Meet Roy and Frank, a couple of professional small-time con artists. What Roy, a veteran of the grift, and Frank, his ambitious protègè, are swindling these days are "water filtration systems," bargain-basement water filters bought by unsuspecting people who pay ten times their value in order to win bogus prizes like cars, jewelry and overseas vacations--which they never collect. These scams net the flim-flam men a few hundred here, another thousand there, which eventually adds up to a lucrative partnership. Roy's private life, however, is not so successful. An obsessive-compulsive agoraphobe with no personal relationships to call his own, Roy is barely hanging on to his wits, and when his idiosyncrasies begin to threaten his criminal productivity he's forced to seek the help of a psychoanalyst just to keep him in working order. While Roy is looking for a quick fix, his therapy begets more than he bargained for: the revelation that he has a teenage daughter--a child whose existence he... Written by

Plot Synopsis:
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Roy Waller (Nicolas Cage) is a con artist residing in Los Angeles, California. Alongside his partner and protégé Frank Mercer (Sam Rockwell), Roy operates a fake lottery, selling overpriced water filtration systems to unsuspecting customers; in the process, Roy has collected over one million dollars. Roy suffers from several mental disorders, including agoraphobia, mysophobia, obsessive-compulsive disorder and a tic disorder not to mention the fact that he yells, "Pygmies" whenever something surprises or upsets him. After Roy experiences a violent panic attack, Frank suggests he see a psychiatrist, Dr. Harris Klein (Bruce Altman).

Klein provides Roy with medication, and in therapy has Roy recall his past relationship with his ex-wife, Heather (Melora Walters), who was pregnant during the time of the divorce. At Roy's behest, Klein informs Roy that he called Heather and found out that Roy has a 14-year-old daughter, Angela (Alison Lohman). Roy and Angela meet and Angela quizzes Roy regarding his life and occupation. Her youthful energy rejuvenates him, and Roy thus agrees to work with Frank on a long-term con: Their target is Chuck Frechette (Bruce McGill), an arrogant businessman whom the duo decides to con with the Jamaican Switch.

One night, Angela unexpectedly arrives at Roy's house, saying that she has had a fight with her mother, and decides to stay for the weekend before returning to school, much to Roy's discomfort. She explores his belongings and causes him to rethink his life, which he mentions during therapy with Klein. Angela returns home late one night, leading to an argument between the two. During dinner, Roy admits that he is a con artist and reluctantly agrees to teach Angela a con. The two of them go to a local laundromat and con an older woman into believing she has won the lottery, and she shares half of her expected winnings with Angela; however, Roy then forces Angela to return the money.

Roy questions the morality of teaching his daughter such practices, but believes his rejuvenation is a good sign. He then goes bowling with her but is interrupted when Frank reveals that Chuck's flight to the Caymans has been updated to that day instead of Friday as planned. With little time left, Roy reluctantly decides to let Angela play the part of distracting Chuck midway through the con; however, after the con is finished, Chuck realizes what has happened and chases the two into the parking lot before they escape. Roy then learns that Angela was arrested a year ago, and forces her to stop calling him despite the fact that she has bought him a small present as a sign of affection.

Without Angela, Roy's myriad phobias resurface, and during another panic attack, he ultimately learns that the medication given him by Klein is a placebo, proving that he doesn't actually need his pills to be happy. He decides that he needs Angela in his life but that he would have to change his lifestyle, much to Frank's disappointment. Roy and Angela return from dinner one night to find Chuck waiting for them with a gun, alongside a badly beaten Frank. Angela shoots Chuck and Roy sends her off with Frank into hiding until the matter can be sorted out. As Roy prepares to take care of Chuck's body, Chuck suddenly springs to life and knocks Roy unconscious.

Roy awakens in a hospital, where the police inform him that Chuck eventually died from the gunshot and Frank and Angela have disappeared. Klein appears and Roy gives him the password to his bank account, ordering him to give the money to Angela when she is found. Later, Roy awakens to find that the "police" have disappeared, his "hospital room" is actually a freight container on the roof of a parking garage, "Dr. Klein's" office is vacant, and essentially all of his money has been taken. As he begins to realize that Frank pulled a con on him, Roy drives over to Heather's (whom he hasn't seen for years) looking for Angela. While speaking with Heather, Roy learns the truth: Heather miscarried their child. There is no "Angela": the young girl he thought was his child was actually Frank's accomplice.

One year later, Roy has become a salesman at a local carpet store, which Angela and her boyfriend one day wander into. Roy confronts Angela but ultimately forgives her, realizing that he is much happier as an honest man. Angela reveals that she did not receive her fair share of the cut from Frank, and that it was the only con she ever pulled. Angela and her boyfriend depart and Roy returns home to his new wife Kathy, who is now pregnant with his child.

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MisterWhiplash from United States
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Ridley Scott and Nicolas Cage deliver some of their best and most intelligent work in a few years, even if Matchstick Men is not quite either's great contribution for this year in film. What they have done, from Eric Garcia's novel (adapted by The Griffins), come off rather entertaining, if anything else, and boasts much more thought than would usually be attributed to such a Hollywood film. Nicolas Cage, who plays Roy, part anxious/obsessive compulsive, part sly con man, and part father to a daughter he never knew he had, is a main reason to see this movie. His performance is on par with someone like Jack Nicholson in As Good As It Gets for watch-ability of a truly sad lifestyle, and while Nicholson's performance was and still is funnier and more charming, Cage gets so into his character, the little mannerisms that pop up more often than expected, that we feel for the guy even as his eyes get twitchy and goes over certain spots in his house like a detective. He may be the most believable obsessive compulsive/con man you'll see in a long while. Add then an outgoing, occasionally sneaky daughter (Alison Lohman in a performance that skillfully balances sweetness and irritability, sorrow and playfulness in a teenage girl) to the mix, along with a protege-cum-partner (a cool Sam Rockwell) who has a love/loathe relationship Roy, and there's the map work for an interesting, if here and there predictable, drama/comedy/crime film.

Along with the performances, which are all above average (Cage could be deserved of an Oscar nomination come February, and Lohman could deserve the win possibly), is the visual framework that Scott pushes in each scene. By getting certain camera tricks, and fantastic editing by Dody Dorn (of 'Memento' fame), the viewer can really get into Roy's head even in the smaller scenes, the ones that have little to do with the plot and only to do with the neuroses of Roy (there is even a little touch that I loved when Roy is waiting online early in the film at the supermarket, and the music in the background is an excerpt of the mental hospital music from 'Cuckoo's Nest'). This echoes the style that Scorsese used in Bringing out the Dead, also with Cage, in moving the film to get so into the mood that the story, no matter how intriguing and important, becomes secondary.

Which brings me to my own personal beef with the movie, and that is the last fifteen minutes or so. It was clever, up to a point, but as it unfolded, no matter how much I was still emotionally involved with these people, I felt that the twists (I won't reveal them here) undermined a lot of the rest of the film. It will be based on viewer to viewer, but I just thought that it did a little too much to jab at Roy's lifestyle. And yet, when I walked out of the theater, though I wasn't sure I had seen anything spectacular, I didn't feel like I had wasted time and money either. Matchstick Men is witty, sometimes wonderful moviemaking.

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itamarscomix from Israel
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A rather surprising turn for Ridley Scott there - probably the "smallest" film he's ever done, which harks back to Thelma And Louise than to anything else he's done in recent years (Gladiator, G.I Jane, Black Hawk Down, and back to Alien and Blade Runner). We have a very personal, up-close light drama here. Con artist movies have been swarming the theaters lately, but Matchstick Men is far more intelligent and more surprising, not to mention well-acted, written and directed, than Supercast films Heist and The Score. Nicolas Cage, after several years of B-action movies (Gone In 60 Seconds, 8 mm, The Rock, Face/Off...) makes a welcome return to what he does best - disturbed, neurotic, sensitive individuals (a comeback that got off to a good start on the schizophrenic Adaptation) - and delivers an Oscar nomination-worthy performance as con artist Roy Waller. Roy discovers a long-lost daughter, played brilliantly by Alison Lohman - also Oscar material. The relationship between the two is well crafted, and the story wonderfully written. Sam Rockwell also makes a fine contribution as Roy's partner.

Elements of the plot may owe much to many other films - The Sting, perhaps Jacky Brown, and there's a bit of Leon (AKA The Professional) in Roy's relationship with his daughter, trying to balance a life of crime with a newfound family, and Lohman's performance is no less charming than that of Natalie Portman on that memorable classic. Worthy of praise is Ridley's directing, which proves he can make a small human theater piece as well as grandiose historical epics and sci-fi odysseys. The editing is wonderful, well visualizing Roy's condition and giving the movie an apt atmosphere. Overall, Matchstick Men is one of the freshest films of the year, and a very enjoyable watch.

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Ben Burgraff (cariart) from Las Vegas, Nevada
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Anyone who thinks director Ridley Scott doesn't have a gentler side (after all, GLADIATOR, HANNIBAL, and BLACK HAWK DOWN are not exactly 'touchy-feely' movies) may be in for a surprise with his latest, MATCHSTICK MEN. The story of extremely neurotic but brilliant con man Nicolas Cage ("I'm not a criminal," he explains to his shrink, "Criminals hurt people; I don't..."), discovering a daughter he never knew he had (Alison Lohman, of WHITE OLEANDER), on the eve of a big 'Sting', offers as much emphasis on his acceptance of his new parental responsibilities as on the caper he and his partner (the always watchable Sam Rockwell) are pulling off. Cage plays the role brilliantly, making his quirky character sympathetic, and Scott proves again why he is one of Hollywood's premier directors.

The success of a film like this depends on the chemistry between the leads, and Cage and Lohman are terrific together. The young actress manages to be 'sweet' without being 'innocent', and the tentative steps she and Cage take to understand each other are both believable, and touching. In one scene, he attempts to prove to her that he can cook by preparing a spaghetti dinner...after one bite, the scene shifts to the arrival of the Domino's delivery boy!

Ultimately, however, MATCHSTICK MEN is a tale of 'The Con', and Cage and Rockwell's 'Sting' against 'fat cat' Bruce McGill, while appearing deceptively simple, has a series of twists and turns, leading to a climax that is both stunning and unexpected. This is the kind of movie that will have you putting pieces together, LONG after it ends.

It is an intriguing and rewarding film, and shouldn't be missed!



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Thomas Jolliffe (supertom-3) from Marlow, England
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The latest effort from Ridley Scott equates to Spielberg's latest, Catch Me If You Can. It is a nice, technically simple film that follows their more epic, effects, and set piece driven movies preceding them. Spielberg followed Minority Report and AI, whereas Scott is following Gladiator, Hannibal and Black Hawk Down. It is a nice and welcome change of pace for a master director, as CMIYC was to Spielberg.

The film stars Nicholas Cage, who is making up for some lost years thanks to his role here and of course in Adaptation. Cage plays an obsessive compulsive con man who has an obsession of cleanliness and a fear germs and wide open spaces, and is hyped up on prescription drugs. Cage is superb here, it is a great performance, amusing and likeable. This is the sort of quirky character that brings the best out of Nic Cage. Co-starring as Cages partner in crime is the up and coming Sam Rockwell. I have been a fan of his since I first saw him in Charlie's Angels and then in his best role thus far in Confessions Of A Dangerous Mind. He was superb in Confessions and looks like he could be a top new star. Rockwell plays his character here with panache. Also starring as Cages daughter who turns up out the blue is Alison Lohman. Lohman is playing a 14 year old, who Cage has never seen and didn't know of at the start of the film. Lohman is much older in real life and so playing a 14 year is something she can do well but with the maturity and actress of that actual age may not have. Lohman is a lovely presence, she is charming and sweet and endearing to the audience, she is also a good young actress.

The film is funny, charming and simplistic. It doesn't tax too much and is a quick and pleasant, much like junk food, only more good for you. I love it when Scott does his big epic and more elaborate films but this is a good change of pace, that Scott must have really enjoyed. It is something he could do with his eyes closed compared to say Gladiator.

The film is well paced and there is a great twist that lets the film end on a real high. This is a good use of a great cast, and imaginatively edited. Overall a pleasing viewing. ****

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tpcomputerman from Philadelphia
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Reviewing a movie like Matchstick Men is tough because it's a con movie and as such I really can't go into the plot all that much. So, I'll just give a quick little synopsis of the plot, but really if you've seen any trailers for the movie, you know the plot pretty well.

Nicolas Cage plays Roy, a con man (or, as he likes to say, a Con Artist!) who has a lot of problems. For one, he's a compulsive cleaner, he hates the outdoors and he has lot of ticks Roy needs medication to keep him sane.

One day he knocks his pills into the sink and when he calls his doctor to get more he finds out that his doctor is no longer in town! This provides one of the funnier/saddest part of the movie. I'm not sure if it was suppose to be played up for laughs or not, the tone was kind of hard to tell, but Roy spend the next day and a half cleaning his house, his ticks got worst and well it made me feel kind of bad for him.

His partner Frank, played by Sam Rockwell provides him with the number for another psychologist who can help. Roy goes to the psychologist thinking that it'll be easy, to just ask for the pills and he'll get them. No, this guy wants to help Roy and will not give him any pills until he talks. Which, I must say, shows two things. One, Nick Cage is great when he plays these type of rolls, and two, he's damn funny. What he tells the psychologist was both funny and sad. During that time though it's reviled that Roy was married at one time, and when his wife left she was pregnant and he doesn't know what happen to the child who would be 14 by now.

After getting the pills (only a weeks worth mind you) Roy decides to find out about his daughter, but he can't because he's too scared, so after getting the number of his ex wife he asks his psychologist to make the call when he can. Later that night he gets a call from him and finds out that he has a daughter who wants to meet him.

That's as far as I'll go with the plot because the movie really picks up from there as he bonds with his new daughter and sets up a really complex and dangerous con.

Like I said, Nick Cage is great in the movie, but I also want to point out that his daughter, Angela (played by Alison Lohman) was just fantastic to watch. She really lit up the screen when she smiled and it looked like Alison Lohman was just having a ball playing her. She was your typical 14 year old (only, and this shocked me when I found out, Alison Lohman is 24 years old! If you watch it, keep that in mind and tell me she doesn't look like a 14 year old.) who knew just how to work her dad! Some of the funnier moments came after he would yell at her, then she'd start to cry and Roy would just completely collapse and start apologizing for what he said, even if he was completely right! It was just really funny.

Matchstick Men isn't a fast paced movie, it's more of a character study between Roy and Angela and how she changes his life and makes him reprioritizes his values and the way he runs his life.



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MovieAddict2016 from UK
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Roy (Nicolas Cage) has some problems. He suffers from obsessive-compulsive disorder, panic attacks, and gets totally hysterical when people leave doors open, don't take off their shoes, get mud on his carpet, etc. He takes pills for the many problems, but he accidentally knocked them down the garbage disposal and is a big frantic mess now, complete with nervous ticks of the face and exclamations of "mmm..." at the end of his sentences.

That's a problem that severely interferes with his job as a con artist. He's not a con man, he's not a rip-off man, he's a con artist, with added emphasis on the "artist" part. He views his job as a beauty, a sort of majestic way of expressing himself, but not really, that's a lie, it's just something that makes him sleep better at night.

He hates his job because it makes him feel dirty. It's not fun ripping off old people or fat people, but he is a high school drop out, how else can he get a decent paying job?

His partner, Frank Mercer (Sam Rockwell), is a bit more at ease than Roy. He doesn't seem to mind his job all that much. Roy, on the other hand, is turning into a complete nut, and after going to a recommended psychiatrist, he musters up the courage to confront his 14-year-old daughter, Angela (Alison Lohman), who is eager to escape her controlling mother and check out her long-lost big pop.

The film has a lot of different stories going on -- the worry-wart who learns to put aside his nervous ticks, the long-lost father who reunites with his daughter, and the con artist who tries to give it up for a normal life. They all succeed as a story, but the film's only flaw is its wandering, which goes on far too long.

Who cares (and I mean that as a statement, not a question). The film is one of the great entertainments of the year. It has twists, turns, and a big streak of enjoyability running through it.

Nicolas Cage is on a winning streak. First 2002's Oscar-winning "Adaptation," now this (rumored to be entered into the Oscar race for 2004). Who would'a thunk it?

Sam Rockwell ("Confessions of a Dangerous Mind") continues to impress, while Alison Lohman (a 20-something actress playing a teenager) shines and convincingly portrays exactly what the character needs.

Ridley Scott ("Alien"), the infamous British director, uses some great camera techniques here -- filmed in a blue shade with lots of different camera flashes, he subtly forces the audience into Roy's head, especially during sequences when Roy is having little breakdowns and the people and objects around him start moving at warp-speed.

I'll admit that I'm a big fan of con man movies because I find them amusing. But "Matchstick Men" is not really a con man movie -- it's a movie about a con man who has to cope with his job and private life. And a movie about a con man who finds he has a daughter. And a con man who gets conned. It's all enjoyable, and though the film is long, I never felt very bored by it at all -- it sustained my interest throughout its running time. That's rarer and rarer nowadays.

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rbverhoef (rbverhoef@hotmail.com) from The Hague, Netherlands
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The little problem that 'Matchstick Men' has is that there is not a real highpoint in the movie if the ending wasn't there. I think the movie starts as a very good movie. Roy Waller (Nicolas Cage) and Frank Mercer (Sam Rockwell) are con artists and the movie opens with showing how they collect some money. It is not as great as how George Clooney does it in 'Out of Sight' but it's a lot of fun. After this the movie shows who Roy is, a guy with all kind of weird things. Spasms, panic attacks, compulsive behavior. He wants things clean, he wants things a certain way, or he becomes a little crazy. He has pills for these things but he loses them and this is how he meets Dr. Klein (Bruce Altman), a psychiatrist.

Because of him Roy learns he has a 14-year old daughter Angela (Alison Lohman, who was actually 24). He wants to care for her, spend time with her, and even reveals what he really is. In a great scene she shows her father and us how she would be if she had the same job as Roy. Roy and Frank have a big job planned where they would collect 80,000 dollars from a guy named Frechette (Bruce McGill). In a way they are taking money but Roy looks at it differently. He thinks, and he is actually right, that they just give it to him. Because it is all illegal they can't complain after they are cheated.

Hoe these three big stories fit in one you have to see for yourself. The middle part is a little slow, but the ending makes up for that. All characters are played very well and Nicolas Cage is great. Ridley Scott has made another fine movie.

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hiddenattacker from United States
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Nicolas Cage plays Roy, a con artist, who has numerous psychological issues. He is an obsessive-compulsive con artist, with an insane need for neatness. Roy also suffers from agoraphobia, yet despite these problems, is an efficient con man. Much like in Luc Besson's Leon (1994), Matchstick Men adopts the same theme of a criminal figure taking in a young female apprentice. Although after the exciting exposition the film has a rather drab middle, the conclusion is stunning. This film is one of Nicolas Cage's finest, whom I have long questioned as to ability in acting. Alison Lohman does a fine job as Angela. Due to the spectacular finish, I am going to give this film ***1/2 / **** or 8/10.

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Roland E. Zwick (magneteach@aol.com) from United States
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In 'Matchstick Men,' Nicholas Cage plays a con man so obsessive/compulsive in nature that he makes Jack Nicholson in 'As Good as it Gets' look like Oscar Madison in comparison. Fastidious to the core, Roy Waller freaks out at the first sign of dust, dirt or bacteria invading his personal environment, so much so that he keeps his place not merely immaculate but almost hermetically sealed off from the outside world. Somehow, even with this crippling neurosis plaguing his every waking moment, Roy has managed to eke out a pretty decent living as a shyster, ripping off gullible common folk with his partner, Frank, played wonderfully by the gifted Sam Rockwell.

One day, into Roy's life strolls Angela, the 14-year old daughter he never knew he had. Suddenly, Roy is confronted with the need to reexamine both his life and his priorities and to make some crucial decisions about just how this strange young person should fit into the overall scheme of his existence.

Written by Nicholas and Ted Griffin and directed by Ridley Scott, 'Matchstick Men' provides a stylish, clever and witty psychological riff on the old scam artist scenario, featuring fine performances by Cage, Rockwell and Alison Lohman, as well as an intriguing visual style by Scott, cameraman John Mathieson and editor Dody Dorn which often approximates Roy's mental and emotional state. Cage once again indulges in those nervous tics that seem to have become his actor's stock-in-trade of late, but he does manage to tamp them down long enough to allow a real character of flesh-and-blood to shine through the potentially distracting surface. Alison Lohman, so brilliant in 'White Oleander' last year, makes Angela into a multi-faceted teenager who runs the gamut from immensely likable to slightly irritating – just about right for a character her age. Rockwell practically steals the show as Frank, the con man to the core who may be a bit better at his job than even Roy himself realizes. Hans Zimmer has provided a humdinger of a musical score, one reminiscent of some of Nina Rota's work for Fellini back in the early '60's.

'Matchstick Men' is not a perfect film; it sags in spots, doesn't dig deeply enough into its themes, and sometimes feels too clever and calculated for its own good. Still, the movie has an originality and an assurance that come when a group of old pros get together to have a good time and end up sharing that fun with their audience.

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Quentin from Vancouver, BC
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I found this movie exciting & fun to watch from beginning to end. The relationship between father & daughter was extremely heartfelt and made the movie tops in my books. Amazing performance by Alison Lohman; I can't wait to see her in Big Fish. One of Nicolas Cage's better performances. In retrospect the plot is a bit far-fetched but makes up with excellent character development and emotion. Perfect movie for a father/daughter to watch together. I easily give it 9/10.

criminal|con artist|flim flam|neurotic|phone|telephone|adult actress playing teenage girl|pregnant|letter of apology|man crying|lighting pipe|lottery ticket|pizza delivery|snooping|hair wrapped in a towel|bank vault|trembling|dog catching frisbee|walking a dog|making faces|vacuuming|phonograph|can of tuna|subjective camera|schizophrenic|hugging|ashtray|brushing teeth|cashier|cleaning|paper bag|woodland hills california|prison|jamaican switch|import export business|canned tuna fish|reference to chicken of the sea|dog figurine|vacuum cleaner|antique dealer|gift shop|showdown|juvie|lens distortion|bare butt|nudity|fast motion scene|listening to a car radio|parking garage|prescription|underwear|ex husband ex wife relationship|divorce|marriage|vomit|children|laundromat|california|newspaper|tears|crying|reference to tareyton cigarettes|mother daughter relationship|cd player|margarita|mexican restaurant|blood|corpse|dead body|boyfriend girlfriend relationship|wallet|miscarriage|arrest|hospital|detective|beating|death|murder|shooting|escape|carpet salesman|salesman|eyeglasses|dancing|dancer|g string|recording|partner|surveillance camera|contest|lottery|bank account|bank|automated teller machine|teenage girl|pursuit|chase|shoplifting|child custody|joint custody|love|martini|drinking|drink|bartender|bar|tic|twitch|telephone call|fraud|courier|kiss|mentor protege relationship|protege|mentor|theft|thief|suspense|con man|agoraphobia|germophobe|neurosis|man with glasses|raised middle finger|ford mustang|altered version of studio logo|los angeles california|long con|con game|carpet store|safe deposit box|pills|pharmacy|carpet|doctor|taxi|swimming pool|convenience store|skateboard|restaurant|record player|pregnancy|pizza|pipe smoking|money|dog|cocktail|cigarette smoking|chess|bowling|airport|stripper|strip club|revolver|pole dancing|pole dancer|pistol|gun|exotica dancing|exotic dancer|bikini|psychiatrist|obsessive compulsive disorder|father daughter relationship|based on novel|surprise ending|

AKAs Titles:



Certifications:
Argentina:13 / Australia:M / Brazil:14 / Canada:14A / Canada:PG (Ontario) / Chile:14 / Finland:K-11 / Germany:12 (w) / Iceland:12 / Ireland:12 / Japan:PG-12 / Malaysia:U / Netherlands:12 / New Zealand:M / Norway:15 / Philippines:PG-13 / Portugal:M/12 / Singapore:PG / Singapore:PG13 (re-rating) / South Korea:15 / Sweden:7 / Switzerland:10 (canton of Geneva) / Switzerland:10 (canton of Vaud) / Switzerland:12 (canton of the Grisons) / UK:12A (original rating) / UK:12 (video rating) (2004) / USA:PG-13 (certificate #39979)