Archie Grey Owl is a trapper in Canada in the early 1930s when a young Iroquois woman from town asks him to teach her Indian ways. They live in the woods, where she is appalled at how trapped animals die. She adopts two orphaned beaver kits and helps Archie see his way to stop trapping. Instead, he works as a guide, a naturalist writer, and then the Canadian government hires him to save the beaver in a conserve by Lake Ajawaan in Prince Albert National Park. He writes a biography, which brings him attention in Canada and invitations to lecture in England. Before he leaves, he and Anahareo (Pony) marry. In England, his secret is revealed. Will Anahareo continue to love him?
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Jos.Rock from Seattle
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This docu-drama is what you would expect from Richard Attenborough, the man who gave us "Gandhi": beautifully photographed, compellingly casted, well written in the measured, literate manner that Hollywood discarded in the 30's, and scrupulously accurate. It stands out as a genre film, excelling in its portrayal of native American (or, more appropriately for its Canadian setting, "First Nations") culture and standing with "Black Robe" as a wonderfully photographed piece of Canoe Country and its culture (here, circa 1934). This idyllic portrait derives drama from its subject: Archie "Grey Owl" Belaney, a Scot raised in Hastings (England) by maiden aunts who became so obsessed with the "red indian" tales of his childhood that he went to Canada, disappeared into the woods, and became a trapper and adopted son of an Ojibway band. He was a vain man with a habit of marrying and abandoning
Indian brides, none of whom seem to have thought less of him for it, for he was also an extraordinarily charming and picaresque character. One of his wives (one smarter than he, by most accounts) propelled him into fame as a writer and early advocate for protecting the wild country of the North, and this forms the focus of Attenborough's tale. The chemistry between Brosnan and Annie Galipeau (as Grey Owl's wife Pony) is engaging and, if not firey, is nonetheless quite touching. A good film when you need some time from the madding crowd.
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tazcat39 from Georgia, USA
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I saw this movie on the Hallmark Channel and thought it was wonderful, especially since it was based on a true man. Pierce Brosnan was very good as the loner English man who took on the persona of the half breed Grey Owl. The photography was beautiful.
This movie made me do more research into this character Archie Belaney known simple as Grey Owl. I want to read as much as I can about him. At the time I did not know Richard Attenborough had directed it. But I am not surprised. I like all his movies whether he is acting or directing. I gave it the highest rating. However, I would have liked to have seen more in the movie about WHY he took on this persona as it only showed the two aunts who raised him and his room in their house.
You can't go wrong with this movie if you are like me and enjoy a beautiful story without hearing foul language and contrived special effects every few minutes.
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Colin Barnard (barnyard) from Toronto, CANADA
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Pierce Brosnan will probably be the only thing familiar in Richard Attenborough's new biopic. The rest is new to international audiences: Canadian history and First Nations Culture.
"Grey Owl" is a light examination of how an man came to be adopted into the Ojibway of Northern Ontario, learning and preaching environmentalism decades before it became politically correct to do so. The film contains a love story, a moral message, and a man tortured by his past. That torture, though, is not always brought to life with the dramatic impact that it might.
Nevertheless, it is a film which holds its audience without any violence. It pays deep respect to Canada's First Nations, and presents them in a dignified and non-stereotypical manner. Brosnan's performance is somewhat stiff, but I suspect that's just how Lord Attenborough wanted him.
Thanks from a proud Canadian.
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Martin Pollard from Caerphilly, Wales
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I saw the British premiere of this in Bridgend, South Wales - Richard Attenborough was met with generous applause, his film with polite applause. It is a film equally of the heart and of the head, with emotions and affecting performances never quite being allowed to get in the way of the beautiful photography.
Charming in its own way and with a fascinating tale to tell, Grey Owl never quite gets fired up in the same way as historical rivals like Braveheart and Titanic. And this, possibly shamefully, probably just ironically, would seem to be due to the very thing that Attenborough is keen to sell his own movie on - its lack of violence, action, sex and, above all, excitement.
Still, a graceful and involving film - one which deserves the tag 'worthy' more than many others.
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slofstra from Canada
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The movie is more about Pony than Grey Owl. It's also about aboriginals, Canada, the English, Grey Owl's aunts and the North Bay Nugget. Excellent story.
This is an excellent movie, more like a book, that raises interesting questions about cultural identity and values. The key scene is Grey Owl admitting his imposture to Pony and her reaction.
A few observations on the user ratings. Note that the user ratings are bi-polar clustering at 5 and 7; it's not for everyone, but has a strong following. This movie is underrated and overlooked but will be noticed for years to come. Also, few women have watched the movie but they rate it more highly than men. Has it been marketed properly?
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springhiler from Quebec, Canada
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To the Native People, this movie is about what some call a "would-a-be" or "White Indian"; although the Ojibway people, whom Gray Owl's life turns o not use the word "Indian" but "Anishnabe" which means a good person. Gray Owl as an white and wanting to live the native way, is called a "White Indian".
This movie shows him living on and around Bear Island, in Northern Ontario. Gray Owl, shows us his view of their life through his eyes and explain how the northern Canadian native; has been changed by civilization. (trapping,hunting and tourism as in the scene where the "War dance" is performed after a hat-passing collection) It is also an interesting documentary of how the Canadian beaver became a part of the 5 cent coin; as the story advances into how Gray Owl worked to conserve and even reinstate this animal which was endangered from over trapping.
The story is beautiful told to us who know and live the savage life of the Northern wilderness and how beautiful it is to return to the basic of nature and leave problems of civilization behind.
The scene of most important, to me, also a white Indian, is when Gray Owl meets the Americian Chiefs and they all laugh at the blue-eyed would-a-be Indian. But the quote of the chief was how it did not matter the color of one skin but the color of one's heart.
Everyone should have a dream, but if a Gray Owl we can live this dream it is beautiful.. Another similar and great movie of this type is "The return of a Man called Horse" with Richard Harris.
A lot can be learned from this movie.. even now after I have visited the area and met the people, I still see great lessons. (for example, Gray Owls friend is an Cree and shown this native group,living with the Ojibway on Bear Island.
Interesting off-side of this film is a recent development of an Australian who just finished a summer on Bear Island after wanting to learn about the source of this film. "Broken Arrow - A white Indian"
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Stacie-5 from Ann Arbor, Michigan
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I know some people think the movie is boring but I disagree. It is a biography of a very complex and extraordinary person. I liked the characters in the film and think that leaving parts of Archie's life a mystery captured his humanity. I don't think the purpose of a good biography should be the detailing of someone's life but rather the complexities and relationships that make them interesting. And what is more fascinating than someone so successfully reinventing themselves? "Men become what they dream - you have dreamed well." Good job to Lord Attenborough. I also wanted to mention that Nathaniel Arcand really stood out to me as a charismatic actor and I hope to see him in more films.
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blue-7 from Salt Lake City
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Recently I was looking for the newly issued Wide Screen DVD of FLY AWAY HOME and came upon interesting title that I had never heard of: GREY OWL. The fact that it was a Richard Attenborough Film caught my attention (he responsible for such fine films as GANDHI, CHAPLIN, and SHADOWLANDS). I noticed that the screenplay was by William Nicholson (author of SHADOWLANDS). This "Special Edition" was full of interesting sounding material and the price was just under $10.00 -- so I chanced it & bought it. WOW! What a beautiful film. Pierce Brosnan stars as Archie Grey Owl, a real life trapper in the 1930s, who came to love and respect the wild lands of Canada, and worked to help protect them. Brosnan (who starred in a James Bond film) gives a shaded, warm, powerful performance as does Annie Galipeau as the young woman who loves and influences his feeling for the creatures of the land -- especially the beaver. A fine score by George Fenton (THE CRUCIBLE) and beautiful photograhy by Roger Pratt add greatly to the effectiveness of the film. AND the extras on this DVD are something else! Includes two shorts made in the 1930s with the real Grey Owl as well as audio commentary tracks by Attenborough and Producer Jake Eberts; 2 Featurettes; and many other fine additions PLUS options for those having access to a PC with DVD-ROM features. GREY OWL has been released directly to DVD in the United States -- a fact that Richard Attenborough attributes to Hollywood's lack of interest in distributing something that isn't loaded with a lot of violence and sex. This is a film that not only informs and entertains but leaves you with something to think about. I had a very warm feeling at the films conclusion -- and a whole new love and understanding for beavers! GREY OWL is a very fine film -- worth checking out! This is one I look forward to sharing with others.
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bob the moo from United Kingdom
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Archie Grey Owl had a Scottish mother but he had an Indian father and was raised as such. As an adult in the 1930's he continues to live as his people did – something that draws the interest of Pony, a woman who is looking for her roots having been brought up in the city. She joins him to experience this for herself and gradually finds herself falling in love with him. She convinces him to give up trapping and gets him on the side of conversation and preservation. Gradually his writing and speaking brings him to a world audience and threatens to reveal secrets he himself has denied for years.
When this film came out in the cinema it looked a bit dull and I, like many others, decided not to bother with it. On television I gave it a try and, despite having just about enough going for it to watch, I must admit that my initial impressions were spot on because this is a film that takes its time to really go nowhere. The story is basically that a man raised the importance of conservation to an international level but he was not an Indian as he claimed – and that's pretty much it. Given that we already known the man is not an Indian (not a spoiler – it is a true story and he is played by Bond!) then it is more a matter of waiting for the characters to find out and see what happens. Meanwhile we have lots of gorgeous landscapes and lots of messages about conservation. When the secrets come out, they come out slowly and without fanfare – continuing to make the film feel a little dull and empty.
Brosnan tries hard with a person that the script doesn't really get to the heart of and he does manage to give a good performance even if his dialogue is occasionally a bit too preachy and obvious for my liking. Galipeau is a real problem because she is as wooden as the forests around her and she barely has any chemistry with Brosnan. The support cast are OK but really the film is about Brosnan and it is to his credit that he kept me watching considering how little he had to work with. The direction is as slow and deliberate as the story but this seems to suit the tone of the script and certainly works well with the cinematography and landscapes.
Overall though the film is simply too empty and plodding to really hit the spot. No fuss is made about the secret life – surprisingly considering this seemed to be its main thrust; instead the film looks at Archie himself and is frustrated by how guarded he is (both in reality and the film), again making it drag a bit. In the end large sections just looked good and had a vague conservationist "to thine own self be true" message but not a great deal else. Watchable but requires patience.
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(momsaidjr@yahoo.com) from Fredericksburg, VA
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This film is a wonderful movie based on the life of a man called Grey Owl in 1930s Canada. I found it to be similarly riveting and heartfelt as 'Rudy' and 'Awakenings'. It picks up late in Grey Owl's life and follows him through his most tumultuous and influential period.
The film is about a Canadian Indian trapper who finds himself promoting the plight of the over-trapped Beaver. He also predicts the decrease in natural lands and the overuse of Earth's resources. This is an outrageous concept in the 1930s and surprisingly well received. He becomes a well known speaker and the masses are ready to listen.
The casting of Pierce Brosnan seems rather odd, but is not outrageous. Anyone wanting to argue that point must first watch the movie to understand. Brosnan provides a wonderful performance as does Annie Galipeau. Galipeau is a strong actress whose place beside Brosnan is refreshingly natural compared to the forced pairings in recent Bond films.
I would recommend this film to anyone interested in good drama, beautiful scenery, or environmental causes. It is a movie for families as well, however children under 10 (depending on maturity) would have trouble following the plot.
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AKAs Titles:
Certifications:
Australia:PG / Finland:K-7 / Germany:o.Al. / Singapore:NC-16 / South Korea:12 / Spain:T / Sweden:Btl (DVD rating) / UK:PG / USA:PG-13