Five campers arrive in the mountains to examine some property they have bought, but are warned by the forest ranger Roy McLean that a huge machete-wielding maniac has been terrorising the area. Ignoring the warnings, they set up camp, and start disappearing one by one. If that sounds too run-of-the-mill, there's a genuinely shocking plot twist half-way through... Written by
Plot Synopsis:
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Two men are hunting in a forest and come across an abandoned church. They go in to explore, and one of them receives a machete to the groin by a laughing man wearing a checkered jacket, while the other, Ty, runs away screaming.
Next, we see park ranger, Roy McLean (George Kennedy) at his home, followed by a van of five teenagers going camping, but becoming lost. McLean warns them not to keep going the way they're headed, but they ignore him. The five are: Warren (Gregg Henry) the blonde, body builder; his girlfriend Constance (Deborah Benson), the shy, blonde girl; Jonathon (Chris Lemmon), the goofy, horny partygoer; his provocative girlfriend, Megan (Jamie Rose); and the nerdy camera operator, Daniel (Ralph Seymour). On their way to the campsite, they almost hit a frantic, dirty Ty who tells them to drive away, but they do not listen, and he runs into the woods.
They finally find a campsite and begin to set up, drinking beer, eating, and listening to music, not paying attention to anything around them. When night falls they go to sleep, all the while being watched by something in the woods. The next morning, they eat breakfast and go to the waterfall, where they see a young girl named Merry Logan (Kati Powell) who runs off into the woods.
Meanwhile, Megan and Jonathon have gone skinnydipping in the lake, not knowing someone is under the water with them. Megan does not realize that Jonathon has got out of the water, and feels hands touching her. She assumes it's Jonathon, until she sees him on shore, upon which she panics and swims to safety.
When the group splits up to go exploring, Jonathon spots Merry and chases her, asking what her name is and telling her he will not hurt her. She thinks this is a game and runs out into a clearing where she sees something horrible, backing up towards the trees. Jonathon figures it's the roped passageway over the river ahead, and begins to go across, but Merry runs and he gives chase, only to be hit in the hand with a machete by a deformed, giggling man in a checkered shirt. Jonathon runs to the other side, only to have the rope break, almost plunging him to his death in the rapids below. As he begins to climb up, he is greeted by the same man, who shoves him off to his death with his boot.
Megan and Daniel have gone off to takes pictures of the woods and come across the church and a graveyard. Daniel breaks his glasses and sees a figure coming through the woods, and thinks it's Jonathon and tells Megan, who decides to make it look like they're making out. Daniel sees the figure approach, and upon realizing it's not Jonathon, pushes Megan out of the way and is stabbed through the stomach with the machete. Megan sees the checkered shirt killer and runs into the church, where she sees him outside picking up Daniel's camera. She turns around and is greeted by the same man, and realizes that they're identical twins. He begins to chop her with the machete as the other takes pictures through the window.
Meanwhile, Warren and Constance have met back at camp, but cannot find anyone else, until they spot Jonathon's body floating in the river, and pull him out. They go to find the others but cannot find any trace of them as night approaches, so they go back to get the keys from Jonathon's body which has disappeared.
Ty finally meets Roy and tells him all about the killer twins at the church, and Roy goes out on his horse to find the teens, and comes across Merry's family, who consist of a crazy father, and silent sister/mother. They tell him that the twins were actually theirs and that their mother died after having them, so he mated with his daughter and had Merry.
Warren goes to find Jonathon's body to get the car keys, and leaves Constance at the campfire, where she is attacked by one of the twins who chases her up a tree. Warren finds Jonathon's body along with Daniel's who is wearing sunglasses and gets the keys, running back to camp with the ranger. The twin cuts down the tree Constance is in, and is about to kill her when Roy shoots him in the chest, killing him, and he tells the couple to go pack their things. They go back to camp, as Merry runs through the woods to find them.
At camp, the other twin stabs Warren and tries to kill Constance, who instead rams her fist down his throat, choking and killing him. Then she stands up, and makes the same noises as them, noting that she may have gone insane, as Warren questions her and Merry watches from the trees. The final shot shows the sunset view of the forest from the beginning.
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AngryChair from Brentwood, USA
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1981's Just Before Dawn is one of the best tales of wilderness horror out there. It's one of the finest-made slashers of the 80's and it easily blows movies like The Final Terror, Don't Go in the Woods, or The Prey out of the water.
A group of young adults come to check out the mountain property that one of the group has just bought. However they are not alone in the wild. A hulking in-bred murderer, who seems to be in two places at once, is lurking and apparently hates trespassers.
Director Lieberman, who gave us such great B films as Squirm (1976) and Blue Sunshine (1977), does an excellent job with this smart thriller as well. The movie is nicely atmospheric, with a creeping sense of tension and some strong suspense. This film makes even the open wilderness seem frighteningly claustrophobic. The Oregon locations are beautiful and well captured by the crafty cinematography. The music score is a true original and awesome in contrast with the scenic visuals.
Deborah Benson makes for a great lead, her presence was captivating. Gregg Henry delivers a good performance as Benson's lover and Chris Lemon provides some occasional charisma. The supporting cast, especially veteran actor Kennedy, also does quite well.
A true gem of the slasher genre, that needs no gore to thrill. Definitely well worth seeking out for slasher fans and horror buffs alike. See it!
*** 1/2 out of ****
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Bub_the_zombie from kentucky
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Just Before Dawn came out during the golden days of the slasher film. The backwoods slasher pretty much started with films like Friday the 13th, The Burning, and Madman. Just Before Dawn is a step ahead of the typical backwoods slasher flick. The cinematography is gorgeous. The acting is top notch. The heroine of the film is not your typical 'final girl'.
Constance is a 'woods' girl, but when it comes down to the primal instinct of survival, she's a step behind. Not until it comes to saving the life of her and her boyfriend, does the primal notion of survival kick in. There's a subtle transition that gradually focuses on the final girls hidden sexuality - coinciding that alongside her will to survive.
Just Before Dawn isn't for everyone, but for the slasher fan, it's as close to perfect as you can get. The killer(s) are very menacing - Almost like it's a game to maim and murder anyone who crosses their territory. The end scene is a bit off kilter. For the first time viewer, it may be a little shocking. I'd recommend this to anyone who's a fan of the backwoods slasher. Even non-slasher fans will find something to like about it. The setting is eerie and makes one feel uneasy. The death sequences aren't particularly gory, but I'm not sure the film needed gore. See it!
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omegaknight_d from United States
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Just Before Dawn is a gem of a slasher flick, unfortunately not too many of you guys can see it because it was released in the wake of Friday the 13th and considered one of it's rip-offs. The only version I've seen of JBD is on Paragon VHS, supposedly it is available on a compilation DVD, but I've never seen it. Anyways I digress... More like the Hills Have Eyes than Friday the 13th, this film stands on its own due to it's atmospheric look and style and it's commitment to building it's characters. The film is effectively creepy throughout, never wholly revealing the killer to you, instead masking the killer or killers, through shadows and camera work. The film score is quite haunting and unlike other slasher films it doesn't spike up every time someone moves, it just builds along with the suspense and flows with the story. The film was recently re-made, loosely, as Wrong Turn. If you can find Just Before Dawn I highly recommend watching it, with the lights out.
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Scott LeBrun (Hey_Sweden) from Canada
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Liebermans' entry in the original slasher craze is definitely more well made and intelligent than some. In fact, in making it he wasn't so much inspired by "Friday the 13th" as he was "Deliverance". He and his crew make this a powerfully atmospheric outing, utilizing the real Oregon woods to great effect, and turn it into a fun survival-of-the-fittest yarn, even developing the two main characters in interesting ways. Five young adults venture into the Oregonian mountains to do some camping and check out the local land that one of them has supposedly inherited. Before long they begin to be victimized by a stealthy, heavyset psychopath. Slasher movie fanatics who watch this sort of thing for gore and/or nudity will be quite disappointed with Liebermans' film, as it's clear he has a different agenda going on. That's not to say, of course, that the women aren't attractive, or that there isn't some effective nastiness to be enjoyed. But what the director really wants to convey is the need to have a respect for nature - because it CAN kick your ass if you're not prepared. He begins with an intense opening set piece and generates some truly unnerving suspense; this is the kind of film that can have a viewer literally on the edge of their seat. It's also stylishly done; take note of one scene transition in particular. Brad Fiedel, who a few years later gained his fame with his theme for "The Terminator", supplies a music score that is chilling in its subtlety. (The whistling is a really nice touch.) The better than usual cast features some very familiar actors: Gregg Henry, Ralph Seymour, Jamie Rose, Mike Kellin, Chris Lemmon (Jacks' son), and George Kennedy as the veteran forest ranger who's aware that the area is fraught with danger. The gorgeous Deborah Benson, who really should have been able to enjoy a much more visible career, is a standout as the female lead who starts out as a rather tentative character, starts to cut loose, and ultimately finds her inner strength. John Hunsaker is extremely creepy as the killer. There's one well executed plot twist along the way, and at the end an innovative and memorable way of dispatching our villain. The pacing is deliberate, the camera-work and cinematography excellent, and the scenery beautiful, in what has to be one of the more unheralded horror films of its time. It comes highly recommended. Eight out of 10.
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lost-in-limbo from the Mad Hatter's tea party.
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The mountainous woods, young happy campers, a warning by a park ranger and a lurking figure. The ingredients are there for a horror delight, and director/co-writer Jeff Lieberman does an adequate job at achieving it. It's formulaic woodland horror, but for most part the execution is at the top the game and the story (which is quite basic in a trimmed sense) is effectively told in certain realism. Maybe a little more exposition wouldn't have gone astray, but Lieberman's craftsmanship makes up for the material's flaws and typical details with rising tension, moody visuals and a smothering atmosphere created by Brad Fiedel's very ominously lingering score. Whenever that very creepy whistling was cued in, it painted a truly unnerving sense that settled in with the beautiful backdrop. Cinematographers Dean M. and Joel King do a striking job too. There's plenty of style abound, even with its minimal scope and the build-up is slow grinding. At times the pacing can become a stop-and-go affair. It's not particularly violent, but there's still a mean-streak evident even if some of it happens of screen. The latter chase scenes and escalating fear is well done, as it has the darkness coming alive with itS burly killer/s and you get actor George Kennedy riding his white horse in a slight, but wonderful turn. There's a likable bunch of performances; Deborah Benson makes for a strong, dashing heroine. Gregg Henry, Chris Lemmon Ralph Seymour, Jamie Rose, Mike Kellin and Katie Powell round off a modest cast of believable deliveries. The final climax is rather twisted, but the ending is one of those types that leave you thinking "Is that it?"
A well-etched backwoods slasher item, which probably plays it a little too safe to truly set it apart from the norm.
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Michael Salmestrelli (lesunra@yahoo.com) from United States
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I was lucky enough to see the "Horror Classics" DVD version of this film before it was mysteriously removed from the 4 film DVD and replaced with something else. The picture and sound quality of the film on that edition was a nightmare in itself. Yet, that version is STILL superior to the one with the deluxe DVD treatment. The reason was stated in Brad Fiedel's interview segments on the Special Edition DVD. He had noted what I first found so striking about this film. This being the use of music at moments of inactivity in the film, but leaving the moments of activity in silence, thus giving the horror scenes a stronger feel. The problem with this reissue is it carries the extra film score used to fill in these intentional gaps in score. Fiedel complained of this and made it clear that the filler music was not his. The music actually sounded a lot like Howard Shore's work for Videodrome. Sad for me that I am also a major fan of that film and have to associate the two.
The film itself managed to add some interesting realistic elements to the genre horror film. A group of friends go up on a mountain one of them inherited. On the mountain they are confronted with a family with a nightmarish secret. The movie moves along at a great pace. In fact every time I have seen it, I still find myself shocked to see 45 minutes had passed before things started really going wrong for the campers.
While the Horror Classics version is filled with many gaps, the fact that there is no score accompanying the horror scenes is what makes this film intelligent and even superior to most slasher films I have ever seen. The Director Jeff Lieberman had made some unique horror films previous to this one making this one the most mainstream and yet, very different to the mainstream at the same time. It is a good fun film with surprising acting performances to boot. The new spiffed up DVD version is worth a rent, the now collectors item Horror Classics version, now OOP is worth the hunt.
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BillyBC from Vancouver
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(***1/2 out of *****) So, maybe this is a derivative cross between "Deliverance" and "The Hills Have Eyes" (which, itself, borrowed heavily from "The Texas Chainsaw Massacre") -- I still enjoyed it as much as "Hills." Ignoring the cryptic warnings of forest ranger George Kennedy (who talks to his plants), a group of kids go up into the mountains to look at a piece of land one of them owns and to camp and do some mountain-climbing (this was filmed on location at Silver Falls State Park in Oregon, so the cinematography is refreshingly beautiful and authentic.) Alas, no sooner does the gang set up the tents and get settled than a big, inbred mountain man with a raspy laugh and a rusty machete starts a backwoods game of search and destroy. There are some irritating character inconsistencies and minor plot holes, but not as much as you usually find in these movies. Lieberman (also director of the infamous earthworms-run-amok film "Squirm") creates genuine feelings of fear and helplessness, and there are a number of creepy and suspenseful scenes (one involving a couple skinnydipping and another involving a kid not wearing his glasses). Another effective jolt is provided when we find out how the killer is able to cover so much ground in such a short amount of time. There are also some gruesome (but not excessive) gore scenes thrown into the mix (a machete through a crotch, a fist shoved down a throat) for those with discriminating tastes. Deborah Benson plays the heroine with an instinctive nack for tonsillectomies, and Gregg Henry (from Brian De Palma's "Body Double") plays the tough-acting, but ultimately wimpy, boyfriend. Also stars Chris Lemmon and Mike Kellin.
HIGHLIGHT: Pretty skinnydipper Megan (Jamie Rose) thinks that's her boyfriend down there, groping her bare back and legs beneath the dark water... until she spots him climbing up onto the bank fifty yards away!
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ehoshaw from Trenton, Michigan
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Very scary backwoods slasher is much better than others, such as "The Prey" and some of the later "Friday the 13th" sequels. The story has to do with five teenager campers running afoul of a pair of psychotic, machete-wielding hillbilly twins. One by one they are dispatched by the murderous giants (who giggle as they slaughter their prey). This has some great photography of the Oregon wilderness, a creepy musical score, and some of the best shocks ever put into a horror/slasher film. I really enjoy the scene where Daniel and Megan are menaced by one of the killers. A classic that deserves a video re-release. I actually stumbled across this one for four bucks at a resale shop in Northern Michigan.
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Jan Strydom from South Africa
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Five teens set out to do some camping in the Oregon wilderness, and despite being warned by the park ranger, they soon realize that something is lurking around in the backwoods waiting to strike.
When it comes to old horror movies, the only one that keeps popping up in every conversation is Friday THE 13th, so I took it upon myself to find those good old horror movies that fell short for simply being compared to Friday THE 13th, JUST BEFORE DAWN just so happened to be among the ones I found, and was really very impressive, it wasn't as bland as some of the stuff you find today, it was very sharp in terms of character development as it had quite a few likable ones, and it has this very casual pace, its not in a hurry to get to the hack and slash bits, it takes its time to set the proper mood and tone and is very atmospheric and builds some killer suspense by letting you always have that sense of dread like, somethings out there but you don't know where it is or when it will strike.
Where I live its definitely an overlooked gem simply because people never heard of it or won't give it a chance, but I'll state that it is not a Friday THE 13th rip off, the two concepts don't even go near each other, but in my mind, it is overall one of the more impressive slashers I've seen in a while.
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Avinash Shukla from India
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'Just Before Dawn' is one rare slasher that has impressed me every time I watched it. The reason lies in its penetrative and intense backwoods atmosphere that disturbs me deeply. Jeff Lieberman has always applied a simple but methodical approach to make the viewers uneasy. His 'Blue Sunshine' could be classified as both simple and bizarre at the same time. The antagonists of Lieberman's films often suffer from anguish and kill for the sake of enjoyment. The creepy and campy atmosphere, persistent sound of the nearby waterfall, and finally the above average performances by Gregg Henry, Chris Lemmon, Jamie Rose and Deborah Benson give this movie a constant momentum avoiding any element of boredom. The film has very less gore and almost no nudity, making this perfect by all means. One can bet that Lieberman doesn't want to make his creation famous with the help of nudity and gore, so the lovers of these stuffs would be somewhat disappointed. On the contrary, the movie seems inspired by the atmosphere of John Boorman's legendary 1972 film 'Deliverance', that involves hillbillies somewhat similarly. However, this doesn't make JBD a copy cat as it teems with originality and deploys a simple plot to please and astound the viewers.
Two hunters Ty (Mike Kellin) and Vachel (Charles Bartlett) are out in the woods drinking and exploring an old abandoned church after a successful hunting trip. The men are in high spirits when Ty catches the look of a horrendous man (John Hunsaker) looking down at them through the roof hole. Ty leaves Vachel behind to trace the man down, but is shocked when his truck rolls towards him and he barely escapes injury. We soon witness a grisly figure cutting Vachel open to the groin with a serrated machete. The figure menacingly laughs while Vachel cries in pain. Ty watches in horror when he finds the figure putting on Vachel's clothes and looking at him with fiery eyes. The scene soon cuts to Warren (Gregg Henry), Constance (Deboraeh Benson), Daniel (Ralph Seymour), Jonathan (Chris Lemmon), and Megan (Jamie Rose), who are in a camper heading towards the wilderness to have a great camping adventure. On the way they are warned by the forest ranger Roy (George Kennedy) about the dangers of the wild. Roy persuades them to go back but meets no success. Ahead they meet Ty, who is out of his breath, drinking and trembling. In a palsied voice, Ty narrates his horrible experience to the teens and urges them to take him along. The teens however refuse his request and set out to the woods. Ty, left behind, gives a satirical laugh while he watches the grisly man climb up Warren's camper.
The teens camp at a remarkably serene location filled with the constant sound of waterfall and packed with lush greenery. Everything seems to be as normal as any other camping excursion with an exception of a perverted killer, who is constantly on the trail of his young preys. That night they are disrupted when a local old man (Hap Oslund) comes along with his family holding a gun, and furiously advises the teens to leave at once because he thinks that they are doing no good in the wild than 'raising the devil'. The youngsters pay no heed to the old man's words and continue camping. Next day, Jonathan becomes the first target of the hillbilly, who cuts down the rope bridge forcibly facilitating Jonathan's fall. Soon Megan and Daniel become his targets, when they are stabbed in the old church. Finally, Warren and Constance are left with no option than to face their enemy.....or enemies? Well, there are so many twins around here!
JBD is a great effort by Jeff Lieberman, and I personally find it more interesting and menacing than other backwoods tales like Sleepaway Camp, Cabin Fever and even Evil Dead, which all try to intensify the horror aspect with the aid of explicit gore. Surprisingly, JBD is very mediocre on gore. Here the viewers are afraid to see the clash between two different cultures, the one inculcated in the city while the other tamed in woods. Like 'The Shining', JBD has some amount of hypnotic qualities, which I suppose are due to the breathtaking locations, the placidity of nature and the fear of wilderness. JBD really comes at par with the other horror gems of 1981 like 'Dead & Buried', 'Dark Night of the Scarecrow', 'The Burning' and 'The Beyond' in terms of horror. 10/10 for Mr. Lieberman!
While shooting in the woods one evening the lighting went out without explanation, leaving the cast and crew in total darkness. After several minutes the frustrated producer yelled out, "Let there be light!'--and, sure enough, the lights did indeed come back on. It was never determined why they went out or why they came back on again.
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Director Jeff Lieberman cites Deliverance (1972) as the film's primary influence.
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The title of the original screenplay was "The Last Ritual". It was changed after the script's heavy religious theme was axed and the story was rigorously revised.
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Director Jeff Lieberman said that countless strangers showed up at the filming location on the day that the scene of Jamie Rose swimming topless was to be filmed. Lieberman said that word of this shoot had apparently gotten out among the local forest rangers.
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According to director Jeff Lieberman, despite numerous reviewers who have stated that the film was inspired by The Texas Chain Saw Massacre (1974) or The Hills Have Eyes (1977), he had not seen either film when he began shooting this film.
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Richard Kiel was auditioned for the role of the film's dual killers.
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According to director Jeff Lieberman, the film was almost picked up by Universal Pictures for release. Unfortunately, business issues with the distribution company prevented it from happening.
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The film's German release title is 'Blutige Dmmerung', which means 'Bloody Dusk' in English.
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According to composer Brad Fiedel, many of the ominous sounds in the music score were actually electronically-altered audio clips of himself vocalizing droning noises.
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The original script included a sixth camper named Eileen, who dies when she is thrown off of a cliff. It also included a climax involving Connie being forced to handle rattlesnakes by the in-bred villains.
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The eerie whistling motif heard in Brad Fiedel's music score is a reference to the rescue whistle that Warren carries in the film.
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Despite its authentic, weathered appearance the 'old' church house used in the film was actually built for the production.
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An early draft of the script had Jonathan attempting to seduce Merry Kat, instead of Merry Cat flirting with him after putting on Megan's makeup.
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Chris Lemmon was performing a truly dangerous stunt when he was shot clinging to ropes after his fall into the rushing river. Lemmon had to physically hang on to the ropes for some time as the powerful river pulled at him. Only a matter of feet away him was the top of a huge waterfall that was notorious for people falling to their deaths from it.
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Jeff Lieberman's idea for the fist-choke finale of the film came about as he was trying to think of a way to kill someone that had never been done in film. The closeup shot of this quirky killing was done with a prosthetic over-sized mouth placed on John Hunsaker and Lieberman's wife used as a stand-in for Deborah Benson. It's her fist that's used in the shot.
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According to director Jeff Lieberman, in the scene where Ralph Seymour is stabbed, the camera hanging from Ralph's neck flew upward and smacked the actor in the face as he fell backwards onto the ground. So the expression of pain on his face is very real.
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Originally the revelation of the film's twin killers occurred when Jonathan is attacked on the rope bridge. He was to be attacked by one twin at one end of the bridge then he turned and struggled to the other side, only to be greeted by the same massive in-bred on that side, too! It was then that he would turn to see that there were two huge men at each end of the bridge, both of whom intended to kill him.
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At 50:19, When Daniel approaches the cemetery to take pictures a boom mic is visible for a few seconds in the top left of the screen before it is realized and then pulled out of the frame.
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AKAs Titles:
Argentina (alternative spelling) - Justo Antes De Amanecer
Chile (video title) - El Cazador De Pesadillas
Chile (alternative spelling) - Justo Antes De Amanecer
Colombia (alternative spelling) - Justo Antes De Amanecer
Finland (Swedish title) - Alltfr sent
Finland - Liian myhn
France - Survivance
Hungary - Hasadjon a hajnal
Netherlands (informal literal title) - In de klauwen van het duister
Norway - Camping Med Dden
Poland - Tuz przed switem
Portugal - Madrugada Alucinante
Soviet Union (Russian title) - Ÿе€ед ам‹м €аве‚ом
Venezuela (alternative spelling) - Justo Antes De Amanecer
West Germany - Blutige Dmmerung
West Germany - Vor Morgengrauen
Certifications:
Canada:13+ (Quebec) / Finland:K-18 (cut) (1982) / Finland:(Banned) (uncut) (1982) / France:-12 / Iceland:16 / Norway:16 (1982) / Sweden:15 / UK:X (original rating) / UK:18 (re-rating) (2005) / USA:R / West Germany:16 (cut version)
Movie Details:
MOVIE
