stars out of 5.

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Camera Obscura from The Dutch Mountains
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A very entertaining "thriller" about a wealthy mystery novelist named Andrew Wyke (Olivier), who invites Milo Tindle (Caine) - working-class owner of a chain of hair salons - to his sixteenth-century mansion to discuss Milo's affair with Wyke's wife. Instead of being angry, he seems to be delighted and proposes an ingenious robbery scheme that will benefit both men. Soon, the two men find themselves locked in an ingenious and devious duel, but who gets the last laugh on whom?

With the right ingredients film-making can seem so easy. The cast consists of just two actors, Laurence Olivier and Michael Caine, but with these heavyweights, it's hard to go wrong. Playwright Anthony Shaffer (FRENZY, THE WICKER MAN) wrote a brilliantly ingenious script with crackling dialog, and veteran director Joseph L. Mankiewicz (A LETTER TO THREE WIVES, ALL ABOUT EVE), who knows all the cinematic tricks and has an uncanny aye for detail, manages to avoid this "play" from becoming static in any way. It was to be his last film, and what a grand way to say goodbye to cinema. A real treat from start to finish. Highly recommended!

Camera Obscura --- 10/10

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Claudio Carvalho from Rio de Janeiro, Brazil
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In England, the Italian English hairdresser Milo Tindle (Michael Caine) is invited by the successful writer of detective stories Andrew Wyke (Laurence Olivier) to visit his isolated house. The lower class Milo is the lover of Andrew's wife, who is used to have a comfortable life, and he intends to marry her. Andrew proposes Milo to steal his jewelry simulating a burglary. Milo would make a fortune selling the jewels to an intermediary; and Andrew would be reimbursed by the insurance company and would not pay alimony. However, the whole situation was part of an evil game. When Milo vanishes, a detective visits Andrew to investigate what really happened that night, when deadly games are disclosed.

"Sleuth" proves that a great screenplay, an outstanding director, two top-notch actors and four scenarios suffice to make an excellent movie with four nominations to the Oscar. The intelligent and wit theatrical story has amazing lines and twists in a duel of cat and mouse between two icons, and has not aged. My vote is nine.

Title (Brazil): "Trama Diabolica" ("Diabolic Plot")

battle of wits|lover|jewelry|insurance|english|hairdresser|game|writer|single set production|mystery writer|jigsaw puzzle|two hander|hedge maze|wife's lover murdered by husband|husband murders wife's lover|unfaithfulness|suspense|shooting|red herring|in joke|game playing|gadget|adultery|novelist|husband wife relationship|writing|upper class|toy|social climber|shot with a blank|shootout|scheme|rich snob|psychological torment|pride|portrait|police detective|pawn|opal|mystery author|mansion|love triangle|investigator|intimate|insurance fraud|infidelity|impotence|imposture|firearm|extramarital affair|evidence|egotist|divorce|class differences|cat and mouse|author|assumed identity|cult film|clown|one word title|minimal cast|all male cast|disguise|nonexistent actor in cast|double cross|maze|robbery|clue|murder|search|riddle|frame up|humiliation|revenge|based on play|surprise ending|

AKAs Titles:


Certifications:
Argentina:16 / Australia:M / Finland:K-16 / France:U / Iceland:12 / Netherlands:16 / Peru:14 / Singapore:PG / Sweden:15 / UK:AA / UK:15 / USA:PG / West Germany:16