For nineteen-year-old Jay, Autumn should be about school, boys and week-ends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, something, is following her. Faced with this burden, Jay and her friends must find a way to escape the horrors, that seem to be only a few steps behind. Written by

Plot Synopsis:
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In the opening scene, a young woman is fleeing from someone or something. She is shown driving to the beach. At the beach, she calls her father and tells him that shes sorry for being so unkind to him. In the morning, it is shown that she was brutally murdered during the night. Her leg is twisted and a bone is seen sticking out of it.

The film then switches to Jay (Maika Monroe) who is on a date with Hugh (Jake Weary) at the movies. While they are waiting in line, Hugh starts talking about how envious he is of young children and how they have innocent, carefree lives. When they are inside the theater, Hugh spots a young woman at the entrance. He points her out to Jay, but she, however, cannot see her. Suddenly, Hugh starts getting afraid and demands to Jay that they leave the theater.

On their next date, Jay and Hugh are having sex in his car, when he suddenly chloroforms her. When Jay awakens, she is tied up in a wheelchair. Hugh is there and he explains to her that when they had sex, he passed on a curse to her. This curse is an entity that can only be seen by the person with the curse (which is now Jay). The entity can take the form of any person and will follow her repeatedly at a walking pace. If IT catches her, it will kill her and will go after the previous person who had the curse (which would now be Hugh) to get them to pass the curse on to someone else.

It is implied that Hugh had slept with the young woman from the beginning of the film, but since IT caught her, IT is continuing to stalk Hugh until he passes the curse on to someone else, hence why he slept with Jay.

At that moment, Hugh spots a naked woman walking towards them. Jay and Hugh then flee. Hugh drops Jay off at home and continues to flee. The police are searching for Hugh, but are unable to find him.

While at school, Jay spots an old woman in a hospital gown walking towards her. Everyone around does not appear to notice to the old woman. Jays friend, Paul (who has a crush on Jay), and her sister Kelly agree to help.

That night, Jay, Paul, Kelly and another friend, Yara, all agree to spend the night in the same house. During the night, Paul hears a noise and examines a smashed window in the kitchen. He looks around, but does not see anyone. Jay then sees an almost naked woman with dark eyes walking towards her.

She runs to tell the others, but none of them can see anything. Suddenly, a tall man with dark eyes walks into the room. Jay then runs out of the house.

Jay runs to a playground nearby, where her friends eventually catch up to her. A neighbor named Greg offers to help the group by giving them a ride. Jay and her friends plan to confront Hugh, so after tracking him down by figuring out his real address, he tells Jay that she needs to sleep with someone in order to successfully pass the curse on to someone else.

The group then goes back to Greg's house. Jay deduces that she needs to learn how to use a gun. While the group is sitting by the water, the entity takes on the appearance of Yara and begins to attack Jay. Jay flees and then IT takes the appearance of the tall old man and then Paul. Jay manages to shoot IT, but it does not die. Jay gets into a car and drives away, but she manages to crash into a cornfield.

When Jay awakens, she is in the hospital being treated for her broken arm. After she is released, Jay decides to pass the curse on to someone else. She sleeps with Greg, in hopes of successfully passing the curse on to him. Paul is heartbroken after finding out that Jay was with Greg.

At home, Jay looks out the window to see Greg walking down the street to his house. When he gets to his window, he breaks it and enters. Jay then figures out that IT has taken the appearance of Greg. Jay runs over to the house and peeks inside to see IT taking on the appearance of Greg's mom. Jay then tries to warn Greg, who is on the telephone. IT jumps on top of Greg and kills him. Now, the curse has reverted back to Jay, who flees to the woods.

When she awakens in the morning, Jay is near a beach and spots three young men on a boat. She undresses and goes into the water, hoping that she can sleep with one of the men and can pass on the curse to buy herself more time.

Back at home, Paul wants to sleep with Jay, but she rebuffs him, since she does not want him to be killed. Jay spots IT, posing as a naked man, spying on her from the roof. Jay then comes up with a plan to kill IT.

The group goes to a deserted swimming pool in hopes of luring IT into the water and then electrocuting it. Jay is the bait and gets into the pool. When she finally spots IT, it has taken on the appearance of her father. But, IT has figured out the plan and starts throwing electrical devices into the water to kill Jay. Since they cannot see IT, the others fire blindly to try to kill it. In the ensuing chaos, Paul accidentally wounds Yara, but then shoots IT in the head, supposedly killing the entity.

After heading home, Paul and Jay finally have sex. Paul then drives to a run-down part of Detroit where there are prostitutes walking the street. (The implication seems to be that the Paul plans to have sex with a hooker in order to quickly pass the curse to someone else .... )

Sometime later, Jay and Paul are walking down the street hand-in-hand. Behind them, a person is following them.

THE END.

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Andrew Gold from United States
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This is probably the best horror movie I've seen in the past decade. It Follows is a throwback to classic late '70s - '80s horror films and draws many comparisons to John Carpenter's style, from the music to the cinematography, and rather than appearing like a carbon copy or rehash of Halloween, director David Robert Mitchell executes this odd premise with such flair and finesse that you can't help but be refreshed by its cleverness. Everything about it works, from the brooding pace to the relatable characters, effortlessly sucking you into this gloomy world where STDs can pass on entities that follow you around no matter where you are. This is where most of the suspense comes from, because instead of relying on blood and shock value, It Follows is subtle and thought provoking - you never know where this thing is and it moves so slowly that you don't know when it will appear, and this uncertainty in waiting is what real suspense is all about.

One aspect that stands out, apart from the brilliant writing and directing, is the musical score by Disasterpeace. It's absolutely gorgeous in the most ominous, haunting way you can imagine. It's retro but not dated - heavy on synths and low on bombast, it sets the eerie tone of the movie right from the get-go and elevates the film's effectiveness into the stratosphere. Even as a standalone listen the music is brilliant, but when juxtaposed with the bleak imagery and unnerving atmosphere, it's downright masterful.

It Follows is not an overtly scary movie. It's a slowburner, and the emphasis on mood over jump scares makes it all the more terrifying. The acting is spot-on, the cinematography is glorious, the pacing is perfect - it's a breath of fresh air into the horror genre that has been on life-support for a while now. I can go on and on, but the thing to remember is that It Follows is not for everyone. If you're expecting this to be a paranormal slasher or something of the sort then you probably won't enjoy it. It's purely psychological, and these days, psychological horror is making a huge comeback. Last year we had The Babadook and this year the movie to beat is It Follows. Both movies are by new directors - Jennifer Kent and David Robert Mitchell respectively - which means they have their entire career ahead of them to rejuvenate the genre to the heights it used to reach. It Follows is a masterpiece in every respect and an absolute must-watch for horror fans that thought the genre was completely drained of originality. I can only imagine where horror will progress from here.

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SushiStoner103 from Australia
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Inspired by 70's and 80's horror, it follows is a refreshing psychological horror film with a simple premise and a chilling concept. The cinematography is electrifying, every shot is beautiful and the score holds brilliance, it carries a very obvious John Carpenter vibe to it. The tension is raw, avoiding cheap jump scares and relies on music. Its eerie atmosphere is extremely effective keeping you inches above your seat for the majority of the runtime. The characters are interesting, providing depth and emotional attachment, most modern horror films seem to forget the importance of character development, its nice to see the genre hasn't completely lost it yet. There are several jumps scares, but they work, as they are not carried with unnecessary piecing music jolts but with the use of disturbing and sudden imagery.

The only errors I could detect were the unconventional editing style, the transitions were a little dodgy lacking fluency, this left the film to appear choppy at times but this flaw can be easily forgiven. Its outstanding cinematography and soundtrack make up for this. The film leaves a daunting stain of disturbing after effects that follow you for a long while, with a constant reminder to always check behind your back. An exceptional low budget indie horror film, strongly recommend.

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groomeschase12 from United States
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It Follows is a horror film made for horror fans, and it's about time one of those came around again.

This is a movie that was light on the jump scares, which is a delightful change of pace. In the past few years more and more horrors have relied on jump scares to make up for the true scariest part of any horror film, the sense of dread. Dread is felt in this movie almost immediately because it combines so well with the tone, another forgotten about ingredient in horrors.

There is no real way to explain the plot of this film without it coming across like a more twisted game of "tag," which played a part in exactly how many people I could talk into seeing it after the mixed feelings from the trailer. That being said, the film breaks a lot of the norms set by today's "scary" films. This is a movie that knows what it's doing, and its main concern is to make the audience feel as if they are a part of the experience with the sense of realism. With the enemy being as far-fetched as it may come across in conversation, it's easy to get caught up in the surroundings of the characters looking for "it." Having to watch over the characters' shoulders throughout the movie makes it all the more frightening when something IS seen, and there's never a sense of safety.

It Follows takes a good deal from the greats in the horror genre, namely Halloween. I recall a great deal of times thinking "wait, that was in Halloween," where the background is scarier than what could pop up out of the shadows with some loud sound surrounding it. The score in this movie is simply unnerving and remarkable. It adds to the tone and creates an even more frightening and uncomfortable feeling when "it" has appeared. It was as if I were watching a great Carpenter movie in the theater, and it's been a great while since such a possessing and haunting score has come along. It truly is like another character in the movie, but used so well it adds to already-present uneasy feeling that one has while watching.

It Follows delivers where other recent horrors have failed, it creates memorable moments and characters which the audience feels for. Also unlike recent films, there is no way to predict what direction the movie will take, and there is finally not a completely predictable ending. Horror movies have taken easy ways out and desensitized the audience throughout by having things jump on screen which make the "big moments" feel insignificant and forgettable because audiences have been jumped at so much they just don't care anymore and they're ready to see "the monster die" (I'm oversimplifying of course, but the intent is clear). Meanwhile, this film has (quietly) some of the most memorable terrifying sequences of the decade thus far.

Of course, I'd have a useless review if I didn't address the performances of It Follows. All of the other elements I've brought up in the review were almost created by, and greatly assisted by, the acting. If the acting is bad (which is a common thing in horrors), then it's hard to make anything else believable, which distances the audiences and takes away a lot of the sense of terror. The acting is so real by the cast that they make this plot seem genuine. They're not the usual teens that the audience can scream "why did they not think of.." or "I would've.." at. They address the horrifying situations as real people would, they're not magically filled with some convenient insight and they're not face-palmingly idiotic, either.

In a year filled with soon-to-be many blockbusters and money makers, It Follows will be remembered by many as one of the best of the year. It is a film that embodies all things horror, and pays great homage to what made people adore the genre. Like a good brand of medication, without the side-effects, It Follows is what the genre needed and is, to me, one of the best horror films of the decade to this point. With all of the key ingredients in place, we've got a great film here. 9/10.

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kcrimsmahavorchcarnivaloflesdiab from United States
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Disappointed at the god awful turn the horror genre has taken since I'm not a fan of the cheap and stupid gore/possessed killer doll/possession/ghosts/documentary style trends that have been giving the genre a really bad name for a while now,I've been waiting very long to see an actual horror film that at least would be worth the price of admission.

So,a lot of my friends actually highly recommended this film to me and even told me that this was the best horror film in years and praised it for it's originality and even compared it to the works of some of my favorite directors like John Carpenter,David Lynch,Adrian Lyne,Herk Harvey and David Cronenberg (which I started having very high doubts about after watching the trailer),but since it was praised as being unique and original,and since I'm a big fan of independent horror films I decided to go see it not knowing I was going to make a terrible mistake by wasting my money and an hour and 40 minutes of my life I could have spent doing something worth my time.Instead of a good independent horror film,what I got was an incredibly boring steaming pile of hipster indie garbage and in no way showed any resemblance to the works of the amazing directors that this trash is being compared to,plus the plot made absolutely no sense at all and it had tons of holes in it,the source and history of the haunting is never discussed,all you know is that the guy who gives this "ghost STD" to the main character had it and passed it on to her,never know who gave it to him or where it came from,and after the guy knocks her out with chloroform,ties her to a chair and leaves her half naked in front of her house,still the police doesn't do anything and she doesn't press charges LOL,at some point they decide to go visit the guy and ask him who infected him,but when they get there,all they do is sit around and the guy keeps avoiding answering how he got it and all he does is repeat "you have to pass it on to someone else" and then the search for the source of the haunting is completely abandoned afterwards,also the film opens with some girl running from her house,then driving away to the beach,calls her parents to say she loves them and then it's morning and she's all butchered and it doesn't say who she is,where did she get the curse from and if she has any relation to any of the character,then at the end after Jay and Paul have sex,you see Paul driving in his car looking for prostitutes and then in the next scene you see Jay and Paul walking together holding hands while some guy (supposedly the evil entity) still follows them,does it mean that Paul passed the curse on to a hooker and it's still following Jay anyway because she didn't completely get rid of the curse or did Paul chicken out about screwing a hooker so it's only following him or they both passed the curse but it's still following them ?...this film was a complete mind-rape,and not in an amazing psychological horror/thriller with a great story and an awesome twist ending good mind-rape,I mean in a "I'm completely lost,WTF did I just watch" mind-rape.

I honestly don't understand the big hype this film has,and I just can't believe believe my eyes seeing how many people are calling it the best horror film in over a decade,a masterpiece and an instant classic LOL,are you kidding me???,not only it's the farthest thing from,but this is so bad that it makes pathetic,dull crap like � l'int�rieur (Inside) look like Repulsion,and it has been given a totally unfair much higher rating than it actually deserves,also there's absolutely nothing scary or disturbing about this trash,not even for the easily startled,and it's neither original or unique in the least,the sexually transmitted horror has been done to death,the director just made another They Came from Within/Shivers only replacing the "story" with The Ring/Final Destination's story,I just don't understand why people are hailing this as some refreshing break from the slasher gorefest slashers that have been plaguing the horror genre,well,hipster indie caca with nonsense "plots" full of holes,idiotic teen dialogue and laughably bad acting like this are plaguing the horror genre and cinema in general just as much as the hack and slash,there's absolutely no difference,just because a film doesn't have a lot of gory scenes doesn't make it an improvement when the story is cut in half and you don't know what the hell you're watching and the scares a very weak and unoriginal,also the score is also regarded as "haunting and original,but it's just a ripoff of almost every 80s horror film's score ever made,far from original and scary when it's been heard over a thousand times before,and the low budget is not an excuse for this,I've seen many old and new independent horror films with very low budget and they still achieved their goal perfectly,just as long as the story,acting,script,music,light and cinematography in general are solid, and the techniques and ideas are original and properly put together,that's what makes the film work regardless of it's budget.This is what marketing does,they polish a turd and make it look like it's the next Suspiria with a tempting trailer and critic reviews,and the hipsters and fools who can't tell the difference between an genuinely good horror film and a dumpster bin.

it's simple,if you want to see another sequel of The Ring/Final Destination franchise but with a penis and a vagina spreading the curse instead,then this is for you,others looking for good horror or thriller with a good plot instead of a terribly dull hipster teen flick with the typical idiotic adolescent script,look elsewhere

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speranzadaniel from Australia
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OMG what can I say it follows, you have sex with some random person and you can carry the follower, "It could look like someone you know or it could be a stranger in a crowd. Whatever helps it get close to you." It will kill you if it is not transferred to another victim no cure will stop it, have sex to transfer the follower, this movie was very terrible naughty was probably the only highlight of this movie. Hardly no gore or blood, low budget movie no great ideas lack of story line just have sex. PS stay in school kids. I can't believe it had good rating on IMDb 7.3/10 more like 1/10. This movie is that stupid I have no more idea what to write about it.In the opening scene, a young woman is fleeing from someone or something. She is shown driving to the beach. At the beach, she calls her father and tells him that she's sorry for being so unkind to him. In the morning, it is shown that she was brutally murdered during the night. Her leg is twisted and a bone is seen sticking out of it. That was probably the best scene in the whole movie.

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miwhite-4 from United States
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Premise of the movie is exactly what the name of the movie is, it follows. It doesn't catch up (except one time), doesn't kill, it only gets naked and follows. If people walking behind you scares you, than man this is a scary movie for you. A typical person that likes blood and gore or frightening imagery in their horror movies (other than just creepy looking people) will not like this. Warning: the nudity in the movie is only old Granny T and A and naked Grandpas. This movie was a bad movie from the start. Here's a thought, if you are able to out run the supernatural being. And that supernatural being only has the scary ability of throwing desktop appliances. Than by all means that being is not scary and needs to take lessons from Michael Myers.

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Prairie_Wolf from United States
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I have never given a movie a 1 star rating until I saw this film today. No spoilers to be addressed, as there was nothing to spoil - the movie was already fatally flawed. Faint story line from start to finish, and not a single moment where I felt scared, haunted, afraid or any of the other things one expects while watching a horror movie. There was some nudity, sprinkled with mild sex scenes, for those who care. And, I had to wonder where they filmed the movie; jokingly saying it must have been Chernobyl, as so much of the area filmed looked like it had been abandoned after an apocalyptic event - peopled with humans who appeared zombie-like. Plus, it would seem the movie-makers obtained most of their set material from 1970-1980's secondhand stores. Odd, that! And not in keeping with the time period of the film.

All-in-all, very disappointing. As my spouse and I exited the theater, we heard negative comments from the total, small handful of movie-goers in attendance, as they were leaving, too.

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lizborden4041
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I was so excited to see this film. I have loved horror movies since watching "Creature Features" with my father and brother when younger, and I am pretty easy to please. This movie was a total waste of time and money.

****Spoiler alert*****

Who is the girl in the beginning? Is she a lover of Jeff/Hugh? She is killed so then Jeff has to find someone else to sleep with?

How does Jeff know that "It" is following him because he had sex with a girl in a bar? How does he know if It kills Jay It will come back to kill him? How does he rent a house under a fake name, and why would he? How does he know that Jay needs to pass on the curse by sleeping with someone else? And why would he still see the entity if he is indeed clear of the curse?

When Jay and her friends go to the school to kill the entity it looks abandoned, but the electricity is still on and the pool is filled and in pristine condition. Where did all the electrical appliances come from? They were carrying some bags, but I don't think they were filled with irons, hairdryers and TVs. What was the point of trying to "kill" a ghost? It had already been shot, and that didn't stop it.

Why didn't Jay take 2 minutes and clean her bedroom door?

And the ghost/entity/phantom just comes after you at a walk? It reminded me of a line in Stephen King's book Desperation. "The mummy's after us. Let's walk a little faster"

This movie was another gigantic disappointment.Please stay home and save time, money and anguish. I can not believe this movie was rated 7.6 out of 10.

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cluckodoom from United States
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It Follows was absolutely awful. This movie is one part The Ring (mind you, not a good part) and one part slow walking 1980s killer with a poor excuse for the characters to have very boring sex slapped on. The best part of the movie was when I left to use the restroom. The restroom was clean and I didn't feel rushed because I knew I wasn't missing anything. Wait that's not fair, there was a preview for Avengers: Age of Ultron before the movie. That looked pretty good.

After I watched this horribly boring movie, I warned everyone in line to buy tickets to watch something else. Then I texted everyone I know not to warn them not to waste their time. Then I posted a Facebook status. Now I've made an IMDb account to continue my public service announcement. I haven't tried to warn people away from a movie like this since I watched Dream Catchers in theaters.

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rakwriter
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First off, the opening sequence is completely unnecessary, and only serves to establish "it" kills- -a given attribute. If all it does is offer hugs and free popcorn, why would it need to follow? Just set up a booth at a carnival.

Second, "It Follows" is a quintessential example of idiot characters. The "don't go in there" trope is rarely absent. The scripting rarely pushes the plot forward and is largely unrealistic, like the character reactions. The only logical thing they do is run from "it."

"It Follows" is a 2-hour montage of logical inconsistencies painted with a brush of blurry camera work, lazy editing, and sound production that sounds more often like a malfunction in the speakers of the auditorium. The music was distracting and smacked of grating '80s slasher flicks, but not in a way that could even be mistaken as homage.

One thing that makes horror effective is an explanation of the evil, while leaving specifics like how or even whether it can be defeated up to the protagonists to figure out. This movie barely accomplishes the latter, while the former is left a mystery. That tactic can work, but it fails here because there is no explanation of why it is passed on the way it is, or how it was created.

"It Follows" is like a teen slasher that wants to be trendy and cool, kind of like the junior in high school that wants to drink with the college kids. It may seem like it's fitting in, but in reality it stands out in an awkward way and ends up being ignored while it gags in the bathroom.

The theatre featured at the beginning of the film is the Redford Theatre, a historic Japanese style theatre with a fully functioning Wurlitzer organ, in the Old Redford neighborhood of Detroit, MI. The Evil Dead (1981) premiered there.
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The dilapidated house that Hugh hid out in and that Jay and her friends explored is a house style called the American Foursquare. This style was popular from the 1890s through the 1930s. Many floor plans for the foursquare feature "circular" traffic patters where one can proceed through several rooms and return to the starting point without ever reversing the path: kitchen, vestibule, living room, dining room, and kitchen, for instance. In some homes, adjoining bedrooms shared closets and bathrooms. This kind of "fluid" floor plan would make this style of house particularly desirable if an escape from "It" was needed.
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The poem that Kelly's English teacher reads out loud is TS Eliot's "The Love Song of J. Alfred Prufrock". The poem seems to share some commonalities with the film.
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Some of the cars shown are from more recent times. Some are shown to be from the 60s to late 70s era. The time frame in which this movie is actually set is unknown as some of the technology does not exist, let alone could exist in the supposed "retro" area.
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The film had a mere two million dollar budget.
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Jay is short for Jamie, which some have said is a reference to scream queen Jamie Lee Curtis. In the film, Jay has a younger sister named Kelly. In real life, Jamie Lee Curtis also has a younger sister named Kelly.
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The film alludes to teenage problems through its cinematography. This is seen when Jay is lining up blades of grass on her upper leg (cutting/suicide). As well as Jay's tray of food in her room that first has a pill laid out on a napkin, and later is the only thing touched from the tray (drug dependency).
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Rich Vreeland who composed the soundtrack, plays the announcer in the high school where Jay is searching for Hugh.
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The film's concept derives from a recurring nightmare the director used to have, where he would be stalked by a predator that continually walked slowly towards him.
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Mike Lanier, who plays the very tall "It", is a 7'7" Detroit resident who designs engines for General Motors.
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Although the entire movie seems to be reminiscent of the 60's-80's with no modern technology, Yara is seen several times with a shell-looking touch screen. It looks like a compact mirror, but we see she's reading something from it. Also Annie, the girl in the opening scene is shown calling her father on her mobile phone when she is sitting on the beach.
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In the beginning of the film, when the main character Jay is seen looking into the mirror as she gets ready for her date with Hugh, there are two photos on the mirror: one of Jay in the swimming pool and the other of her and her father. At the end of the film, "It" takes the form of her father and attacks Jay in the swimming pool.
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The director (David Robert Mitchell) said that neither a condom nor same-gender sex would stop the monster and the curse would still be passed.
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When Hugh brings Jay to the abandoned parking structure, the entity- in the form of a naked woman- is seen at the base of the structure wearing sandals. When the entity appears on the upper level of the parking structure moments later, it is barefoot.
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During the scene in the bedroom, the camera is reflected in the TV set.
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The station wagon's column mounted shifter is in the park position when Jay is escaping the lake house scene and crashing into the corn field.
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When Jay and Paul are at the high school trying to discover Hugh's true identity, the principal makes a PA announcement about the fall musical "The Mouse That Roared," which is a real stage play adapted by Christopher Sergel from the novel of the same name by Leonard Wibberley, but is not a musical.
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sex scene|tied to a wheelchair|female frontal nudity|sex in a car|being followed|friend|school|visions|male nudity|male frontal nudity|college classroom|college lecture|college professor|search|college campus|dread|college|invisible|escape plan|dilapidated building|american foursquare house|shot in the head|prostitute|boat|two word title|critically acclaimed|shot with a gun|rain|std|sister sister relationship|sex in a hospital|breaking and entering|timelessness|entity|electronic music score|hospital|movie theater|playground|gun|invisibility|driving|female nudity|ambiguous ending|wheelchair|blood|public swimming pool|indoor swimming pool|death|breaking a window|breaking window|broken arm|car accident|swing|above ground pool|beach|underwater sequence|swimming pool|supernatural horror|surrealism|boyfriend girlfriend relationship|boyfriend|female protagonist|teenage girl|teenager|19 year old|girl|death of friend|

AKAs Titles:
Argentina - Te sigue
Brazil - Corrente do Mal
Canada (French title) - Traqu� e
Chile - Te sigue
Spain - It follows
France - It Follows
Greece - Σο�… '��‡ε�„αι
Croatia - To dolazi
Hungary - Valami k�vet
Latvia - Tas Seko Tev
Poland - Cos za mna chodzi
Serbia - To dolazi
Russia - �žно �лед�ƒе�‚ за �‚обой
Turkey (Turkish title) - Pesimdeki Seytan

Release Dates:


Certifications:
Australia:MA15+ (2015) / Canada:14A (British Columbia) / Finland:K-16 / France:-12 / Germany:12 / Hungary:16 / Ireland:16 / Netherlands:16 / New Zealand:R16 / Norway:15 / Philippines:R-16 / Russia:18+ / Singapore:M18 / South Korea:18 / Sweden:15 / UK:15 / USA:R