David Rice is a high school student in Ann Arbor, abandoned by his mother at five, living with his callous, alcoholic father, enamored with Millie, a fellow student, and picked on by at least one classmate. On a winter's day, while about to drown, he discovers he can transport himself instantaneously to anyplace on earth. He runs away from home, goes to New York City, robs a bank vault, and comes to the attention of a shadowy group of government hunters. Eight years later, the hunters, led by the murderous Roland, get a fix on David. He heads home, searches out Millie, invites her to travel with him, and only later realizes that Roland and his crew are seriously deadly. Is everyone close to David in danger? Written by

Plot Synopsis:
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Shy teen David Rice (Max Theriot) has a crush on pretty Millie (AnnaSophia Robb), who dreams of travelling the world. When he surprises her with a small gift, a snow globe of the Eiffel Tower, teasing bully Mark (Jesse James) grabs it and throws it out onto the icy surface of the river. Determined, David ventures out on the ice and retrieves it, waving ... then falls through the ice and is swept away from the opening by the swift current. He is certain to die in the freezing water, without air ... and suddenly finds himself lying prone in the library between the bookcases, in a huge gush of gallons of water, gasping and alive.

He trudges home, soaking wet, where his father (Michael Rooker) chews him out. David enters his room, putting a chain on the door ... but when his angry father bursts it open, there is only a swirl of wind - David has vanished. He finds himself in the damp aisle of the darkened library, and realises he has teleported there yet again. It dawns on him that he finally has a way to change his life, to escape his situation, the same way his mother abandoned the family when he was five. He teleports home and retrieves a small stash of money and a few belongings. But before he leaves town, he stops outside Millie's house. Millie is not consoled by her mother's arms; she is sure that David is dead. She hears a noise outside, steps cautiously out into the yard ... and finds the snowglobe sitting on the swingset. From this she knows he is alive, but he does not respond to her calls.

The next day he is on a bus to the city, where he rents a cheap room. He practices teleporting in the park, learning how to control his power. Then he cases a bank, and robs it by teleporting directly in to the vault in the middle of the night. He laughs as he realises his bag isn't big enough to take away all the money ... teleports back to his shabby hotel for another bag ... and repeats this until his room is awash in money and he lies on a bed of it. However, the mysterious Roland (Samuel L. Jackson) appears at the bank investigation, claiming to be from the NSA, remarkably unsurprised by this locked door robbery. It is evident that he knows about teleport abilities, and is part of a powerful group that wants to find this bank robber.

Years have gone by, and David (Hayden Christenson) has an expensive city apartment, papered with pictures of his world travels, and a small vault room full of money. He enjoys the pleasures of life wherever they are: surfing in Fiji, lunching atop the Sphinx in Egypt, picking up a girl in a British pub. He phases from one spot to another in his home, rather than walking even two paces, and disregards the troubles of ordinary people shown on television trapped in rising floodwaters.

His peace is disturbed by the arrival of Roland, whose electrical weapon and wires prevent David from teleporting. We learn that Roland's mission in life is to destroy jumpers (people who teleport), for "only God should have the power to be everywhere." Desperate, David manages somehow to get away, teleporting back to his boyhood bedroom. His father is alerted to his presence, and comes to the bedroom door, begging him to stay. David teleports away as his father forces the door open.

His idyllic lifestyle disrupted, he decides to see his lost love, Millie (Rachel Bilson). He finds her still in the same town, working at a bar. His old nemesis Mark (Teddy Dunn) manages to start a fight once again ... and in a rush David teleports with him into a bank vault, then leaves him there.

Returning to the bar, he asks Millie to go with him to Rome. She is shocked, but as it's her lifelong dream she can only accept. When they get to Rome, he enjoys her delight as he shows her around the ancient city, but is balked when they find the Coliseum closed. Rather than take "no" for an answer and return another day, he goes around the corner ... and when she catches up, he is holding a gate open to admit her. He continues to open doors from the inside as they pursue their private tour ... until they try to go down to the floor of the stadium. Suddenly he is surprised to meet another jumper, Griffin (Jamie Bell), who informs him that he's not the only one and that there is a whole group of people like Roland, paladins, who want to kill jumpers ... and two of them suddenly turn up. Griffin is prepared to fight their methods, and eventually subdues the attackers and teleports away. David follows Griffin's teleport to his lair, asking questions. He is bewildered, and Griffin's brief explanations (such as explaining he will drop a paladin into some sharks) do nothing to enlighten him. Griffin explains that David cannot afford to have a girlfriend, family, or friends ... that they are all dead, that the paladins will kill them to get to him.

David returns to Millie and agrees to leave, and they get away from officials inside the Coliseum - only to be detained outside. David doesn't jump - he tells Millie to go back to the hotel, but she refuses. Hours later, David is still being questioned by the police, who are holding him and his passport until some other authorities arrive. Suddenly, a woman (Diane Lane) appears, telling him to get out and abandon his girl, telling him how many minutes he has to escape. He recognises her from his childhood pictures - she is his mother!! He finds Millie and takes her to the airport, then explains sorrowfully that he cannot go back home with her.

In the meantime, Roland has been brought in to talk to Mark, whom David left in a bank vault. Mark, exhausted from repeatedly telling his story to disbelieving officials, explains who David is, where they are from, everything he knows. Seizing this opportunity, Roland visits David's father.

David returns to ask Griffin more questions, and this time the risk to his family sinks in. He teleports to his childhood home, and finds his father on the floor. Crying, he teleports his father to a hospital emergency room, trying to get help for him. He teleports to see Mark in jail, asking what he told Roland. Mark says he told him everything.

David realises that Millie will be in danger as soon as she gets off the plane in the USA, but when he asks Griffin for help, Griffin refuses. David follows Griffin through jumps, trying to convince him. Griffin swipes a car and they ride together, Griffin teleporting the car through traffic as it suits him. They exchange some bits of information: the paladins killed Griffin's parents when he was five, and David's mother left when he was five. David asks about teleporting the car, and Griffin laughingly tells of a jumper who tried to teleport a building - he died in the attempt. Finally, Griffin agrees to help David for a "limited engagement" - the many drawings of Roland in Griffin's home make it clear that he has a grudge against this paladin.

The arrive in the USA - and Millie's flight already arrived an hour before. He teleports to her apartment, hoping to get her out quickly - but Roland and his attack squad arrive before he can begin to explain. He manages to teleport her to Griffin's lair - and Griffin chews him out for it, because Roland can directly follow his teleport! Griffin prepares to abandon his home, but when Roland appears an epic battle begins. At one point Griffin teleports a bus at Roland, who manages to dive underneath it as it bounces. David is trapped, webbed up in a corner of the room by Roland's electrical wiring to be disposed of later. As Millie frees David, her anger at the situation and fear of his strange power are evident. She demands that he just take her home, and leave her alone. Naturally, she is soon captured and held hostage.

Griffin plans to take a bomb to Millie's apartment to kill Roland ... however, this will involve killing everyone else there, including Millie. David doesn't want that, so they two of them teleport around the world, fighting over the bomb, then over the detonator, falling from the Empire State Building and appearing in a war zone, where David finally traps Griffin in some fallen power lines as effective as Roland's traps.

David returns to Millie's apartment, knowing he's walking into the lion's den. They use electric wires all around him to tie him down, anchoring them to the walls. David has Millie move close to him, and, remembering Griffin's story, David doesn't try to move the whole building - just the parts attached to the anchor wires. As he uses his power, the building begins to rip apart, and the roof shatters as the apartment disappears out from under it.

David teleports Roland to a cave and leaves him there, saying he should be grateful he didn't drop him at the sharks. David vanishes, and Roland walks to the cave opening - finding himself up an isolated cliff in the Grand Canyon.

It is winter, and we see David walk up to an expensive home and knock. A teenage girl (Kirsten Stewart) answers the door, followed moments later by David's mom, who sends her daughter to her room. David is there to find out what it all means, and why she left him as a child. She explains that she is a paladin, and when he made his first teleport at age 5 she could not kill him, so she left him because she loved him. He thinks she should do more - and she explains that she is, right now, because she's giving him a head start. He realises he will not get more from her.

He leaves the house, and Millie meets him outside. He asks where she wants to go, and she says, "Surprise Me." They teleport away.

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sattaravy from Australia
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For all haters.

To me, there's an important message hidden in this film. I feel that the makers of this film wanted to deliver a message. In this genre of film, almost all the "gifted" individuals turned out to be some superhero or saviour of mankind. Like Superman, Spiderman, Batman, Daredevil, X-men, Fantastic 4.. just to name a few.

But the question is, if we really got these super-human powers, who will actually sacrifice it all for the good of man kind? This is the message the makers of Jumper is trying deliver to the audiences. The guy in this film, without giving too much away, is nothing but a selfish prick. All the things he does with his power is for himself, no one else.

To me, the most meaningful scene in this film, is the few seconds when he watched the News of TV, saw a bunch of people get caught in flood, and then emotionlessly turned it off.

He could have gone and saved those people, and become a stereo-type hero. But he didn't. He got superpower, he use it to enjoy life. It's that simple.

But isn't it what we would all do, if we got his power? This ain't an Oscar winning film, but it got a clear and simple message. Which I believe allows it to beat all superhero films, simply because it's more realistic.

"With greater power, comes greater responsibility"? Bullocks. Get real. We're all selfish animals.

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wuzzadaly (wuzzadaly@yahoo.co.uk) from Korea
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I'm a big science fiction fan, and was very intrigued by the idea for "Jumper". Samuel L. Jackson always lends credibility and I was interested to see Hayden Christensen for the first time since Star Wars ( I haven't seen "Awake" yet). I persuaded a friend to come with me based on the special effects in the trailer.

The plot goes much like this; Boy discovers he has the power to teleport himself. Boy learns to control his powers. Boy lives idyllic life of leisure and travel until he discovers that people are chasing him, and that he is caught up in a war between people who can teleport, and those who hunt them.

Unfortunately, "Jumper" isn't much more than a geography tour. The story is well laid out, and the main character behaves in a believable way. if you've ever imagined having the power of teleportation, you will buy into this premise big time.

Sadly, the movie fails to build on that premise, and action sequences aside is quite boring. My friend fell asleep! There is no chemistry whatsoever between David and Milly, and their romantic relationship is unrealistic.

Jackson plays the same character he always does, Rooker is under-utilized although Jamie Bell adds some much-needed momentum when he arrives.

All-in all if you want to leave your brain at home for a night, Jumper might be for you, but I would recommend waiting for the DVD.

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thethumbthing from Netherlands
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I saw this film last night, and i must say i was pleasantly surprised, I have been reading lots of comments on IMDb to get an idea of what to expect, lots of people were negative about the acting performance of Hayden Christensen, well i don't agree, I think he handled the character in an interesting fashion, considering his character left home at the age of 16 or so, raised himself and used his abilities to support himself in a wild and fun manner. So he is not your average run of the mill kid, nobody knows what he can do and he can basically do and go where he wants, creating an aloof type of character, so under these circumstance i think his performance was okay, maybe not worthy of an academy award but totally interesting to watch, I enjoyed his intensity. Overall i thought it was a great film for what it was, special effects are great, and the story holds together in most aspects. The concept of Jumping is something we have all thought about at one time or another, just like time travel. I think that a lot of people who comment on IMDb have no idea of what goes into making a movie, but just like to be critical as possible. When i go to the movies i want to be entertained, this movie certainly did that!! Check it out and don't forget the popcorn!!!

7-10

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Megatronika from Australia
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Some people have unrealistic expectations. This movie is aimed mostly at teens and sci-fi fans or anyone wanting a good popcorn movie to kill two hours of their life. If that's not your thing then don't complain if you didn't like it.

If you can't stand Hayden Christensen, then don't see a Hayden Christensen movie. It's as simple as that, folks. He's not Johnny Depp or Leonardo DiCaprio, don't expect an Oscar worthy performance. However he's not bad on the eyes and as shy as he is, he's not unbearable on screen.

Personally I thought it was entertaining from beginning to end, not memorable. Acting was bearable, Sam Jackson played a badass as usual. There was a bit of humour, I liked Jamie Bell's character. It's a fun concept and with and imagination like mine the possibilities of such a power are unlimited.

I did feel that you never really connected with the characters on an emotional level and the plot was very straight forward and basic. No twists and the ending was fairly dull.

It did bring up some interesting points, like real world superpowers. Yet as an Alan Moore fan this isn't anything particularly new.

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evasmum from Melbourne, Australia
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Stunning effects, swooping camera angles, and an interesting concept more than make up for the film's defects - namely Hayden Christensen - reprising the gloomy, wounded, misunderstood, petulant anti-hero role he played so ineffectively in the Star Wars prequels.

The other performances were sound (Samuel L Jackson's hair included) with Jamie Bell particularly outstanding as the nervy Griffin. His performance adds to the frantic energy of the film and every scene without him is the poorer for it.

While the pacing and energy of the film keeps you glued to your seat, it is only on reflection that I realised how unsatisfying the story ultimately was - leaving me with an "is that all?" kind of feeling. The answer, of course, will probably be 'No' as this film seems to have been made with the idea of sequels firmly in sight.

All in all - a tightly made film, with the scenes inside the Colosseum worth the price of admission alone - if only they'd cast someone else in the lead role!

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Matt_Layden from Canada
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After falling into a lake covered in ice, David Rice teleports himself into a public library. He leaves home and goes to New York to hone his skills, which he uses to rob banks. After 8 years David finds that he's not the only one, and that there's been a war going on for centuries. Now those people sworn to kill Jumpers are after him.

Hayden Christensen was wooden as a board as Anakin in the Star Wars prequels, but out of nowhere showed he actually has some acting chops when he played a lying journalist in Shattered Glass. Well, now he's back in the sci/fi genre and for some reason he decides to jump back on that wooden board. I don't know why, but it seems that sci/fi films bring out the bad in him.

Jumper is an intriguing idea, it has the opportunity to bring a new series to film. The idea of people who can teleport to anywhere at anytime has been done before yes, but now we have people who have been sworn to kill them and that they've been doing it for hundreds of years. Sounds pretty epic, but Jumper doesn't really jump into any of that, they only mention it. Why? I have no clue, to me it sounded more interesting then what they were actually showing us.

The filmmakers had a great chance to go back in history and show us this war, as one character mentions, but not once do we get any idea of any of it. There is a lot more story to tell with these Jumpers, but we never get any of it, we only scratch the surface. Are they that confident that it will do so well that they will give a bit more in a sequel? Or did they really have no idea what they were doing and just hope the audience liked the jump scenes.

Those jump scenes by the way are nicely done. No, they never reach the coolness of Nightcrawler from X-Men 2, but they are very well done. One second your in New York and the next your sitting on top of Big Ben in London. With a film like this you know the special effects will either make or break the film, because so much of it relies on that. The believability that these people are actually teleporting themselves to another location. They pulled it off for the most part. My complaints are pretty much what other people will probably have. They teleport in open area, for everyone to see, but unless there's a fight going on no one seems to notice, or care. Also, wouldn't Christensen be really fat by now? 8 years of teleporting means he never moves anywhere. He won't even slide 2 feet over on a couch to get a converter. Does teleporting burn calories as well? You know those people sworn to kill them, one is Rolan, played by Samuel L Jackson. Jackson does what he always does, be a bad ass mofo. Here is sports white hair and spews off some dialogue that only God should be at all places at once. Are they the good guys? After all, our so called hero is robbing banks and breaking Italian Collisuem rules. Christensen isn't really likable, so many people will end up routing for Jackson to take him out. They fight scenes are too special, they consist of jumping and using a device that Scorpion from Mortal Kombat should sue for. Once you take away all the jazz from the jumping, you're left with nothing really.

The story is boring. Guy can jump, people find him and try to kill him, he gets away. In between he gets back together with a girl he use to like when he was a kid, they go to Rome because "hey, all girls will put their lives on hold to go to Rome with a guy they knew back in Highschool but haven't seen for 8 years...and maybe I'll have sex with him too." Bilson is cute, but she is given nothing to do besides ask questions. The real star here is Jamie Bell, who plays Griffin, another Jumper. He's the person we really want to follow in this story, he's funny, kicks ass and takes no crap from anyone.

By the time the film is over you're left sitting in your seat asking yourself, but what about this and what about that. There are so many loose ends in Jumper it's funny. We never know what happens to his father, we never know what happens to Griffin, we are never given anything but a sentence for a back story on these people. Also, the last 5 minutes seems like a last minute addition to try to tie one of those loose ends up. It seems way too forced, but you know it has to happen because there is no way this film can end without them going back to it. These loose ends will most likely be sorted out in the sequel. That's how films like this are probably going to end now, leave so many things unanswered that there just has to be another one.

Unless you want to see another special effects ridden sci/fi fest, skip Jumper cause there is no real substance. No real story or plot, no character development and no fun...well, there was a bit of fun, but there should have been so much more.

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forever18-now (fornin642@aol.com) from United States
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I don't normally ever write reviews for movies, (usually I am content with allowing others to draw their own personal opinions) but after witnessing this train wreck of a movie I felt strongly compelled to warn someone…anyone out there about this...this *insert loathsome adjective here* disaster of a movie.

So to start, is jumper a bad movie?

Well let's just say that about 1/3 the way through I found myself wholeheartedly rooting for the paper thin religious Zealot character played by Samuel Jackson …oh and by the way I'm an Atheist-that's how bad this movie is! Really when a movie has you empathize with the stereotypical and underdeveloped 'bad guys' then you know it's complete and utter trash. The problem lies not in the movies overall concept, (which I will admit is somewhat interesting), but in its bland characters- out of the 3 'heroes' not one of them is likable in the least (and in fact the conceited main character David is almost unwatchable).

Christensen's character David is just so narcissistic and self-absorbed I was dumbfounded by it all. From his first lines, "This morning I saw the sun rise over the pyramids, had breakfast in Paris, and then caught some waves in Australia, all before lunch. But I wasn't always like this..." to his very last, he remains nothing but an arrogant selfish prick. Also, he is a brat who lacks even an ounce of human compassion. I mean there is just so much wrong with his character and yet the movie barely seems to notice. Throughout the movie he never grows as a character, he never learns anything. Instead, he does everything for himself. Not only does David posses NO redeeming qualities, even worse,he robs banks and doesn't save innocent people from dieing (first in the Tsunami and then in Chechnya-he literally just lets some poor guy get run over by a tank- that's our hero for ya!). You really could not make his character more unlikable if you tried (well maybe if you had him murder puppies but still he is pretty close to the absolute worst).

While the movie tries to get you to hate him, I couldn't bring myself to blame Jackson's character for wanting to kill Christensen, and in fact by the end of the film (I am using the term film here very loosely) I am sure most will find themselves rooting for Jackson against Christensen and his brain dead girlfriend! Throughout the movie, I saw Jackson's character as the only pathway to redemption…namely my redemption; if he killed Christensen I would finally be allowed to leave the theater- Christensen would be dead and I would be free, everybody wins!

The worst part of all of this is that the movie isn't even so bad its good…its just bad. Few movies have made me sick to my stomach but this one did- for 2 hours all it stands for is egotism and awful kindergarten acting. That said, can I say anything positive about this movie? Hmmm well the special effects were a bit above average (though they did little to make up for the fact that I had to spend time with the vapid Christensen).

Please, please don't be fooled by the preview. While it looks a little like "X-men" it has much more in common with "The Ugly American" (As a side note the director either hates Americans or, more likely, is a self-absorbed SOB).

There is just so much MORE wrong with this movie (Rachel Bilson, did they lobotomize you before shooting?)- Just don't see it. Take my word for it, your time and money are better spent elsewhere…to say the least. I knew little about this movie before going into the theater to see it…never again.

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Merklin from United Kingdom
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What would happen if you could teleport ANYWHERE in the world in the blink of an eye? Thats the question explored in Jumper, a film thats as fast and action packed as it is hollow and underdeveloped.

The films theme of individuals who can vanish and reappear anywhere they choose is a great idea but its execution is a little weak in Jumper. Why? The blame rest squarely on the films instance on being the start of a series. Instead of taking time to develop anything in the movie, Jumper just whizzes by at an incredible speed, setting up characters, ideas and plot points without expanding or resolving or developing them. The whole thing is made to kick start a franchise of films where the story would be explained in more detail, but come on man, when you pay to see a film, you expect to see a clearly defined beginning, a middle and a satisfying end- something that Jumper isn't too concerned with.

Another problem that ties in with the films lack of depth, are the actors. While Hayden Christensen is as bland as usual, the cast (including the usually electrifying Sam Jackson) just sleep walk their way through the superficial script. Only Jamie Bell gives it some effort- his cynical Irish jumper would have made a much better lead character than Anakin.

However, while the film is pretty shallow there are some glimmers of goodness. The action sequences are fun, fast and frequent, the visual effects are cool and there's never a dull moment due to the films super fast pace.

It might sound like Im being too harsh on the film but its hard not to be when the movies concept is so great and the end product is as underdeveloped as this. If the film had a more detailed, more fleshed out, more self contained story, Jumper would have been a classic.

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dedalus626 from Dallas, TX
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Jumper was entertaining, but it was difficult to make myself care about any of the characters. There's no development, so you really don't understand the motives of either the bad guys or the good guys. And what really bothered me was that the "good guy" is completely hedonistic. He doesn't use his powers to help people (the best scene in the movie was when he disinterestedly walks away from a television news report about people in drowning in a flood); he just travels the world and robs banks. At times, he even endangers the public by using his powers irresponsibly. Although this could have been an interesting take on the superhero story, the film doesn't do enough to turn it into that; the writers hardly seem to realize just how self-involved the hero is. It was almost enough to make me pull for Samuel L. Jackson's character… if only he hadn't been so one-dimensional. Although I was entertained for the duration of the film, it left me feeling cold.

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singleguy1212 from Singapore
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Let me start by saying that I like action movies. Sci-fi ones? Even better. The Fifth Element. Aliens. 300. All excellent.

But this? I am still reeling 6 days after being stuck in the cinema for 80 minutes (I left once the credits rolled). It is astonishingly bad. Thank goodness it was a free preview pass.

The premise was promising enough. A boy (Hayden Christensen, who should just give up acting) discovers in a near-death situation that he can teleport to anywhere he wants. So he grows up to become a rich globe trotter (where is the IRS when you need them), courtesy of bank vaults he can enter undetected, "jumping" from one end of the Earth to another, living the high life. Maybe because he was bored (I knew I was bored out of my mind by then), he goes back to his hometown to look for his teenage crush (Rachel Bilson, who is painful to watch). Interestingly, no one bats an eyelid to see him come back from the dead, the girl doesn't question where he has been, and agrees to fly across the globe with him to Rome. There he bumps into a fellow "jumper" (Jamie Bell, the sole glimmer in this abysmal mess), who warns him that there are "Paladins", lead by Samuel L. Jackson (sleepwalking through the role) who are out to get them. Right. Who ARE the "Paladins"? Why the vehemence? No one knows. And by now, I am sure no one cares. Lots of destruction ensues as our hero tries to save the girl and beat the "bad guys". Oh and there is the mom (Diane Lane in a thankless bit part), a Paladin, who is conflicted about having a son who can "jump", and abandoned him to save him. Whatever.

But the thing that clued me in as to how bad a movie I was about to sit through was the voice-over at the beginning. Note to the writers: Narration should ADD to what is on the screen, not TELL US EVERYTHING THAT IS HAPPENING. It reminded me of annoying people in the cinema who comment on every action played out on the screen. You just want to find the remote and hit "Mute".

The ho-hum ending points to future sequels and prequels. It is the only logical reason I can think of to explain why a good director and THREE excellent writers left out so much to make this crap.

Can I vote "0"? No? OK then. "1". For the trailer. Nice job, Doug.

teleportation|based on novel|vault|ice|bank|bank vault|paladin|money|friend|library|cave|theft|water|high school|travel|new york city|bully|frozen river|snow|ann arbor michigan|roman colosseum|stranded|jumping off a building|abduction|colosseum rome|execution|fifty dollar bill|crashing into a tree|cartoon on tv|reckless driving|doorman|boy|flood|handcuffs|wheelchair|hospital|swing|door chain|pyramid|flashback|unconsciousness|school bus|escape|tied up|running|swimming pool|truck|double decker bus|jumping|bus|remote control|dead body|friendship|blow torch|mount everest|urination|taxi|undressing|security guard|thief|umbrella|rain|child abuse|abusive father|watching tv|tears|crying|dog|waitress|trapped under ice|stabbing|eating|cell phone|computer|elevator|mobile phone|telephone call|food|beating|chase|voice over narration|beer|central park manhattan new york city|teenage girl|teenage boy|empire state building manhattan new york city|eiffel tower paris|15 year old|police car|policeman|police|death|drunkenness|drinking|drink|supernatural power|manhattan new york city|tokyo japan|london england|super power|face slap|stabbed in the stomach|snowglobe|genetic abilities|hunted people|butterfly effect|stopped time|what if|war zone|walking through a wall|underwater scene|tied to a tree|thrown through a wall|thrown off a balcony|tank|surfing|stabbed in the chest|spiral staircase|scar|running away from home|raised middle finger|punched in the face|punched in the stomach|sex scene|person on fire|murder|machine gun|interrogation|hit by a truck|hiding in a closet|hideout|hidden room|handcuffed to a pipe|game playing|flamethrower|escape from jail|electrocution|death of parents|corpse|child in peril|bus accident|burned alive|breaking through a door|breaking and entering|bomb|baseball bat|pub|bar|prologue|epilogue|trust|stabbed to death|search|rome italy|mother son relationship|magistrate|knife|kiss|jail cell|hunt|hotel|himalayas|fistfight|fight|falling through ice|electric shock|cash|bartender|backpack|arrest|airport|airplane|money falling through the air|world travel|stolen car|sightseeing|religious cult|presumed dead|jumping from height|high school sweethearts|dysfunctional family|drowning|bank robbery|secret war|advanced technology|absent mother|wormhole|sphinx|runaway|pursuit|photograph|jump point|hometown|first love|father son relationship|electricity|egypt|double life|desert|chechnya|broken home|bank robber|time travel|jumper|superhero|bare chested male|title spoken by character|

AKAs Titles:


Certifications:
Argentina:13 / Australia:M / Brazil:12 / Canada:PG (Alberta/British Columbia/Manitoba/Ontario) / Canada:G (Quebec) / Finland:K-13 / Germany:12 / Hong Kong:IIB / Ireland:12A / Italy:T / Japan:G / Malaysia:U / Netherlands:12 / New Zealand:M / Norway:11 / Philippines:PG-13 (MTRCB) / Portugal:M/12 / Singapore:PG / South Korea:15 / Sweden:11 / Switzerland:14 (canton of Geneva) / Switzerland:14 (canton of Vaud) / Taiwan:PG-12 / UK:12A / USA:PG-13 (certificate #44084)