EMM# : 19777
Added: 2016-02-24

Prime (2005)
She thought she could tell her therapist anything. But she's about to discover that she's already said too much...

Rating: 6.2

Movie Details:

Genre:  Comedy (Drama| Romance)

Length: 1 h 45 min - 105 min

Video:   1920x1080 (23.976 Fps - 2 130 Kbps)

Studio: Prime Film Productions LLC| Stratus Film Co.| Team...(cut)

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In colorful, bustling modern-day Manhattan, Rafi Gardet, a beautiful 37-year-old photography producer reeling from a recent divorce, meets David Bloomberg, a handsome 23-year-old painter recently out of college. Rafi's therapist, Dr. Lisa Metzger, who is working to help Rafi overcome her fears of intimacy, finds out that Rafi's new lover is--unfortunately for Lisa--her only son, David. Both David and Rafi must contend with their 14-year age gap, vastly different backgrounds and the demands of David's traditional mother. Despite their intense attraction, the charmed couple soon realizes that vastly different ages and backgrounds create much conflict. A Jewish hip-hop lover and closet painter who still lives with his grandparents, David has little in common with Rafi--a non-practicing Catholic from a wealthy, broken family who travels in the sophisticated, high-end world of fashion. Written by

Plot Synopsis:
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New York City. Rafi Gardet (Uma Thurman) comes to see her therapist, Lisa Metzger (Meryl Streep), and tells her she has signed her divorce papers. She is distressed because she has suddenly started to think she wants to have children. Lisa tells her she should try to live in the now, for now.

Dave Bloomberg (Bryan Greenberg) is at home when his friend Morris calls. Dave joins Morris (Jon Abrahams) as he goes to see a girl he who has dumped him after their first date. Morris smears a cream pie in her face, which seems to be his usual approach to this situation. This time, though, the girl calls her brothers out from the house, and Dave and Morris do a quick escape in their car.

Dave goes to see a movie with a girl. In front of the theatre he meets an acquiantance, Randall (Zak Orth), who introduces him to his friends Katherine (Annie Parisse) and Rafi. When Dave goes to the bathroom he finds himself locked out of the theatre, along with Rafi; they exhange looks. After the movie they all go out, and Dave and his date argue over whether or not they are dating. Later, Dave is in his bedroom with the phone. He calls Rafi, but hangs up. He calls again and finds the nerve to ask her out. There's noise in the background; he tells her it's his roommates, but it's actually his grandparents (Jerry Adler and Doris Belack), who he lives with.

Dave picks Rafi up at her apartment building; he finds the doorman (Ato Essandoh) somewhat uncommunicative. At the restaurant he talks about the quirks of his Jewish family. They buy beer at an all-night store, and Dave has to show ID. Rafi asks Dave how old he is; he circles the subject, but they establish that she is 37 and he is 23. That's a bigger age difference than Rafi thought, but Dave convinces her to continue the date, and he takes her to a secret garden hidden behind a gate.

Rafi is back with her therapist. We flash back to the garden, where Rafi and Dave chat and kiss. Rafi tells Lisa about the age difference - though she lies and says Dave is 27 - and she isn't sure she should be getting into a relationship, but Lisa says it's a good thing. Later Dave talks to his mother on the phone; she is worried that he is dating a girl who isn't Jewish.

Rafi talks to her friend Katherine about Dave. Dave goes to his family home, and we discover that his mother is Rafi's therapist. After dinner they have argue; Lisa believes faith to be central in a person's life and thinks it causes too many problems to marry outside your faith. Dave says she sounds like an after-school special. He also tells her that the woman he is dating is older than him; he says 27.

Dave visits Rafi at her apartment; he unsuccessfully tries to make the doorman laugh. They talk about art, listen to jazz and kiss. Dave and Morris go to a bakery to get Morris another cream pie, and Dave tells Morris about his feelings for Rafi. Dave's parents talk about how they can get Dave to date Jewish girls. Dave and Rafi go out again and end up sleeping together.

Rafi goes to see Lisa again and talks excitedly about Dave. She blurts out his real age and admits that she was and is embarrassed by the age difference. She also says he is an artist, though he is not very confident about it and his family is unsupportive; we see a flashback of her and Dave talking about this. Lisa looks startled and asks where he lives. She realizes that they are talking about her son and breaks off their session. Soon she's on the couch of another therapist (Madhur Jaffrey), asking for advice on what to do. She decides to stay on as Rafi's therapist, not revealing anything.

Dave takes Rafi out again, and they have a candlelight dinner next to a big painting by Rafi's favourite artist. Another day she comes to see him play basketball and takes him home to bed. Back at Lisa's office, Rafi talks about how much sex she and Dave have, how happy she is and how beautiful his penis is. They also touch on personal hygiene, and Rafi explains how Dave never used Q-tips before he met her, complete with a flashback. But Rafi also talks about her doubts about whether she and Dave can have a serious relationship. In another scene, Dave tells Rafi how his mother and family do not accept that Dave is dating a non-Jew. He remembers how he introduced a former girlfriend, who was black, to his grandmother, and how she reacted by wacking herself on the head with a frying pan.

On the same day, Dave loses his job and has to find a new place to stay because his grandparents are swapping apartments with relatives. He goes to see Rafi at work, at a fashion shoot, and offends her employer. But he is soon forgiven, and at night they go dancing. Rafi insists they go to Dave's place after; she finds out he lives with his grandparents and laughs. She sees his paintings for the first time and tells him he should paint for a living.

Dave drops off some stuff at his parents' place, saying he is staying with Morris for a while. When Rafi arrives for her appointment with Lisa at the office next door, Lisa narrowly keeps the two from meeting. Rafi tells her that Dave is moving in with her. That weekend the couple go to the Hamptons to visit Rafi's friends, a gay couple (David Costabile and Will McCormack), along with Randall, also gay, and Katherine. The group discuss politics and arts, but Dave feels excluded and feels like he's being tested. Randall expresses concern that Dave at his age might not be able to give her what she needs, especially when it comes to children.

Dave and Rafi go to a gallery opening. She lets her contacts know about his art, but she doesn't introduce him to some of her friends. Dave still doesn't have a job and just hangs around Rafi's apartment all day. One day Lisa goes into a furniture store with her husband, and they have to hide when she sees Dave and Rafi there. In their next consultation, Rafi tells Lisa about her problems with Dave, but Lisa interrupts her. She tells Rafi the truth. Rafi is shocked and angry. She tells Dave, and Dave argues with his mother on the phone.

Dave brings Morris to Rafi's apartment one day, but hides him in a closet when Rafi comes home early because she doesn't like other people in the apartment. She finds out and blames Dave for acting like a child. They fight. Later at a restaurant Rafi breaks up with Dave.

One of Rafi's art connections comes to see Dave's pictures. He buys two and wants to set up a show. Dave also gets his own apartment. He is still down about Rafi, but Morris takes him out, and Dave ends up bringing a girl home with him - a model he previously met at Rafi's photo shoot (Mini Anden). But soon after he and Rafi meet in a grocery store and rush back to his place to have sex. They rekindle their relationship, and Dave talks his mother into having them over for dinner with the whole family. Rafi and Lisa make friends again, and the family seem to relax about the idea of Rafi and Dave together, and of Dave being a painter. Rafi mentions the possibility of having children with Dave.

Rafi learns of Dave's night with the model. Heartbroken, she confronts him. Dave talks to his mother, who tells him she understands his love for Rafi, but that sometimes good things come to an end. One night Dave goes to see Rafi, who comes home at the same moment. The doorman makes sure they meet in the elevator. Dave apologizes. Next we see them in bed together. Dave says he wants to make a baby with her. Rafi says she can't let that happen.

One year later, winter. Dave and Morris are walking down a street. Dave is talking about leaving and seeing the world. He realizes he forgot his hat in a restaurant, and he goes back for it. At the restaurant he sees Rafi and her friends at a table. He turns away and goes outside, but then he wipes a circle in the frost-clad window. Rafi sees him, they look at each other, she smiles. We see flashbacks of their relationship. Then Dave raises his hand as goodbye and walks away in the snow.
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botner from Chicago
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A great, great movie, especially when one considers the stinkers that usually litter the romantic comedy landscape.

This movie was smart, funny and most importantly, REAL. The cheese is held to a minimum and characters do and say things that real people say. No monologues that sound like they were cribbed from 'Chicken Soup for the Soul', just real people reacting to each other and their circumstances.

Meryl Streep is great in this (and this is coming from a straight, twenty-something male) and Uma Thurman and Brian Greenberg have a real chemistry together. There are some real classic lines in this and it's a million times funnier and smarter than say, 'Monster in Law' or 'Just Like Heaven'.

As one who usually cringes my way through 9 out of 10 'chick flicks' this is the rare one out the ten that passes muster, and does so in a big way. I fear that this movie will be overshadowed by a bunch of other new releases when it comes out, but this one really deserves an audience.

Very underrated. One of the better films I've seen all year.

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kyle wagner from United States
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This movie was the opener for the San Diego Film Festival. It was amazing. I thought it was just going to be another "let's find out about ourselves" romantic drama, but it was engrossing from the start. It's funny throughout, without resorting to slapstick (not that there's anything wrong with that, just that slapstick tends to be overused). The characters are realistic, each reacting to the other in believable ways, but it ends up with mostly hilarious outcomes.

No spoilers here, but the rough idea is that an older, just-divorced woman (Uma Thurman) gets romantically involved with a much younger man (Bryan Greenberg). At the same time, she's working out her guilt over dating this younger guy with her therapist (Meryl Streep). But everyone's got a lot more depth than you'd expect and there's a lot more going on than just this surface activity. I think what I liked most about this premise is that it's complex but not contrived. And I liked how the story developed - it just flowed naturally from what each character seemed to want or need.

This is a well-put-together movie. The script (Ben Younger, also the director) is really tight - characters say things that you can believe, never more than they need to, and you always feel you got a bit more truth out of every scene. And just about every single line is perfect. I wouldn't say that about many movies. Younger said in comments afterwards that he worked on the script for 8 years. I believe it. It's really that good.

The actors were incredible. All the leads (Meryl Streep, Uma Thurman, Bryan Greenberg) were wonderful, as were the supporting roles. When I think of Meryl Streep, I think of heavy dramas, but here I saw just how funny she could be. I loved the exchanges between Streep and Thurman's characters, and between Thurman and Greenberg. You just feel like you're a part of what's going on and can't stop watching. Everyone seemed to be performing at their peak in this movie.

I can't recommend this one highly enough. I think most adults, particularly those 25+, will enjoy it. It's not really a chick-flick. It's sort of like Chasing Amy, L.A. Story or When Harry Met Sally in its honesty. It's funnier than just about any movie I can think of, regardless of genre (that includes movies like As Good as it Gets, The Ref, Blazing Saddles, O Brother Where Art Thou, Grosse Pointe Blank, Sixteen Candles), and provides powerful insights into relationships.

I hope Younger does more good work like this in the future, it's nice to see a movie that's worth the ticket price!

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DICK STEEL from Singapore
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Perhaps this was touted as a romantic comedy with a psycho-analytical character thrown in, kind of like Analyse This and Analyse That. Put the characters in a crazy premise, and see how their relationship work out. Meryl Streep stars as Lisa, a psychologist to Uma Thurman's Rafi, who, unknowingly to both, is dating her son David.

Rafi's just been freshly divorced, and has only Lisa to talk to about her problems, and new life found when she met a new man in her life. She lies about David's age (increased it from 23 to 27), and wonders if a younger man would be suitable for her. You know it's situational comedy time when Lisa finds out about the truth, and discovers that she's caught between maternally protecting her son from a non-Jewish girl and frowning upon their relationship, and the conflict of interest between herself as a professional, and her client.

While the trailers seemed to suggest that most of the film will dwell on this aspect, and provide many laughable moments, this film is actually more serious that it looks in examining two major issues - that of religion, and the age gap between lovers.

David is an aspiring artist who's bumming around in life, until he met Rafi and moves in with her. While initially a novelty - Rafi enjoys and exhilarates about the sex and his manhood to Lisa (uh oh), though through cohabitation she starts to discover that David is still immature in his manners, and this gets personified in a hilarious scene where he prefers to spend more time on his Nintendo. Being 37, she feels her biological clock ticking, and wonders if she would be selfish to impose on David and have him grow up quickly. Given the age gap, it's also about sacrifices that one would make to bridge the difference, especially in expectations from the relationship (though in the beginning, it's all about the sex).

Like most romances, boy meets girl, boy woos girl, boy falls out of favour with girl. David has issues with telling his estranged mother about his relationship with Rafi, first because of their 14 year age gap, but more importantly, he knows that religion will play a major part in having her accepted as part of the family. Which makes you wonder about real life romances as well, the role of religion in a relationship, if it has the power to make, or break.

Uma Thurman is already 35, but still looks ravishing on screen, despite a few visible wrinkles. Newcomer (well, TV veteran) Bryan Greenberg holds his own as the young adult David Bloomberg, especially against veteran Meryl Streep.

Prime is a bittersweet tale, and I find it set in realism. Gone are the overplayed lovey-dovey moments, and I welcome the fact that with every relationship there are issues, and the major ones are the obstacles which determine if the relationship can survive, or not.

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Robert Farcasanu from Scottsdale, Arizona, USA
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Prime stars Deer Hunter actress Meryl Streep and Pulp Fiction actress Uma Thurman. It was written and directed by Boiler Room writer/director Ben Younger. I thought this movie was really good. The acting by Streep and Thurman was incredible. And the story was genius with an unexpected ending.

I'm sure you know the typical rom-com. Two people meet, have a great time together, something gets in the way, they break up, they get back together, and they get married and have lots of sex and babies and everything is just wonderful. Well this is different. Halfway through you are just positively convinced that this is how Prime is going to end. But it doesn't. That's all I'm going to say; see for yourself.

Meryl Streep was hilarious as the Jewish mother/shrink. I loved her. Besides the un-cliched ending, she is the highlight of the movie.

Overall I thought this was a really good movie. It was one of the few movies where I didn't look at the clock to figure how much time there is left of the movie. It was entertaining and cliche-free. I really enjoyed it and I highly recommend it.

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melmarq from Portland, ME
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I was initially reluctant to watch this film but my girlfriend wanted to check it out. After seeing it I must admit that the film did surpass my expectations - primarily since I felt that it was not really a "chick-flick" per se. The film tends to center around the guy 100% of the time. Call it a "guy-flick" from a woman's perspective. While I'm not at all a Meryl Streep fan, I felt that she carried the movie for the time that she was on the screen. Uma Thurman can't help but be the stunningly beautiful Uma Thurman that she always is. Without spoiling anything, I think that the ending was perfectly real compared to most romantic comedies that have been released in the past. This film was one of the more pleasant surprises for me this year. At the very least it will make for a great DVD rental if you're a guy who is as reluctant to see it as I was originally.

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Donald Agustamarian from London, England
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Meryl Streep is the closest actress we've got to the great old stars of yesteryear. Bette Davis comes to mind. Meryl was trim and sexy a couple of years a ago in "Adaptation" now in "Prime" she's a matronly Jewish mom filled with sense and sensibility. She is also very funny and the main reason to see this Jewish American farce. When she's on, we're on. I believed and enjoyed her predicament. I only wish the script, dealing with the relationship of Uma Thurman and Bryan Greenberg had been a bit smarter and more engaging. I bought that the sex was great and that Uma was discovering herself through this younger lover but their intimacy is clumsy and their dialogue very slight. It is as if the two Kauffman's of "Adaptation" were at work here and that the scenes involving Meryl were written by one and the scenes with the lovers by the other. The former ones however makes the evening a very pleasant one.

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yamaneko from Japan
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Failing to see anything remotely comical about this movie, I found it just rattled out old stereotypes about age and race without confronting these issues in any kind of depth. What was particularly disappointing is to see again that Hollywood still fails to confront the fact that meaningful, long-term relationships exist between partners in which the woman is significantly older than the man (including a large number of theatrical pairings). Not only was the relationship portrayed utterly shallow, but there was no attempt whatsoever to introduce any discussion of how the various obstacles the couple faced might be overcome.

Ultimately, the movie left a string of unanswered 'whys'. Why, for instance, should it be taken for granted that fatherhood would spoil the life of a 24-year-old man, even when he has made the decision himself to go through with it? Why should children be a curse and a life-spoiler? (and is this the message we should be giving young men?) Why should maturity be portrayed as dull and pedestrian, and youth as frivolous and unable to cope with the weightier issues of life? Why did David have to be so pitifully immature when others his age are already in, and enjoying, responsible positions? Does a meaningful, long-term relationship necessarily have to preclude an individual from any kind of adventure of self- realization?

The film might have been improved had David and Rafi achieved any kind of a meaningful conversation, but since they failed to do this, being too preoccupied with bedtime gymnastics or quarreling, we were denied any access to the thought-processes behind the decisions they made, particularly the most important decisions, to go for a baby (on David's part), and to separate. Had the couple been shown debating their issues rationally - instead of simply breaking up every time they hit a problem - the film might have given a helpful insight into the nature of relationships.

Finally, although this film was obviously trying to set up some kind of a 'this is how things really are, folks' ending, I fail to see why relationship failure is any more realistic a conclusion than happily-ever-after. It's just another all-or-nothing, black-and-white Hollywood oversimplification. Surely a more interesting and unusual ending to such a movie would be to show how people somehow manage to muddle through together, not in dramatic epic fireworks, but in finding new and constructive ways to confront their problems. But Hollywood seems to abhor anything that is not either implausibly romantic or utterly hopeless.

In short, this was not a particularly insightful or helpful film.

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siderite from Romania
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This is a situational movie. People get into and out of interesting situations and you might be amused by it, feel romantic or feel bad, but this does not define the romantic comedy genre as I see it. You don't watch this movie to feel good about the romantic endeavors that litter your brain but are almost never real, nor do you watch it to laugh at what is going on.

I especially liked the fact that Uma Thruman didn't play the role of the stupid blonde that she got in some of her latest movies and also that the movie tried to capture reality more than fantastic situations that no one can relate to and that always end in happy ending.

Mix Jewishness, visits to the psychologist, divorcees in the fashion business having gay friends and dating younger guys and you get ... New York. :) Well, this is a good movie. A lot of the cliches one would expect in a New Yorkish movie are broken or not existent and the ones that are left are well blended into the plot.

There isn't much to say about the plot that wouldn't spoil it, so I will not say anything. Uma Thurman plays well, Merryl Streep is always a good actress, but in this movie manages not the be annoying as well, which I think is a step up for her. My wife asked me to keep it, so I guess if I enjoyed it and also did she, then it's a winner all around.

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tragic_slider from United States
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I happened to catch the second half on HBO one night. I saw the entire movie a few nights later. I could easily watch it through again -- I was really drawn into the movie. I had to look it up on IMDb just because I was thinking about it so much.

There's a lot of negative reviews here, much more than the movie deserves. Movies are like people -- some you despise, many leave you indifferent, and some just really *click*. My roommate came back from "Saw III" hyper and proclaiming it the "BEST movie EVER!!!" -- I can guarantee you he wouldn't care for this. "Prime" also doesn't have any of the typical emotional manipulations found in your average rom-com. It makes do with much subtler if still dramatic material. For example: the meeting between Rafi and David is low-key, slightly awkward, nothing like, say, the Ferris wheel scene in "The Notebook". Ryan Gosling threatening suicide to get a date is certainly entertaining, but it also leaves me slightly detached, too aware this is a story for my viewing pleasure.

"Prime" is the anti-"Grease". There's nothing STYLIZED about it; no fairy-tale ending. If you can do with such accoutrements you'll be sucked in, especially if you can relate to the very upper-middle-class New York viewpoint that permeates it. Another reviewer was quite insightful in comparing it to "Annie Hall".

As for the relentless disparagement of Bryan Greenberg in the male lead: you've got to be kidding me!!!! He doesn't play the role the way, say, a young Al Pacino would play it. His persona is understated, relaxed almost to the point of passivity, slightly unsure, sarcastic and naive and vulnerable all at once. Completely believable as a 23-year-old who would appeal to and be attracted to a 37-yr-old divorcee. A more typical male lead his age wouldn't be dating Uma Thurman, he'd be charming Natalie Portman or Jessica Alba. Take the scene where he's trying to connect with the stoic doorman -- I totally cracked up and at the same time couldn't help but admire how true-to-life it felt. Everything about that scene bespoke an upper-middle-class 20-something living with his grandparents and lacking direction.

Not to mention that the intimacy between Rafi and David felt so natural that I felt convinced that Uma and Bryan had something off-screen during filming. The way they looked at each other, shared each other's space... the lust didn't seem acted, I'll put it that way.

To Ben Younger: despite all the people out there who don't get it, there are some of us who do. You really did an amazing job, and I doubt I'll ever forget "Bubbe" knocking herself with that frying pan... Lol.

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ottumbo from United States
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This film is abominable. Its primary message is that only people of the same background and the same age can have a long-term relationship. As for the reviews calling this film "hilarious," I have had more laughs at funerals. No wonder this film disappeared from the box office so quickly. The film concerns a 37-year-old woman (Thurman) who is getting over a divorce and going to a therapist (Streep). In a very uninteresting scene, she becomes involved with a 23-year old man (Greenberg) who happens to be the son of the therapist. Streep's facial contortions as she discovers this unpleasantness comprise the film's best moments, and indicate how one-dimensional this film is. To fill out the time, the film has countless shots of Thurman and Greenberg making out and taking their tops off. There are also some very uninteresting subplots involving idiotic friends. In addition, Greenberg's character is unrealistic. A childlike boy who spends his time watching television or playing video games, he has nonetheless managed to paint about a thousand masterpieces without a shred of art instruction, but for some reason his family (yes, his therapist mother included) disapprove of his artistic bent. As for the other characters, none possess any qualities that would set them apart from cardboard cutouts. I wish Hollywood films would mature to the level of European films, which are capable of handling relationships of people from different ages and backgrounds in an adult manner. I regret having wasted my time seeing this film.

















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AKAs Titles:


Certifications:
Argentina:13 / Australia:M / Brazil:12 / Canada:PG (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) / Canada:G (Quebec) / Chile:14 / Finland:K-7 / France:U / Germany:0 / Hong Kong:IIA / Hungary:16 / Iceland:L / Ireland:15A / Malaysia:U / Netherlands:AL / Philippines:R-13 / Portugal:M/12 / Singapore:PG / South Korea:15 / Sweden:Btl / Switzerland:10 (canton of Geneva) / Switzerland:10 (canton of Vaud) / Switzerland:12 (canton of the Grisons) / Taiwan:R-12 / UK:12A / USA:R (original rating) / USA:PG-13 (re-rating on appeal)