Lola receives a phone call from her boyfriend Manny. He lost 100,000 DM in a subway train that belongs to a very bad guy. Lola has 20 min to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run. Written by

Plot Synopsis:
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The movie opens with a series of questions about humanity and what we know to be true. After the credits, the camera zooms into a house and stops at a ringing telephone. Lola picks up and begins talking to Manni. Manni is in a telephone booth and questions her about where she has been since she was supposed to be waiting for him at the spot they had planned on. She tells him some guy stole the moped she was on while she was in the store and that it happened so fast she couldn't catch up to him. Manni begins to cry. He tells Lola that he made a big mistake and claims they're going to kill him. Lola asks him what happened and he begins to recollect the events. He says everything was going as planned; the car transactions went well, he got the diamonds he needed and crossed the border successfully, his encounter with a dealer went well, and he got the money he needed: 100,000 marks. All that was missing was her waiting for him at the spot. He walked to the train station and got on, but a bum bumped into him and fell. He helped the bum up, but two security guards got on the train. On instinct, he got off leaving the bag of money on the seat. He did not realize it until a minute or two later. He tried to go back to get the money but was stopped by the two security guards. The train left with the bag of money and the bum opened it, immediately grabbing it for himself. Manni tells Lola he would not be in this situation if she had been there on time. He blames her for being so sensitive and for believing love can solve anything. He tells her to come up with 100,000 marks in twenty minutes because that is all the time he has left before he has to meet Ronnie, his boss, and turn in the money or else he will kill him. He begins to tell her that over and over again until Lola screams "Stop" so loud, a few glasses on her TV set break. She finally tells him that she will come up with something in twenty minutes. She tells him to stay where he is and she will get him the money. He gets desperate and spots a store across from his phone booth and tells her that he is going rob it because that's the only way he can come up with that much money in twenty minutes. Lola thinks he is crazy and tells him again not to move from there. She tosses the phone and begins to think who she can go to. Images of possible people flash in her head until she finally decides on her dad.

First Run: She begins to run through the city, and she bumps into a woman and her baby in a carriage. In a series of photo shots, it depicts the woman's future. Her baby is being taken away by social services and she ends up taking someone else's baby in a park. The camera returns to Lola running. Meanwhile, her dad and a woman is having a conversation in his office at a bank. The woman is telling him that she cannot go on lying and doesn't know who she will wait for a man who doesn't want to be with her. Lola continues running and encounters a guy on a bike who, while riding next to her, wants to sell her the bike for 50 marks. She says no. In a series of photo shots, his future is shown. He gets beat up by some men, and his bike is taken away. He ends up in a hospital where he meets a nurse, and they get married. It goes back to Lola crossing in front a car that barely misses her. The man driving stares at her and doesn't see another car coming, crashing into it. Manni is still in the phone booth. He is talking to someone and asks the person what he is supposed to do with 500 marks. He hangs up and returns the phone card to the blind lady he borrowed it from, but she doesn't take it. Meanwhile, Lola's dad and the woman are still talking and she tells him he has to decide whether or not he wants to be with her because she's pregnant. Lola finally reaches her dads work and is running to his office but accidentally bumps into a clerical worker. Again, in a series of photo shots, her future is shown. She gets into a car accident, is paralyzed, and then commits suicide. Lola finally reaches her dad's office and asks him for help. She tells him she needs 100,000 marks or her boyfriend will die. He starts to ask questions about her boyfriend and she tells him It doesn't matter in a scream so loud, she breaks the glass wall clock. He then walks her out and tells her he is leaving her mother and marrying another woman. He also tells her that he is not her father and throws her out. Lola is dazed for a little bit then exits the bank. A lady approaches her and asks her what is wrong, but Lola asks for the time and begins to run again. Manni is on the phone with someone and seems frustrated. He walks up to the store he plans on robbing and looks inside. Meanwhile, Lola is running and repeating over and over for Manni to wait for her. Manni makes up his mind and enters the store. Lola gets there too late because he is already pointing a gun and telling the cashiers to open the cash registers. She bangs on the window glass and asks him why he didn't wait for her. He tells her she got here too late. He then asks her if she is with him. At first, she just wants to leave, but she then grabs a bag of glass bottles from a lady nearby, goes into the store, and hits the security guard on the head. She grabs the gun from the guard and covers for Manni while he gets the money from the registers. They take off running, but the police block them. They run the other way but get blocked from that direction as well. Manni throws the bag of cash at the police. While looking up at the bag, the cop accidentally fires his drawn gun and hits Lola in the chest. She falls back, and Manni goes to her. She thinks back to when she and Manni were in bed together, and she questions his love for her. Manni finally asks her if she wants to leave. She replies no; she does not want to leave. She then says, "Stop", and the movie goes back to the beginning.

Second Run: She hangs up the phone and begins running with her dad already in mind. She bumps into the same woman and her baby. This time, in the series of photo shots, the woman wins the lotto and is happy. Lola continues to run and encounters the man on the bike again, but this time his photo shots depict him as a bum and a drug junkie. She keeps running and instead of crossing the car, she jumps over it. The man still crashes into the other car because he is staring at her. She continues to run and bumps into the homeless guy with the bag of cash. She obviously does not know he has the money and keeps running. Meanwhile, her dad and the woman are having the same conversation. She asks him if he wants to have a baby with her even though it might not be his. At that moment, Lola enters the bank. This time, as she is running to her dad's office, she doesn't bump into the clerical worker. She gets to the office and finds them arguing. This time, he is telling the woman he cannot leave his sick wife and three kids. He tells Lola to leave them alone and go home, but she tells him she needs money. The woman tells her she should be ashamed for barging in on them. Lola calls her a stupid cow and her dad slaps her across the face. Lola begins to throw objects at her dad and leaves on her own. As she exits, the security guard tells her she can't always have what she wants. She walks back, but takes the guards gun with her. She reaches her dad again and tells him to go with her, but not before she shoots at the wall next to his head to let him know she is serious. She holds the gun to his head as they're walking out. The clerical worker tries to stop them, but Lola tells her to get lost. This time, in the clerical workers photo shots, she meets someone within the bank who likes to play dominatrix with her. Lola and her dad reach the front of the bank and tells one of the tellers to bag 100,000 marks. However, he only has 88,000 marks has to go downstairs to get the rest. He returns, and Lola tells him to put the money in the garbage can. She takes the bag and leaves. The police have the bank surrounded already. She just stands there staring at them, but the police tell her to get out of the way. They think it is someone else holding up the bank, so she begins to run to Manni. Manni is looking into the store he is going to rob. Just as he makes up his mind to go in, Lola calls to him. He turns around to go to her, but as he is crossing the street, he gets run over by an ambulance. This time, as he is lying on the street, he flashes back to when he and Lola are in bed together and asks her what she would do if he died. They go back and forth on the issue until Lola finally tells him he isn't dead yet, and the movie returns to the beginning again.

Third Run: Lola hangs up the phone for a third time and starts to run through the city again. She encounters the woman with the baby but this time doesn't bump into her. This time the woman's photo shots depict her having a religious awakening. She encounters the guy on the bike but this time he doesn't try to sell her the bike and instead pulls into a sausage stand. The bum with the money is there and offers to buy the guy a drink. The bum tells him that some unexpected things can happen, and the guy tries to sell him the bike for 70 marks. Meanwhile, Lola is running and this time stumbles on the hood of the car. She and the driver recognize each other. He is Mr. Meyer, her dad's associate. He asks her if everything is okay. She replies no, and continues running. Meanwhile, the bum ends up buying the bike and riding it throughout the city. Lola's dad and the woman are conversing, and the woman asks him if he wants to have a baby with her. He says yes but then is interrupted by his secretary on the phone. She says Mr. Meyer is outside waiting for him, so the dad goes to him. Just as they're pulling off, Lola reaches the bank. She sees them and yells for them to stop. Meanwhile, Manni is getting out of the phone booth and returns the phone card to the blind lady. She tells him to wait and turns to look out on the street. Manni follows her gaze and notices the bum on the bike riding through the street. Manni recognizes him and chases after to him. He almost gets run over by Mr. Meyer, but Meyer swerves and hits another car head on. Meanwhile, Lola is still running and thinking about what to do. She almost gets run over by a truck, but she spots a casino and goes in. She gets a 100 mark chip and places her bet at a roulette table. She wins 3,500 marks, but she bets it all again on the same number. As the roulette wheel is spinning, she starts to scream really loud and breaks champagne glasses that people are holding. She wins the 100,000 marks she needs and takes off again to find Manni. Meanwhile, Manni stops the bum by pointing a gun at him and takes the money. The bum then asks for the gun, and Manni gives it to him. Lola gets into the back of an ambulance in which a sick man is there. His heart rate is irregular. She claims to be with him and holds his hand. His heart beat regulates. She gets out of the ambulance and calls out for Manni, but he isn't there. Then she sees him getting out of a car about a block away with Ronnie. They shake hands, and Manni begins to walk towards her. He asks her if everything is okay, and they begin walking together. After a minute or so, he asks her what is in the bag she is carrying, and the movie ends in a photo shot.

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Nick Smart (nick_smart85@hotmail.com) from Gold Coast, Australia
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Tom Tykwer has truly proven himself as the filmmaker to watch. The little known German director has produced a modern-day masterpiece; a dazzling technical film about how life consists of the decisions we make.

Lola (Franka Potente) receives a phone call from her boyfriend, Manni. (Moritz Bleibtreii) Manni accidentally leaves a bag carrying $100 000 on a train, which is picked up by a homeless man. This leaves Manni in quite a predicament. He is supposed to deliver the money to a gangster by noon, if he fails, then he is likely to be killed. Lola has twenty- minutes to save his boyfriend. Twenty short minutes to somehow find the money and get it to him.

Run Lola Run is a film you expect to see at a Independent film festival, or in a Professor's office at a film school. In no way do I mean that in a negative way, I mean not to intend that the film is of a lower standard with lower production values, rather that the film is a beautifully mastered technical film that uses every filmmaking technique in the book. It is refreshing to see a film like this in the midst of the commercialised, dry-cut, 'traditional' filmmaking that we see on the silver screen so regularly.

As stated before, the film attempts to use a wide range of filmmaking techniques to help get the director's meaning and vision across to the audience. Some of these include speed-up, instant replay, black and white, and even animation in some parts.

It may sound strange, but the film is twenty-minutes long. Well, not really, but it is in context. Tykwer focuses on the twenty-minutes that Lola has, and shows that twenty-minutes three times over, each time with small differences will affect the outcome of the characters. The danger with this kind of technique is that it can threaten to be repetitive. However, the new additions added by Tykwer are very clever and link in perfectly, which will have you gasping for more.

Tykwer wrote and directed this film, and while doing this, he never lost sight of his meaning. His meaning that he is trying to express is that life consists of the decisions we make. While watching the film, this becomes increasingly evident. He also likes to emphasise that time is against Lola during the film. This can be seen when a young woman walks past and Lola asks her for the time, the next shot shows a much older woman answering her question, hence showing the importance of time.

Franka Potente gave a good performance as Lola. Yet, it is hard to say that she was fantastic, because it is a role that requires a great deal of physical acting and we didn't get to know a lot about Lola, hence the film wasn't overly-focusing on her issues, rather her boyfriend's problem. The real standout performance from my point of view came from Moritz Bleibtreii. He actually took on a quite challenging role and pulls it off successfully. He achieves his objective of getting the audience to feel sympathy for the position that he is in.

Run Lola Run is without a doubt, one of the best technical films ever made. A profound, exciting, new age masterpiece that has well and truly left its mark on the film industry.

Five out of Five.



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ecto-3 from San Diego, CA
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The concepts are simple. How do our actions affect our own lives, as well as those whom we touch? What part do chance and random events play in determining an outcome? Can we select a different result by making different choices? In short, what is reality? Well, maybe it isn't all that simple, but while others have plowed these same fertile fields, as recently as the film "Go", and also in "The Music of Chance", based on Paul Auster's novel, no one has dealt with such cosmic existential questions with more brilliant originality, fast paced action, and a pulsing score than in this German cinematic masterpiece.

In a compact ninety minutes, combining snips of animation, cinema verite, quirky characters, situations and dialogue, and a pace that makes most music videos look like they've been filmed in slow motion, three versions of the same story sequence unfold, and each time conclude with a jolting finish that defies convention, and keeps the viewer guessing until the final frame.

This is one of those rare cinematic events that is entertaining, satisfying, and absorbing, as well as flawlessly acted, staged, edited, produced and directed. I thought that Lola ran her race with flair and style, and left all others way behind in the dust.

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(kgx311@yahoo.com) from Sacramento, CA
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Run Lola Run is a riveting, heart (and pavement) pounding epic choose-your-own-adventure. Written and directed by Tom Tykwer, Run Lola Run is the story of a girl, Lola, who receives a panicked phone call from her longtime boyfriend, Manni. Manni owes a mobster 100,000 marks and doesn't know what to do. Lola, desperate to save his life, reassures him that she can get the money to him by noon, when he must meet the mobster (that means, she has twenty minutes), or else Manni would rob a grocery store. From that moment on, the movie takes us through three stories of Lola's trials trying to get Manni's money in 20 minutes - and with every person she comes into contact with, their lives take on completely different forms, as shown by 30-second photo flash montages. On an originality scale, this film ranks a ten. Franka Potente, the actress that portrays our flame-haired heroine, does an exceptional job. From the first frame the film plunges into action and adventure with breakneck speed, and we find ourselves cheering for Lola right to the end.

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ganstertrippin from Australia
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Run Lola Run. What a cool title.

It tells the tale of a young man, Manni, who one day was doing a job for crime boss. The job was just to deliver a bag of money to him with 100000 DM which roughly translates to $20000 or $25000 US. Unfortunatly Manni leaves the money on a train and is totally screwed unless he can get the money back in 20 minutes. So he calls his girlfriend, Lola (and no, she is not the girl from The Fifth Element), for help. From here the film follows Lola choosing three paths, each going for 20 minutes, to getting the money for Manni.

Run Lola Run is a wonderful study of how life consists of the paths we take. Some say there is no right and wrong paths to take in life, but Run Lola Run seems to illustrate that the right path is the best. Franka Potente (Lola) does a wonderful job and must have lost about 10 pounds for all the running she does in this film. But the real star here is Tom Tykwer (the director), who vison for this film is so fantastic and cool.

In terms of coolness, this has to be one of the coolest movies ever made. It contains black and white camera, animation, three or four different types of slow motion, fast motion and the most amazing still shots taken for a film which is enough to keep anyone interested. Plus this film is only 80 minutes long, but luckily it feels about 20 minutes longer than that.

After being one of the most talked about films of 1998, I would safely say that Run Lola Run has inspired a large number of film makers. Run Lola Run is a modern masterpiece and should pave the way for the future of films.

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emma502 from iowa city, iowa
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This modern German film from 1999,that was so stunning and brilliantly edited won many awards at the Sundance Film Festival. The audience was taken away on this fast pace exhilarating ride which in turn warrants those watching to think about the circular narrative and its elements. All elements of the film including soundtrack and opening credits are incorporated into this them of a story being told through three different threads and three different experiences. The opening credits are displayed in cartoon form, as well as some of the traveling/running that Lola (Franka Potente) does through out the film. The soundtrack fills the film with a fast paced feeling and adds to the heart-pumping adrenalin rush that element of limited time creates. Fast camera angles, the use of panning, the incorporation of cartoons, the use of outdoor scenery ( no sound stage used), and close face shots are some of the main filming techniques used to make what I can only describe as an MTV video style of film making. The use of high speed camera shows areas of the plot that remains constant while the hi 8 camera is used in portions of the plot that changes in each of the 3 episodes. Also the use of red tinting shows a difference from real life and inside the characters thoughts. The audience is placed into the middle of the plot, there is no real introduction to the main characters, Lola and Manni, ( Moritz Bleibtreu) until after the main crisis of a loss of a bag filled of money that is suppose to be in the hands of a crook/ gangster with in the next 20 min from the time of the main character's conversation. This discussion is repeated 3 times until the characters successfully complete the task that lays before them. They either have to produce a replacement bag of money, or find the missing sack. In each of the 3 episodes the same characters are present as well as the same events but they either are incorporated or interact differently. For example, each episode has glass shattering. If the red ambulance does not crash through glass that is being carried across a main highway, then glass is broken by Lola screaming. Each episode also has elements of time, breaking of time, the different use of fire arm, running, and the use of the same script by the characters. The episodes are broken apart by either Manni or Lola dying, and in these deaths the audience is brought into the head of the characters to where they talk of love, life, death and loss. The audience is shown a place where the characters have a choice, which in turn is how they can relive the same morning events. This allows the audience to discover new interactions amongst the characters, discover new pieces of each story and how fit into one overall tapestry of a day in the characters lives. This film grabs the audience from the very beginning and proceeds to take them on an intense ride filled with lows and highs. One that can be watched over and over again due to the lack of information or images that is constantly being discovered. The complex and layered tale that unfolds in Run Lola Run is amazingly and almost unbelievably made better through the editing, film footage style, and soundtrack. The unusually dramatic images and different style than other films of the latter 90's sets Run Lola Run in a class of it's own

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Marcel Bulles (marcel.buelles@uni-koeln.de) from Cologne, Germany
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'Lola rennt' by Tom Twyker is the final step for German film-making towards a professionality and technical perfection that used to be Hollywood's alone.

80 mins. of brilliantly shot action will keep the viewer enthralled with the love story of Manni and Lola who have to fight against time: 20 mins. to be exact. It is 11.40 a.m. and Manni who is into smuggling diamonds across Eastern European borders has to turn over 100.000 DM at 12 o'clock sharp to Ronni, a 'gangster' par excellence, who would kill anyone for stealing a bottle of beer from him.

Unfortunately, Manni forgot the money in the tram and is now more desperate than ever. He calls the one person who has always taken care of him: the love of his life, Lola. She asks Manni to wait for her as he is going to rob the 100.000 DM from one the shops in town as he knows that turning up at Ronni's without the money would be his immediate death. Lola starts running immediately thinking of a million different ways how to help the man who is the most important person in her life and she runs and runs.....

The quality of cuts and camera shots, innovative techniques at the top of modern filming practically unknown to German viewers up to now will hopefully make 'Lola rennt' a blockbuster in the cinemas as it fully deserves it.

Like 'Der Himmel uber Berlin' (City of Angels', Ryan, Cage') and 'Bandits' this film is surely to be copied by Hollywood. A symbol of the emerging new strength and innovative qualities of German film-making. You HAVE to see it :))

The world-premier screening on 15th August, Cologne, Germany at the chocolate-museum Open-Air-Cinema had a 1,000-strong audience screaming and laughing, breaking into applause on several scenes as the story unfolded. The director and the actors and actresses were present and will have been delighted by the spontaneous reactions of the audience proving this film to be one modern masterpiece of film-making.

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jotix100 from New York
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Tom Tykwer's clever "Run Lola Run" showed up on cable the other day. We had seen it when it first came out, and frankly, watching it for a second time, it seemed even better than the last time. Mr Tykwer made an excellent impression with this film, which introduced us to this talented director. Having seen "Heaven", and "True", "Lola rennt" is by far a superior effort from Mr. Tykwer.

The premise of the film is a clever one. Lola, in twenty minutes, must solve the mystery in which she is drawn into. At each of this situations, Lola shows great resources about how to help her petty criminal boyfriend, who has lost 100,000 DM, and now must account for the missing money.

Franka Potente is the main reason why this movie works the way it does. She is almost like the cartoon character one sees in the opening credits. Lola, is larger than life, and shows she can do anything she wants because of her resolve. Ms. Potente brings freshness to the role and she totally captivates the viewer in her no-nonsense approach to life, in general. The supporting cast does good work under Mr. Tykwer's direction.

It's a puzzle why Hollywood hasn't made an attempt to remake this film, since the Americans are obsessed with redoing material like "Run Lola Run". Let's hope they don't try!

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Thomas Altmann from Germay
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"Lola Rennt" is probably the best german film to date! I've seen it a couple of times now and each time it is as fascinating as it was when I first saw it on the big screen.

The most stunning thing about this movie is the fast pace that is maintained through all aspects of the film: the sound, the music, the camera perspectives, the editing, etc. Plus Franka Potente does an excellent job to underline this effect.

But to be honest: "Lola Rennt" is no film for the casual moviegoer who just wants to see another mainstream movie as we so often see it in Hollywood movies. It is in nearly every aspect different from the average movie and has a lot of stylistic (animated sequences, split-screen, etc) and narrative twists that you won't see in most films today.

Score: 10 out of 10

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Duncan from australia
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Lola rennt or Run Lola Run as we say it, is a German thriller written and directed by Tom Tykwer. This Film will contrast your emotions as it shows you how one little event in somebody's life can change there's, and other peoples lives forever. This rollercoaster ride of emotions will keep you gripped all the way through as it jumps from soft, dimly lit emotional scenes, to the completely contrasting scenes of running and constant action.

The music used in this film complements the scenes very well, when it's a slow scene our ears are graced with soft classical music like when Lola is falling to the ground in a slow motion shot. The complete opposite of this is used in the fast paced running scenes, as we get pounded by constant techno beats. I believe that the director has used techno to try and get us inside Lola's head as she is running and stressing about Manni and all the other events that happen throughout this amazing film.

Lola's Determination to save her boyfriend Manni is very well projected as she enters the bank that her father runs, and throughout the three different versions of the story uses different techniques to try and save him. This involvement with the characters and the three different storylines is very unique to this style of film. I think that the actors have delivered a very memorable and exciting performance which will leave viewers wanting to watch the film over and over again.

I think that this director has used this style of film very well, he is one of this first to successfully use this style and create a very interesting and exciting film. This film is almost the only one of its kind, other than the film 'Sliding Doors' but even in that the character is living two parallel lives but in this film it is replayed over again.

This film used interesting techniques that I had never seen in a film before. I think that the snapshots into the peoples lives gave you a good view of how one little event can change your life forever. By replaying through the same sort of events three times the director lets you really get a sense of feeling for the characters, especially Lola and as the film progresses you actually start to care about the characters and I think this was a really good quality in the film.

Overall I really enjoyed this film, and think that it is one of the best foreign films I have seen in a long time, and would give it a 9/10.



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chemingineer from Mumbai, India
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The film has an unusual format in that it presents three versions of a twenty-minute episode. But unlike Kurosawa's RASHOMON these are not different perspectives of the same incident by different eyes. Instead it offers 'It could have been this way, but for…. or if only…' scenarios. The film thus attempts to define what people loosely refer to as the luck factor. Luck, the film tries to say is being at the right place at the right time or even the wrong place at the wrong time. Or it could be the right place at the wrong time, or is it the wrong place at the right time. It is this clever scripting around the space-time permutation, that makes this film such a delight to watch. The scenario, in which the young lovers emerge triumphant and richer, makes out a strong case for being proactive and for taking risk. It is also amusing to see how wrong conclusions can be drawn from partial information. But the film offers more than an interesting case study for management students. Cinema buffs would notice that time compression, which is so common in film idiom is not resorted to…. the action is nearly in true time. The quicksilver editing and the pulsating background score embellish Lola's running and make sure that the repetitions do not get jarring. The film is an unalloyed delight to the mind and the senses.

bechdel test failed|alternative reality|multiple outcomes|repeated event|money|fate|subway|bank|one day time span|nun|race against time|multiple endings|luck|female protagonist|slow motion scene|foot chase|flashback|multiple perspectives|violence|trousers|telephone|telephone call|tank top|street|stolen money|stairs|sidewalk|running|redhead|pavement|pants|office|love|jacket|heroine|desperation|danger|clock|car|black humor|apartment building|angst|affection|accident|techno music|scream|episodic structure|cult film|boyfriend girlfriend relationship|critically acclaimed|dominatrix|art|shampoo|lotto|trust|homeless person|homeless man|flash forward|choice|animated sequence|telephone booth|time|pistol|security guard|race against the clock|police|organized crime|moped|father daughter relationship|extramarital affair|dyed hair|dog|car run over|car accident|bank robbery|automobile accident|armed robbery|apartment|accidental shooting|berlin germany|europe|roulette|turtle|grocery store|casino|part animation|gun|tortoise|adultery|bicycle|plate glass|ambulance|robbery|timing|self sacrifice|character name in title|credits rolling down|

AKAs Titles:


Certifications:
Argentina:13 / Australia:M / Belgium:KT / Brazil:12 / Canada:PG / Canada:14 (Nova Scotia) / Canada:PG (Ontario) / Canada:G (Quebec) / Finland:K-12 / France:U / Germany:16 (DVD) / Germany:12 (bw) / Iceland:12 / Malaysia:18PL / Netherlands:16 / New Zealand:M / Norway:15 / Peru:14 / Portugal:M/12 / Singapore:PG / South Korea:15 / Sweden:11 / Switzerland:12 (canton of Geneva) / Switzerland:12 (canton of Vaud) / UK:15 / USA:R